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By: Furnley Maurice (1881-1942) | |
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By: Fyodor Dostoyevsky (1821-1881) | |
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![]() A mysterious crime is being plotted in a tiny garret above a dilapidated apartment building in St Petersburg in Russia. The plotter, Rodion Raskolinikov, is a poor student who has delusions of ridding the world of “worthless vermin” and counter balancing these crimes with good deeds. He commits a murder to test his own theories and prove that crime comes naturally to the human species. Crime and Punishment is a path-breaking novel of ideas that changed the course of novel writing in the 20th century... | |
![]() Set in 19th century Russia, The Brothers Karamazov (Russian: Братья Карамазовы) is the last novel written by the illustrious author Fyodor Dostoyevsky who died a few months before the book's publication. The deeply philosophical and passionate novel tells the story of Fyodor Karamazov, an immoral debauch whose sole aim in life is the acquisition of wealth. Twice married, he has three sons whose welfare and upbringing, he cares nothing about. At the beginning of the story, Dimitri Karamazov, the eldest son who is now a twenty-eight year old war veteran, returns to his home town to claim the inheritance left to him by his dead mother... | |
![]() The extraordinary child-adult Prince Myshkin, confined for several years in a Swiss sanatorium suffering from severe epilepsy, returns to Russia to claim his inheritance and to find a place in healthy human society.The teeming St Petersburg community he enters is far from receptive to an innocent like himself, despite some early successes and relentless pursuit by grotesque fortune-hunters. His naive gaucheries give rise to extreme reactions among his new acquaintance, ranging from anguished protectiveness to mockery and contempt... | |
![]() The Gambler is a short novel by Fyodor Dostoevsky about a young tutor in the employment of a formerly wealthy Russian general. The novella reflects Dostoevsky's own addiction to roulette, which was in more ways than one the inspiration for the book: Dostoevsky completed the novella under a strict deadline so he could pay off gambling debts. | |
![]() White Nights and Other Stories by Fyodor Dostoyevsky is a compilation published in 1918 by The MacMillan Company, NY (USA) and Heinemann (UK). It contains these 7 works:- White Nights- Notes from the Underground- A Faint Heart- A Christmas Tree and a Wedding- Polzunkov- A Little Hero- Mr. Prohartchin | |
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![]() Ivan Matveich, the most ordinary person you might hope to meet, is swallowed alive by a crocodile at a sideshow. Finding life inside the belly of the beast quite comfortable, he makes a home for himself there. His disquisitions on the state of the world from inside the crocodile make him quite a name for himself; while all the while the discussion rages outside as to whether the beast is going to be cut open to release him or not, its value as a sideshow attraction having massively increased owing to the presence of the human voice buried inside it. One of Jorge Luis Borges' seven most favourite stories. - Summary by Tony Addison | |
![]() THE PERMANENT HUSBAND, also published as The Eternal Husband, is a psychological novella by the acclaimed Russian author Fyodor Dostoyevsky. The plot revolves around the intense and complex relationship between Velchaninov and Trusotsky. Velchaninov, the protagonist, is a former lover of the recently deceased wife of Trusotsky, the title character. Some critics have ranked this novella among Dostoeyevsky’s best works because of its style and structure. Alfred Bem has called it "one of the most complete works by Dostoyevsky in regards to its composition and development. – Adapted from Wikipedia An excellent commentary may be found here. |
By: G. Boare | |
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By: G. C. Huddleston | |
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By: G. E. Wyatt | |
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By: G. Firth Scott | |
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By: G. J. (George John) Whyte-Melville (1821-1878) | |
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By: G. K. Chesterton (1874-1936) | |
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![]() Two poets in a London park at sunset, debating on the attributes of poetry and whether it's really a metaphor for anarchy. A group that meets in secret, planning to overthrow the world order. Disguises and deceptions, ideals and ideology. A medley of themes and genres makes this a great read for anyone who's a fan of Chesterton and his iconic Father Brown. The Man Who Was Thursday includes Chesterton's favorite theme of Christianity with touches of delightful humor to enliven the twists and turns that abound throughout the book... | |
![]() A Chief of Police hosts a dinner party for an American millionaire wishing to will his entire fortune to the Church of France. Jewels that have been stolen and recovered so many times that they're known colloquially by thieves as The Flying Stars. A murder committed by an invisible man. These and many others are the mysteries that are presented to the lovable, bumbling, stumpy Man of God, Father Brown. The Innocence of Father Brown, by G.K. Chesterton is a collection of eleven stories which marks the debut of this most unusual detective... | |
![]() Gilbert Keith Chesterton was a prolific writer on many topics. His views of history were always from the standpoint of men and their interactions, and it may fairly be said he saw all of history as a battle between civilization and barbarism. So it has always been, and that remains true even today.“But it is especially in the matter of the Middle Ages that the popular histories trample upon the popular traditions. In this respect there is an almost comic contrast between the general information... | |
![]() A collection of six wonderfully quirky detective stories, featuring the ‘mystic’ former judge Basil Grant. Each story reveals a practitioner of an entirely new profession, and member of the Club of Queer Trades. | |
![]() Gilbert Keith Chesterton (1874–1936) has been called the “prince of paradox.” Time magazine observed of his writing style: “Whenever possible Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out.” His prolific and diverse output included journalism, philosophy, poetry, biography, Christian apologetics, fantasy and detective fiction. The title of Chesteron’s 1910 collection of essays was inspired by a title given to him two years earlier by The Times newspaper, which had asked a number of authors to write on the topic: “What’s wrong with the world?”... | |
![]() Most Eugenists are Euphemists. I mean merely that short words startle them, while long words soothe them. And they are utterly incapable of translating the one into the other, however obviously they mean the same thing. Say to them “The persuasive and even coercive powers of the citizen should enable him to make sure that the burden of longevity in the previous generation does not become disproportionate and intolerable, especially to the females”; say this to them and they will sway slightly to and fro like babies sent to sleep in cradles. Say to them “Murder your mother,” and they sit up quite suddenly. Yet the two sentences, in cold logic, are exactly the same.” | |
![]() An English epic poem that follows the exploits of Alfred the Great in his defense of Christian civilization in England from the heathen nihilism of the North. Following a string of defeats at the hands of the invading Danes, a vision from heaven in the river island of Athelney fills Alfred with joy and hope. Though it gives no promise of victory in the coming struggle, it inspires him to rally his chieftains for a last stand against the invading hordes. His adventures lead throughout the country... | |
![]() Gilbert Keith Chesterton was an influential English writer of the early 20th century. His prolific and diverse output included journalism, philosophy, poetry, biography, Christian apologetics, fantasy, and detective fiction. Chesterton has been called the “prince of paradox.” He wrote in an off-hand, whimsical prose studded with startling formulations. Chesterton wrote about 4000 essays on various subjects, and “Ararms and Discursions is one of his collections. | |
![]() While the novel is humorous (one instance has the King sitting on top of an omnibus and speaking to it as to a horse: “Forward, my beauty, my Arab,” he said, patting the omnibus encouragingly, “fleetest of all thy bounding tribe”), it is also an adventure story: Chesterton is not afraid to let blood be drawn in his battles, fought with sword and halberd in the London streets, and Wayne thinks up a few ingenious strategies; and, finally, the novel is philosophical, considering the value of one man’s actions and the virtue of respect for one’s enemies. | |
![]() “Let me begin my American impressions with two impressions I had before I went to America. One was an incident and the other an idea; and when taken together they illustrate the attitude I mean. The first principle is that nobody should be ashamed of thinking a thing funny because it is foreign; the second is that he should be ashamed of thinking it wrong because it is funny.” (Gilbert Keith Chesterton) | |
![]() “On the road to Cairo one may see twenty groups exactly like that of the Holy Family in the pictures of the Flight into Egypt; with only one difference. The man is riding on the ass.” “The real mistake of the Muslims is something much more modern in its application than any particular passing persecution of Christians as such. It lay in the very fact that they did think they had a simpler and saner sort of Christianity, as do many modern Christians. They thought it could be made universal merely by being made uninteresting... | |
![]() “Second, when telling such lies as may seem necessary to your international standing, do not tell the lies to the people who know the truth. Do not tell the Eskimos that snow is bright green; nor tell the negroes in Africa that the sun never shines in that Dark Continent. Rather tell the Eskimos that the sun never shines in Africa; and then, turning to the tropical Africans, see if they will believe that snow is green. Similarly, the course indicated for you is to slander the Russians to the English and the English to the Russians; and there are hundreds of good old reliable slanders which can still be used against both of them... | |
![]() The flying blast struck London just where it scales the northern heights, terrace above terrace, as precipitous as Edinburgh. It was round about this place that some poet, probably drunk, looked up astonished at all those streets gone skywards, and (thinking vaguely of glaciers and roped mountaineers) gave it the name of Swiss Cottage, which it has never been able to shake off. At some stage of those heights a terrace of tall gray houses, mostly empty and almost as desolate as the Grampians, curved... | |
![]() A collection of reprinted articles on a wide-range of subject, all in the unique style of G. K. Chesterton. Using wit, paradox, and good humor he “defends” a series of seeming harmless things that need no defense, and in so doing he exposes many of the broken assumptions and dogmatic notions of secular humanism and other trends of his age and of ours. | |
![]() “Unless we are all mad, there is at the back of the most bewildering business a story: and if we are all mad, there is no such thing as madness. If I set a house on fire, it is quite true that I may illuminate many other people’s weaknesses as well as my own. It may be that the master of the house was burned because he was drunk; it may be that the mistress of the house was burned because she was stingy, and perished arguing about the expense of the fire-escape. It is, nevertheless, broadly true that they both were burned because I set fire to their house. That is the story of the thing. The mere facts of the story about the present European conflagration are quite as easy to tell.” | |
![]() “None of us think enough of these things on which the eye rests. But don’t let us let the eye rest. Why should the eye be so lazy? Let us exercise the eye until it learns to see startling facts that run across the landscape as plain as a painted fence. Let us be ocular athletes. Let us learn to write essays on a stray cat or a coloured cloud. I have attempted some such thing in what follows; but anyone else may do it better, if anyone else will only try. ” (Gilbert Keith Chesterton) | |
![]() Another delightful and sharply pointed excursion into the topics of the day, and of our day as well, with Gilbert Keith Chesterton. Here he uses his wit and mastery of paradox to bring into focus a number of historical persons who in many ways typify the people who presently shape our world and who in their own right have already shaped Western civilization. These reprinted magazine articles are filled with his good natured wit and devastating ability to use reductio ad absurdum to destroy the popular myths that drive our society at full-speed into, and expose the utter nonsense that underlies, secular humanism. You will come away with yet another new collection of wonderful quotes. | |
![]() “Now I have said again and again (and I shall continue to say again and again on all the most inappropriate occasions) that we must hit Capitalism, and hit it hard, for the plain and definite reason that it is growing stronger. Most of the excuses which serve the capitalists as masks are, of course, the excuses of hypocrites. They lie when they claim philanthropy; they no more feel any particular love of men than Albu felt an affection for Chinamen. They lie when they say they have reached their position through their own organising ability... |