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By: Charles W. Diffin (1884-1966) | |
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![]() Mysterious, dark, out of the unknown deep comes a new satellite to lure three courageous Earthlings on to strange adventures. | |
![]() Chet Ballard answers the pinpoint of light that from the craggy desolation of the moon stabs out man's old call for help. |
By: Charles W. Whistler (1856-1913) | |
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By: Charles Waddell Chesnutt (1858-1932) | |
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![]() Published in 1899 by Houghton Mifflin, Chesnutt's first book, The Conjure Woman, was a collection of seven short stories, all set in "Patesville" (Fayetteville), North Carolina. While drawing from local color traditions and relying on dialect, Chesnutt's tales of conjuring, a form of magic rooted in African hoodoo, refused to romanticize slave life or the "Old South." Though necessarily informed by Joel Chandler Harris's popular Uncle Remus stories and Thomas Nelson Page's plantation fiction, The Conjure Woman consciously moved away from these models, instead offering an almost biting examination of pre- and post-Civil War race relations... | |
![]() In The Marrow of Tradition, Charles W. Chesnutt--using the 1898 Wilmington, North Carolina massacre as a backdrop--probes and exposes the raw nerves and internal machinery of racism in the post-Reconstruction-era South; explores how miscegenation, caste, gender and the idea of white supremacy informed Jim Crow laws; and unflinchingly revisits the most brutal of terror tactics, mob lynchings. (Introduction by James K. White) | |
![]() Published in 1899, The Wife of His Youth and Other Stories of the Color Line is a collection of narratives that addresses the impact of Jim Crow laws on African Americans and white Americans of the South. Many of Chesnutt's characters are of mixed-race ancestry which sets them apart for a specific yet degrading kind of treatment from blacks and whites. These stories examine particularly how life in the South was informed through a legacy of slavery and Reconstruction—how members of the “old dominion” desperately struggled to breath life into the corpse of an antebellum caste system that no longer defined the path and direction in which this country was headed... | |
![]() In this, Chesnutt's first novel, he tells the tragic story of love set against a backdrop of racism, miscegenation and “passing” during the period spanning the antebellum and reconstruction eras in American history. And through his use of the vernacular prevalent in the South of that time, Chesnutt lent a compassionate voice to a group that America did not want to hear. More broadly, however, Chesnutt illustrated, in this character play, the vast and perhaps insurmountable debt this country continues to pay for the sins of slavery. | |
![]() In this novel, Chesnutt described the hopelessness of Reconstruction in a post-Civil War South that was bent on reestablishing the former status quo and rebuilding itself as a region of the United States where new forms of "slavery" would replace the old. This novel illustrated how race hatred and the impotence of a reluctant Federal Government trumped the rule of law, ultimately setting the stage for the rise of institutions such as Jim Crow, lynching, chain gangs and work farms--all established with the intent of disenfranchising African Americans. |
By: Charles Warren Adams (1833-1903) | |
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![]() Charles Felix was the pseudonym of Charles Warren Adams, an English Lawyer and publisher and is now known to have been the author of "The Notting Hill Mystery", thought to be the first full length detective novel in English. The story first appeared as an eight part serial in a weekly magazine in 1862, and was subsequently published as a single volume novel in 1865. The story deals with the then newly emerging field of 'mesmerism' which we now know as hypnotism, and its use in the planning and execution of three truly devious crimes... |
By: Charles Wesley Alexander (1837-1927) | |
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By: Charles Willard Diffin (1884-1966) | |
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![]() Through Infinite Deeps of Space Jerry Foster Hurtles to the Moon—Only to be Trapped by a Barbaric Race and Offered as a Living Sacrifice to Oong, their Loathsome, Hypnotic God. |
By: Charles Willing Beale (1845-1932) | |
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![]() Do you think you understand ghosts? Now you will.Paul Henley, seemingly summoned to a mysterious rural Virginia mansion from his home in New York, finds himself as a guest at a remote, dilapidated colonial house with a host and a hostess every bit as mysterious as the house itself. Might Dorothy, his hostess, somehow be implicated in the hideous crime which he came to know took place in the hidden depths of Guir House some years ago? He hardly thought so, she seemed so innocent. And yet .... (Introduction by Roger Melin) |
By: Charles Winslow Hall (1843-1916) | |
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By: Charlotte B. Herr (1875-1963) | |
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By: Charlotte Brontë (1816-1855) | |
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![]() The book tells the story of a young man named William Crimsworth. It describes his maturation, his loves and his eventual career as a professor at an all-girls’ school. | |
![]() Shirley is an 1849 social novel by the English novelist Charlotte Brontë. It was Brontë's second published novel after Jane Eyre (originally published under Brontë's pseudonym Currer Bell). The novel is set in Yorkshire in the period 1811–1812, during the industrial depression resulting from the Napoleonic Wars and the War of 1812. The novel is set against a backdrop of the Luddite uprisings in the Yorkshire textile industry. | |
![]() Miss Mabel Wilcox, the owner of a newly opened girl's boarding school, meets the wealthy Mr. Conway Fitzgibbon, who drops off his frail daughter to be educated there. When background checks are made, it is discovered that no well-to-do family by the name of Fitzgibbon exists! Supposed Matilda Fitzgibbon is a pseudo-heiress - a fake! What is Miss Wilcox to do?Published posthumously and prefaced by Charlotte Brontë's editor, W. M. Thackeray, these two chapters are the only existing fragments of Emma, the novel Brontë worked on until her untimely death. Since then, it has been "completed" twice by other authors |
By: Charlotte Dacre | |
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![]() Victoria de Loredani lives the life of a fairy tale princess in Venice. She has everything one might desire and more, until the sinister Count Ardolph enters her world. The Count carries off Victoria's mother in an elopement, and sets off a series of dramatic events that begin to unhinge Victoria's life entirely. Passion, brutality, and murder begin to dominate the separated worlds of Victoria and her brother Leonardo. - Summary by Carolin |
By: Charlotte Grace O'Brien (1845-1909) | |
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![]() A poor boy discovers the value of honesty and industry. More than that, he discovers the value of his relationship with God. (Introduction by Robert Harder) |
By: Charlotte M. Brame (1836-1884) | |
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By: Charlotte M. Higgins | |
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By: Charlotte M. Yonge (1823-1901) | |
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![]() The Little Duke by Charlotte M. Yonge is historical fiction based on the the life of Richard, Duke of Normandy. He assumes the title of Duke at only 8 years of age, after his father is murdered. The story first appeared in her magazine, The Monthly Packet, as a serial. | |
![]() Travel with Little Lucy around the globe and learn a little geography and small bits about other cultures. |
By: Charlotte Maria Tucker (1821-1893) | |
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![]() Ned Franks, a one-armed Christian sailor, returns to his sister's home after several years away at sea. She and her son are not Christians, and are cold toward him, viewing him as a hindrance and expense. By his upright, kind behavior and willingness to work, he soon begins supporting himself and becomes well-liked in the community, especially by the children. Various other characters face and overcome challenges, including a servant girl who breaks a habit of dishonesty and a Jew who is faced with the reality that Jesus Christ is the Messiah... |
By: Charlotte Mary Yonge (1823-1901) | |
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![]() The Heir of Redclyffe (1853) was the first of Charlotte M. Yonge's bestselling romantic novels. Its religious tone derives from the High Church background of her family and from her friendship with a leading figure in the Oxford Movement, John Keble, who closely supervised the writing of the book. The germ of its plot was suggested by her friend Marianne Dyson. | |
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