Everything about the sea: history of ships, famous mariners and life on shipboard, adventure, shipwrecks and daring rescues. - Summary by Kikisaulite

This is Engels' first book (since considered a classic account of England's working class in the industrial age), which argues that workers paid a heavy price for the industrial revolution that swept the country. Engels wrote the piece while staying in Manchester from 1842 to 1844, based on th bohis observations and several contemporary reports conducted over the period.

A collection of three of Nietzsche's writings concerning the music of Wagner. In particular, he relates Wagner's music as degenerate, unrefined and unintelligent and relates it to a gradually degenerating German culture and society. The translator provides a detailed introduction.

"Human, all-too-Human, is the monument of a crisis. It is entitled: 'A book for free spirits,' and almost every line in it represents a victory—in its pages I freed myself from everything foreign to my real nature. Idealism is foreign to me: the title says, 'Where you see ideal things, I see things which are only—human alas! all-too-human!' I know man better—the term 'free spirit' must here be understood in no other sense than this: a freed man, who has once more taken possession of himself."

In this famous early work of German philosopher Friedrich Nietzsche, he investigates the artistic characteristics of Apollonian and Dionysian characteristics in Greek art, specifically in Greek tragedy as it evolved. Then he applies his conclusions about Greek tragedy to the state of modern art, especially modern German art and specifically to the operas of Richard Wagner.

“The essays contained in this volume treat of various subjects. With the exception of perhaps one we must consider all these papers as fragments. Written during the early Seventies, and intended mostly as prefaces, they are extremely interesting, since traces of Nietzsche's later tenets—like Slave and Master morality, the Superman—can be found everywhere. But they are also very valuable on account of the young philosopher's daring and able handling of difficult and abstruse subjects. "Truth and Falsity," and "The Greek Woman" are probably the two essays which will prove most attractive to the average reader.” - Summary by Maximilian Mügge, Translator

The History of the Thirty Years War is a five volume work, which followed his very successful History of the Revolt of the Netherlands. Written for a wider audience than Revolt, it is a vivid history, colored by Schiller’s own interest in the question of human freedom and his rationalist optimism. Volume 1 covers the background of the war, through the Battle of Prague in late 1620. (Introduction by Alan Winterrowd)

Schiller's tragedy depicts the final days of Mary, Queen of Scots, who has been imprisoned by her cousin, Queen Elizabeth I, because of her potential claim on the English throne. The action of the play revolves around an attempt to rescue Mary from prison and Elizabeth's indecision over whether or not to have her executed. The 1801 translation is by Joseph Mellish, a friend of Schiller's.

A brief record of the fighting on the Eastern front in the great war by a participant in that great and terrible conflict

Gilbert Keith Chesterton was a prolific writer on many topics. His views of history were always from the standpoint of men and their interactions, and it may fairly be said he saw all of history as a battle between civilization and barbarism. So it has always been, and that remains true even today.“But it is especially in the matter of the Middle Ages that the popular histories trample upon the popular traditions. In this respect there is an almost comic contrast between the general information...

Orthodoxy is a book that has become a classic of Christian apologetics. In the book's preface Chesterton states the purpose is to "attempt an explanation, not of whether the Christian faith can be believed, but of how he personally has come to believe it." In it, Chesterton presents an original view of the Christian religion. He sees it as the answer to natural human needs, the "answer to a riddle" in his own words, and not simply as an arbitrary truth received from somewhere outside the boundaries of human experience.

Gilbert Keith Chesterton (1874–1936) has been called the “prince of paradox.” Time magazine observed of his writing style: “Whenever possible Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out.” His prolific and diverse output included journalism, philosophy, poetry, biography, Christian apologetics, fantasy and detective fiction. The title of Chesteron’s 1910 collection of essays was inspired by a title given to him two years earlier by The Times newspaper, which had asked a number of authors to write on the topic: “What’s wrong with the world?”...

An English epic poem that follows the exploits of Alfred the Great in his defense of Christian civilization in England from the heathen nihilism of the North. Following a string of defeats at the hands of the invading Danes, a vision from heaven in the river island of Athelney fills Alfred with joy and hope. Though it gives no promise of victory in the coming struggle, it inspires him to rally his chieftains for a last stand against the invading hordes. His adventures lead throughout the country...

“Let me begin my American impressions with two impressions I had before I went to America. One was an incident and the other an idea; and when taken together they illustrate the attitude I mean. The first principle is that nobody should be ashamed of thinking a thing funny because it is foreign; the second is that he should be ashamed of thinking it wrong because it is funny.” (Gilbert Keith Chesterton)

“On the road to Cairo one may see twenty groups exactly like that of the Holy Family in the pictures of the Flight into Egypt; with only one difference. The man is riding on the ass.” “The real mistake of the Muslims is something much more modern in its application than any particular passing persecution of Christians as such. It lay in the very fact that they did think they had a simpler and saner sort of Christianity, as do many modern Christians. They thought it could be made universal merely by being made uninteresting...

“Now I have said again and again (and I shall continue to say again and again on all the most inappropriate occasions) that we must hit Capitalism, and hit it hard, for the plain and definite reason that it is growing stronger. Most of the excuses which serve the capitalists as masks are, of course, the excuses of hypocrites. They lie when they claim philanthropy; they no more feel any particular love of men than Albu felt an affection for Chinamen. They lie when they say they have reached their position through their own organising ability...

“The paradox of all this part of his life lies in this–that, destined as he was to be the greatest enemy of Mahomedanism, he was quite exceptionally a friend of Mahomedans.”