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By: Henry James (1843-1916) | |
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The American
One of James’s early novels, The American plunges right in to one of the writer’s most enduring subjects, that of the innocent, or at least inexperienced, American abroad, seeking to come to terms with the social customs and conventions of an old European aristocracy (think of Daisy Miller, Portrait of a Lady, The Wings of the Dove and others). The aptly named Christopher Newman, having made a small fortune from business in California, has come to the Old World for the first time, determined to enlarge his experience by learning all he can of it... | |
The Ambassadors
Henry James considered The Ambassadors his best, or perhaps his best-wrought, novel. It plays on the great Jamesian theme of Americans abroad, who finds themselves in an older, and some would say richer and more sophisticated, culture that that of the United States. The protagonist is Lambert Strether, a man in his fifties, editor of a small literary magazine in the manufacturing town of Woollett, Massachusetts, who arrives in Europe on a mission undertaken at the urging of his patron, Mrs. Newsome, to bring home her son Chadwick... | |
The Golden Bowl
The Golden Bowl is a 1904 novel by Henry James. Set in England, this complex, intense study of marriage and adultery completes what some critics have called the “major phase” of James’ career. The Golden Bowl explores the tangle of interrelationships between a father and daughter and their respective spouses. The novel focuses deeply and almost exclusively on the consciousness of the central characters, with sometimes obsessive detail but also with powerful insight. | |
The Altar of the Dead
A fable of literally life and death significance, the story explores how the protagonist tries to keep the remembrance of his dead friends, to save them from being forgotten entirely in the rush of everyday events. He meets a woman who shares his ideals, only to find that the past places what seems to be an impassable barrier between them. Although James was not religious in any conventional sense, the story shows a deep spirituality in its treatment of mortality and the transcendent power of unselfish love. | |
The Wings of the Dove
The Wings of the Dove, published in 1902, represents to my memory a very old–if I shouldn’t perhaps rather say a very young–motive; I can scarce remember the time when the situation on which this long-drawn fiction mainly rests was not vividly present to me. The idea, reduced to its essence, is that of a young person conscious of a great capacity for life, but early stricken and doomed, condemned to die under short respite, while also enamoured of the world; aware moreover of the condemnation and passionately desiring to “put in” before extinction as many of the finer vibrations as possible, and so achieve, however briefly and brokenly, the sense of having lived. | |
The Aspern Papers
One of James’s favorite short novels, the Aspern Papers tells of the efforts of the nameless narrator to procure the papers of a famous, but now dead, American poet. His attempts to secure them from the poet’s former lover and her niece, now recluses in Venice, are stymied both by them, and by his own mistakes in his quest. | |
The Beast in the Jungle
'The Beast in the Jungle' is a 1903 novella by Henry James, first published as part of the collection, The Better Sort. Almost universally considered one of James' finest short narratives, this story treats appropriately universal themes: loneliness, fate, love and death. The parable of John Marcher and his peculiar destiny has spoken to many readers who have speculated on the worth and meaning of human life. | |
The Jolly Corner
“The Jolly Corner,” published in 1908, is considered by many to be a ghost story ranking second only to “The Turn of the Screw.” James’s protagonist, Spencer Brydon, is an American of 56, returned to New York after 33 years in Europe, where he has apparently accomplished little while living off his New York rentals. His friendship with Alice Staverton, and his engagement in the development of a property awaken him to the possibilities that might have been his, had he chosen a different course of life... | |
What Maisie Knew
When Beale and Ida Farange are divorced, the court decrees that their only child, the very young Maisie, will shuttle back and forth between them, spending six months of the year with each. The parents are immoral and frivolous, and they use Maisie to intensify their hatred of each other. | |
The Pupil
Pemberton, a young American with an Oxford education and out of money, takes a job tutoring Morgan Moreen, the 12-year old son of an American couple living in Europe in a style not quite matched by their income. Morgan, who is highly intelligent, is also precocious and perceptive enough to understand his parents' pretentious aimlessness. Nor, as it happens, do his parents pay Pemberton the salary to which they'd agreed -- shouldn't he be satisfied, after all, by his life with them, and by the joy of tutoring young Morgan? Alternately charmed and put off by the Moreen family, Pemberton is left to choose between his attachment to his young pupil and his need to get on in life. | |
In the Cage
In the Cage is a novella by Henry James, first published as a book in 1898. This long story centers on an unnamed London telegraphist. She deciphers clues to her clients' personal lives from the often cryptic telegrams they submit to her as she sits in the "cage" at the post office. Sensitive and intelligent, the telegraphist eventually finds out more than she may want to know. | |
The Figure in the Carpet
The story ostensibly concerns a young literary critic who greatly admires the writer Hugh Vereker. A meeting with Vereker, however, shows him that he — and all other critics — have in fact missed the great point of Vereker’s work, and the critic (and his editor) thereupon devote themselves to trying to unravel the mystery. James’s story, however, almost certainly has an autobiographical side to it, perhaps itself criticizing those critics who couldn’t see, or wouldn’t see, the figures lost in the carpet of his own writing. | |
The Real Thing
The Real Thing is, on one level, a somewhat ironic tale of an artist and two rather particular models. Yet it also raises questions about the relationship between the notion of reality in our humdrum world, and the means that an artist must use in trying to achieve, or reflect, that reality. Though the protagonist is an artist and illustrator of books, not a writer, it's not hard to imagine that James has himself, and other writers, in mind. | |
The Death of the Lion
This short novel is a black comedy about fame, manipulation, pretension, and surviving it all. The narrator, a reprehensible and seedy journalist, sets out to interview a minor author, and in his own quest for glory, turns the author into the celebrity of the day. The sudden and untimely death of the author, with his latest work unfinished, presents a troubling dilemma for the narrator, which he resolves with no more conscience than he had when he began his quest. (Introduction by Christine Dufour) | |
The Spoils of Poynton
The recently widowed Adela Gereth, a lover of beauty and passionate collector of fine objects, strikes up a friendship with the young Fleda Vetch, when both of them find themselves guests in the tasteless house of the Brigstock family. Mrs. Gereth fears that her son Owen, an honorable but somewhat unimaginative young man, may take up with one of the Brigstock girls, and indeed he presently announces his engagement to Mona, the eldest daughter. That means that Mrs. Gereth will have to leave Poynton, the beautiful house that she and her husband filled with the furniture, china, tapestries, and other objects that they lovingly collected over the years... | |
The Sacred Fount
Published in 1901, The Sacred Fount delves into the interior observations and obsessions of one Englishman during a weekend gathering in the country. Regarding himself as a master of human psychology, the narrator watches the goings-on of the other guests and weaves theories about the interpersonal implications of what he witnesses, leaving the not infrequently perplexed reader the task of sorting out whether his conclusions are facts or fancies. (Introduction by S. Kovalchik) | |
Sir Dominick Ferrand
“Levity” is not a word often applied to Henry James, but this story has about it an attractively lighthearted quality. It tells of Peter Baron, a poor, young struggling writer of adequate, if not transcendent, talent, who lives in a dreary London boarding house inhabited also by a mysteriously clairvoyant and beautiful young widow, with her small boy. When Baron buys himself a second-hand writing desk to stimulate the creative juices, he finds carefully hidden within it a cache of letters that appear to compromise a recently deceased statesman... | |
The Bostonians (Vol. 1 & 2)
This bittersweet tragicomedy centers on an odd triangle of characters: Basil Ransom, a political conservative from Mississippi; Olive Chancellor, Ransom's cousin and a Boston feminist; and Verena Tarrant, a pretty, young protégée of Olive's in the feminist movement. The storyline concerns the struggle between Ransom and Olive for Verena's allegiance and affection, though the novel also includes a wide panorama of political activists, newspaper people, and quirky eccentrics. | |
The Birthplace
Neither the name of Shakespeare nor that of Stratford appears directly in this short piece by James, and yet both are absolutely central to his plot. The story has to do with Mr. and Mrs. Gedge, tempted away from a dreary northern town library, which he runs, to become the wardens – caretakers and tour guides – of the house where the greatest writer of the English language was born, and in which he grew up.Or did he? There is, after all, a paucity of facts about His life (in James's text, that pronoun is always capitalized, as befits a deity) and only the slenderest of historical evidence about the existence of such a man... | |
The Coxon Fund
This novella explores the relationship between Frank Saltram, a charismatic speaker who is also a freeloader; Ruth Anvoy, a young American who visits her widowed aunt, Lady Coxon, an American who married a Brit; and George Gravener, a British intellectual with a future in politics who becomes engaged to Ms. Anvoy. The story revolves around the dispersal of The Coxon Fund, a sum of money left by Ms. Anvoy’s father with the stipulation that is be given to a great man to publish and pursue moral truth. | |
Roderick Hudson
Published as a serial in 1875, Roderick Hudson is James's first important novel. The theme of Americans in Europe, so important in much of James's work, is already central to the story. Hudson is a young law student in Northampton, Massachusetts, who shows such surprising ability as a sculptor that the rich Rowland Mallett, visiting a cousin in Northampton, decides to stake him to several years of study in Rome, then a center of expatriate American society. The story has to do not only with Roderick's growth as an artist and the problems it brings, but also as a man susceptible to his new environment, and indeed his occasional rivalries with his American friend and patron... | |
The Tragic Muse | |
Some Short Stories [by Henry James] | |
The Bostonians, Vol. II (of II) | |
The Lesson of the Master |
By: Henry james (1843-1916) | |
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Awkward Age
Nanda Brookenham is coming of age, and thus 'coming out' in London society - which leads to complications in her family's social set in London's fin de siècle life. James presents the novel almost entirely in dialogue, an experiment that adds to the immediacy of the scenes but also creates serious ambiguities about characters and their motives. |
By: Henry james (1843-1916) | |
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Chaperon
What on earth is a girl to do when London society has convicted her mother of a dreadful sin and has ostracized her? If blood is thicker than water, and the daughter remains loyal to her erring parent, how far will affect her own standing in society (and most important, of course) in the marriage market that is controlled by that society? This is the problem facing Rose Tramore and it will take all her charm -- and perseverance -- to solve it. (Nicholas Clifford) |
By: Henry James (1843-1916) | |
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The Pension Beaurepas | |
The Beldonald Holbein | |
Eugene Pickering | |
Georgina's Reasons | |
The Path Of Duty | |
Greville Fane | |
Nona Vincent |
By: Jonathan Swift (1667-1745) | |
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A Modest Proposal
A satirical essay written by one of the most renowned satirists, Jonathan Swift, A Modest Proposal expresses the author’s exasperation with the ill treatment of impoverished Irish citizens as a result of English exploitation and social inertia. Furthermore, Swift ventilates the severity of Ireland’s political incompetence, the tyrannical English policies, the callous attitudes of the wealthy, and the destitution faced by the Irish people. Focusing on numerous aspects of society including government exploitation, reckless greed, hypocrisy, apathy, and prejudice, the essay successfully exemplifies Swift’s satirical skills... | |
Gulliver's Travels Into Several Remote Regions of the World |
By: Jean de La Fontaine (1621-1695) | |
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Fables in Rhyme for Little Folks
Several of La Fontaine’s fables, translated into English by W. T. Larned. |
By: Anthony Trollope (1815-1882) | |
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Can You Forgive Her?
The first book in the political Palliser series, the novel deals with parliamentary politics, while concurrently devoting its pages to much more intricate issues. Presenting three parallel stories, the parliamentary novel draws its attention to three contrasting young women, who are beset with arduous decisions concerning courtship and marriage. Additionally, the novel covers topics including women in conventional society and their discernment, while illustrating the tentative stages of marriage with all the attributes of sacrifice, compromise and temptation... | |
The Way We Live Now
The Way We Live Now is a scathing satirical novel published in London in 1875 by Anthony Trollope, after a popular serialization. It was regarded by many of Trollope’s contemporaries as his finest work. One of his longest novels (it contains a hundred chapters), The Way We Live Now is particularly rich in sub-plot. It was inspired by the financial scandals of the early 1870s, and lashes at the pervading dishonesty of the age, commercial, political, moral, and intellectual. It is one of the last memorable Victorian novels to have been published in monthly parts. | |
Phineas Finn
Phineas Finn is the sequel to “Can you Forgive Her?” and the second novel in Trollope’s Palliser series. The eponymous hero is a young Irishman who becomes a member of the English parliament. Trollope aspired to become an M.P. himself, and he ably describes the workings of the English political scene. There is also a love interest, as the somewhat inconstant Phineas courts three different women: his Irish sweetheart, Mary Flood Jones; Lady Laura Standish, the daughter of a prominent Whig politician; and a lovely heiress, Violet Effingham. | |
Ayala's Angel
Lucy and Ayala Dormer are left penniless by the death of their parents. Ayala is taken in by their rich aunt Lady Tringle and Lucy by their poor uncle Mr Dosett. The girls find it hard to get used to their new surroundings. Lucy becomes engaged to one of her father’s artist friends but they are too poor to marry. Three different men fall in love with Ayala but none live up to her ideal of the perfect man. Will Lucy be able to marry her sweetheart and will Ayala find her ‘Angel of Light’? For the answers to these and many other questions, read this book. | |
Phineas Redux
Phineas Redux is the fourth in Trollope’s series of six Palliser novels. At the end of Phineas Finn, the second novel in the series, Phineas had to return to Ireland to marry his childhood sweetheart, who was expecting their child. As Phineas Redux opens, Phineas is working as a Poorhouse Inspector in Ireland. His wife having died in childbirth, he finds his existence dull and unsatisfying. Phineas’ returns to England; his career advances and his romantic adventures continue, while we encounter many familiar characters including Glencora and Plantagenet Palliser, Madame Goesler, and Lizzie Eustace and her husband the Reverand Mr. Aemelius. | |
Rachel Ray
The love that develops between Luke Rowan and Rachel Ray is not universally welcomed. Mrs. Tappitt- a rich, influential, and bad woman - wishes him to marry one of her own daughters, while Rachel's mother and older sister are not sure he is worthy of her. After many adventures, everybody gets what they deserve. Characteristically to Trollope's works, there is also a secondary plot involving the election of parliament in Baslehurst."Summary by Stav Nisser.The book lives still because of its delicate little scenes of comedy, the meeting of the lovers, Mrs. Tappitt's ball, the bedroom confidences of the Tappitts, Rachel's talks with her mother." -Walpole | |
The Duke's Children
In the last of the six Palliser novels, the sudden death of his wife, Lady Glencora, leaves Plantagenet Palliser, the Duke of Omnium, finding himself in charge of his three children. The eldest, Lord Silverbridge, has recently been expelled from Oxford; his younger brother, Gerald, is about to enter Cambridge; and the youngest, nineteen-year old Lady Mary, has imprudently formed an attachment to Francis Tregear, who, while certainly a gentleman, unfortunately has no income. Before her death, Glencora knew (and approved) of her daughter's attachment; the Duke, however, does not know of it, and is not at all likely to approve... | |
Doctor Thorne
MANUAL OF SURGERY, OXFORD MEDICAL PUBLICATIONSBY ALEXIS THOMSON, F.R.C.S.Ed.PREFACE TO SIXTH EDITION Much has happened since this Manual was last revised, and many surgical lessons have been learned in the hard school of war. Some may yet have to be unlearned, and others have but little bearing on the problems presented to the civilian surgeon. Save in its broadest principles, the surgery of warfare is a thing apart from the general surgery of civil life, and the exhaustive literature now available on every aspect of it makes it unnecessary that it should receive detailed consideration in a manual for students... | |
The Last Chronicle of Barset
Both Trollope and some of his later critics have considered The Last Chronicle to be his greatest novel. Many of its characters are familiar from the earlier Barsetshire novels, including the Rev. Josiah Crawley, the impoverished curate of Hogglestock, whose alleged theft of £20, together with the efforts of many to clear up the mystery, lie here at the center. Central also is the trying courtship between Major Grantly and Grace Crawley, the clergyman's daughter, over the objections of the Major's parents, Archeacon Grantly and his wife; and the adventures of Johnny Eames, a protagonist of the Small House at Allington... | |
Framley Parsonage
Framley Parsonage is the fourth novel in Anthony Trollope's series known as the "Chronicles of Barsetshire", first published in serial form in the Cornhill Magazine in 1860. "Of all novelists in any country, Trollope best understands the role of money. Compared with him even Balzac is a romantic." — W. H. Auden | |
Orley Farm
Orley Farm is Trollope at his best (as good as the Barsetshire series), which means some of the best characterizations in the English language. Trollope's people are real; the beleaguered Lady Mason, charged with forging a will; the aged lover Sir Peregrine Orme; Madeleine Stavely, deeply but practically in love; the shallow, fickle Sophia Furnival and others are 3-dimensional figures that live and breathe. His satire of the so-called "justice" system is the best kind of satire: he just describes the court proceedings as they really are. The result is as up-to-date as today's newspaper. (Introduction by Leonard Wilson) |