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By: Frederic W. Moorman (1872-1919) | |
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By: Frederick A. Ober (1849-1913) | |
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By: Frederick Arthur Ambrose Talbot (1880-) | |
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By: Frederick C. (Frederick Charles) Hicks (1875-) | |
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By: Frederick Davis Greene (1853-1940) | |
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![]() Frederick Greene shows in this book that the case of the subject races in the Ottoman Empire is desperate, that there is no hope of reform from within, and that relief vimust therefore come through the interference of the powers of Europe. Their action depends largely on the support of the public. “Public opinion,” therefore, “must be brought to bear upon this case,” as Mr. Gladstone said in the House of Commons six years ago. Since then there has been added a new chapter of horrors, and the demand for decisive action in the name of our common humanity has become more urgent... |
By: Frederick Douglas How (1853-) | |
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By: Frederick Edwin Smith Birkenhead (1872-1930) | |
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By: Frederick George Scott (1861-1944) | |
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By: Frederick Herman Tilberg (1895-1979) | |
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![]() The American Civil War battle at Antietam, Maryland, on 17 September 1862, has been called the bloodiest day of that conflict. Confederate General Lee’s invasion of the North was repulsed, and when the fighting ended, the course of the Civil War had been greatly altered. This victory by the North moved President Abraham Lincoln to issue The Emancipation Proclamation, freeing all slaves in states then in rebellion against the Union. This 1960 publication is number 31 in the Historical Handbook series put out by the U... | |
![]() On the gently rolling farm lands surrounding the little town of Gettysburg, Pa., was fought one of the great decisive battles of American history. For 3 days, from July 1 to 3, 1863, a gigantic struggle between 75,000 Confederates and 88,000 Union troops raged about the town and left 51,000 casualties in its wake. Heroic deeds were numerous on both sides, climaxed by the famed Confederate assault on July 3 which has become known throughout the world as Pickett’s Charge. The Union victory gained on these fields ended the last Confederate invasion of the North and marked the beginning of a gradual decline in Southern military power... |
By: Frederick Hoffman | |
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By: Frederick Jackson Turner (1861-1932) | |
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By: Frederick James Furnivall (1825-1910) | |
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By: Frederick John Lazell (1870-1940) | |
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By: Frederick L. (Frederick Lyman) Hitchcock | |
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By: Frederick Lewis Maitland (1777-1839) | |
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By: Frederick Litchfield | |
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![]() From the Earliest to the Present TimeBy Frederick Litchfield.PREFACE.In the following pages the Author has placed before the reader an account of the changes in the design of Decorative Furniture and Woodwork, from the earliest period of which we have any reliable or certain record until the present time. A careful selection of illustrations has been made from examples of established authenticity, the majority of which are to be seen, either in the Museums to which reference is made, or by permission of the owners; and the representations of the different interiors will convey an idea of the character and disposition of the furniture of the periods to which they refer... |
By: Frederick Marryat (1792-1848) | |
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![]() One of the first novel-length pieces of nautical fiction, MR. MIDSHIPMAN EASY (1836) is a funny and easygoing account of the adventures of Jack Easy, a son of privilege who joins the Royal Navy. The work begins as a satire on Jack’s attachment to “the rights of man” that may try the listener’s patience. But despair not, for the story soon settles down as the philosophical midshipman begins his many triumphs over bullies, foul weather, and various damned foreigners of murderous intent.Caveat audiens: This novel employs racial/ethnic epithets and religious stereotypes, as well as taking a rather sunny view of supply-side economics... | |
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![]() Rebelling against the career chosen for him by his wealthy family, Frederic Marryat joined the Royal Navy in 1806 at the age of 14. He first served as a midshipman in the 38-gun frigate "HMS Imperieuse" commanded by Lord Cochran, 10th Earl of Dundonald whose real life exploits were used by Marryat in his fiction and which formed the basis for other famous fictional characters like Horatio Hornblower and Jack Aubrey. Having survived more than 50 sea battles and attained the rank of Post Captain, he resigned from the Navy and devoted the rest of his life to writing, drawing a good deal on his distinguished career in the Navy and is now considered the Father of Modern Nautical Fiction... | |
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![]() Marryat was a midshipman under Captain Cochrane and this, his first naval adventure, is considered to be a highly autobiographical telling of his adventures with one of Britain's most famous and daring naval captains. | |
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By: Frederick O'Brien (1869-1932) | |
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By: Frederick R. (Frederick Ritchie) Bechdolt (1874-1950) | |
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By: Frederick Sleigh Roberts Roberts (1832-1914) | |
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By: Frederick Spencer Hamilton (1856-1928) | |
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By: Frederick St. George De Lautour Booth-Tucker (1853-1929) | |
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By: Frederick Starr (1858-1933) | |
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By: Frederick Trevor Hill (1866-1930) | |
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By: Frederick W. Browne | |
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By: Frederick W. Hamilton (1860-1940) | |
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By: Frederick W. Woodhouse | |
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By: Frederick Whymper (1838-1901) | |
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![]() Everything about the sea: history of ships, famous mariners and life on shipboard, adventure, shipwrecks and daring rescues. - Summary by Kikisaulite |
By: Frederick Young (1817-1913) | |
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By: Friedrich Bente (1858-1930) | |
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By: Friedrich Engels (1820-1895) | |
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![]() This is Engels' first book (since considered a classic account of England's working class in the industrial age), which argues that workers paid a heavy price for the industrial revolution that swept the country. Engels wrote the piece while staying in Manchester from 1842 to 1844, based on th bohis observations and several contemporary reports conducted over the period. |
By: Friedrich Heinrich Karl Freiherr de La Motte-Fouqué (1777-1843) | |
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By: Friedrich Nietzsche (1844-1900) | |
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![]() A collection of three of Nietzsche's writings concerning the music of Wagner. In particular, he relates Wagner's music as degenerate, unrefined and unintelligent and relates it to a gradually degenerating German culture and society. The translator provides a detailed introduction. | |
![]() "Human, all-too-Human, is the monument of a crisis. It is entitled: 'A book for free spirits,' and almost every line in it represents a victory—in its pages I freed myself from everything foreign to my real nature. Idealism is foreign to me: the title says, 'Where you see ideal things, I see things which are only—human alas! all-too-human!' I know man better—the term 'free spirit' must here be understood in no other sense than this: a freed man, who has once more taken possession of himself." | |
![]() In this famous early work of German philosopher Friedrich Nietzsche, he investigates the artistic characteristics of Apollonian and Dionysian characteristics in Greek art, specifically in Greek tragedy as it evolved. Then he applies his conclusions about Greek tragedy to the state of modern art, especially modern German art and specifically to the operas of Richard Wagner. | |
![]() “The essays contained in this volume treat of various subjects. With the exception of perhaps one we must consider all these papers as fragments. Written during the early Seventies, and intended mostly as prefaces, they are extremely interesting, since traces of Nietzsche's later tenets—like Slave and Master morality, the Superman—can be found everywhere. But they are also very valuable on account of the young philosopher's daring and able handling of difficult and abstruse subjects. "Truth and Falsity," and "The Greek Woman" are probably the two essays which will prove most attractive to the average reader.” - Summary by Maximilian Mügge, Translator |
By: Friedrich Schiller | |
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![]() The History of the Thirty Years War is a five volume work, which followed his very successful History of the Revolt of the Netherlands. Written for a wider audience than Revolt, it is a vivid history, colored by Schiller’s own interest in the question of human freedom and his rationalist optimism. Volume 1 covers the background of the war, through the Battle of Prague in late 1620. (Introduction by Alan Winterrowd) | |
![]() Schiller's tragedy depicts the final days of Mary, Queen of Scots, who has been imprisoned by her cousin, Queen Elizabeth I, because of her potential claim on the English throne. The action of the play revolves around an attempt to rescue Mary from prison and Elizabeth's indecision over whether or not to have her executed. The 1801 translation is by Joseph Mellish, a friend of Schiller's. | |
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