By: Frederick Marryat (1792-1848)
|Masterman Ready The Wreck of the "Pacific"|
|The Phantom Ship|
Rebelling against the career chosen for him by his wealthy family, Frederic Marryat joined the Royal Navy in 1806 at the age of 14. He first served as a midshipman in the 38-gun frigate "HMS Imperieuse" commanded by Lord Cochran, 10th Earl of Dundonald whose real life exploits were used by Marryat in his fiction and which formed the basis for other famous fictional characters like Horatio Hornblower and Jack Aubrey. Having survived more than 50 sea battles and attained the rank of Post Captain, he resigned from the Navy and devoted the rest of his life to writing, drawing a good deal on his distinguished career in the Navy and is now considered the Father of Modern Nautical Fiction...
|The Mission; or Scenes in Africa|
|Frank Mildmay Or, the Naval Officer|
|Travels and Adventures of Monsieur Violet|
This is a quite amusing nautical tale of the British Navy of the around the year 1700. While, as with much early 'humor', it is somewhat heavy-handed, the sympathies of the author are clear and good, and cruelty is often averted by good fortune or background characters. First published under the title 'The Dog Fiend', the primary characters are an evil captain of a cutter and his dog. The dog seems indestructible, as is the poor cabin boy who is the butt of the captain's ill humor, and who often is chewed on by the dog...
|The Travels and Adventures of Monsieur Violet in California, Sonora, and Western Texas|
|The Three Cutters|
|Newton Forster The Merchant Service|
|The Settlers in Canada|
|Peter Simple; and, The Three Cutters, Vol. 1-2|
|Japhet in Search of a Father|
|Japhet, in Search of a Father|
|The Privateer's-Man One hundred Years Ago|
|The Little Savage|
|The Poacher Joseph Rushbrook|
Naval Officer, or Scenes in the Life and Adventures of Frank Mildmay
Marryat was a midshipman under Captain Cochrane and this, his first naval adventure, is considered to be a highly autobiographical telling of his adventures with one of Britain's most famous and daring naval captains.
|The Little Savage|
|Snarleyyow or The Dog Fiend|
By: Arthur B. Reeve
The Film Mystery
The Film Mystery is one of eighteen detective novels by Arthur B. Reeve starring his best known character Professor Craig Kennedy and his trusty sidekick Walter Jameson, a newspaper reporter. The pair bears an unmistakable resemblance to the more famous British master sleuth and his doctor friend. The setting of this mystery is the early days of movie making, and the murder victim is Stella Lamar, “the beautiful idol of the screen, beloved of millions”, who collapses and dies during the filming of a scene for her latest movie.
The Master Mystery
While Harry Houdini didn’t rise to fame as a screen actor, silent film makers of the day sought to capitalize on his fame. The Master Mystery was Houdini’s first such attempt, and it was embraced by the viewing public, leading to other screen roles following. The hero (or superhero) is Quentin Locke, scientist, agent of the U.S. Justice Department, and not surprisingly, an escape artist extraordinaire. The Master Mystery follows agent Locke through many pitfalls, in true serial fashion, as he...
The Exploits Of Elaine
The Exploits of Elaine It tells the story of a young woman named Elaine who, with the help of a detective, tries to find the man, known only as “The Clutching Hand”, who murdered her father. (Wikipedia)
The Silent Bullet
The many adventures of Professor Craig Kennedy were chronicled by Arthur B. Reeve (October 15, 1880 - August 9, 1936). Reeve was an American mystery writer who created 82 Craig Kennedy mystery stories. The stories have a very Sherlock Holmes type feel, In fact Kennedy has been referred to as the "American Shelock Holmes". Along with his reporter friend, Walter Jameson, Kennedy solves many crimes and unveils mysteries using science. Each story features a facinating look at life in the early 20th century, and even includes some action along the way.
By: Myrtle Reed (1874-1911)
Lavender and Old Lace
“Jane Hathaway and her niece, Ruth Thorne, have never met. Jane invites Ruth for a visit, but leaves before Ruth comes. Ruth agrees to come to Jane for quiet and rest. When Ruth arrives, the maid gives her a letter from her aunt. In the letter, Aunt Jane does not tell Ruth anything about her trip abroad but insists that Ruth light an oil lamp in the attic each night. Very soon, the all together forgotten past and the steady present are united.”