Dead Souls by Nikolai Gogol, Russian writer, was first published in 1842, and is one of the most prominent works of 19th-century Russian literature. Gogol himself saw it as an “epic poem in prose”, and within the book as a “novel in verse”. Despite supposedly completing the trilogy’s second part, Gogol destroyed it shortly before his death. Although the novel ends in mid-sentence (like Sterne’s Sentimental Journey), it is usually regarded as complete in the extant form. In Russia before the emancipation of the serfs in 1861, landowners were entitled to own serfs to farm their land...

The Book of Tea was written by Okakura Kakuzo in the early 20th century. It was first published in 1906, and has since been republished many times. – In the book, Kakuzo introduces the term Teaism and how Tea has affected nearly every aspect of Japanese culture, thought, and life. The book is noted to be accessibile to Western audiences because though Kakuzo was born and raised Japanese, he was trained from a young age to speak English; and would speak it all his life, becoming proficient at communicating his thoughts in the Western Mind...

Also known as “The Children’s Homer,” this is Irish writer Padraic Colum’s retelling of the events of Homer’s Iliad and Odyssey for young people. Colum’s rich, evocative prose narrates the travails of Odysseus, King of Ithaca: his experiences fighting the Trojan War, and his ten years’ journey home to his faithful wife Penelope and his son Telemachus.

Throughout the ages, languages continue to adapt and change. English, being a relatively new language, is a nice example of that. Though the English vocabulary is continually evolving, the system of punctuation has remained constant for the most part. This means that grammar books from 1895 are still applicable today. Therefore, if the following sentence looks correct to you, perhaps listening to Paul Allardyce’s “Stops, or How to Punctuate” would be a good idea.

The fable is a small narrative, in prose or verse, which has as its main characteristic the aim of conveying a moral lesson (the “moral”), implicitly or, more normally, explicitly expressed. Even though the modern concept of fable is that it should have animals or inanimated objects as characters – an idea supported by the works of famous fabulists such as Aesop and La Fontaine – Phaedrus, the most important Latin fabulist, is innovative in his writing. Although many of his fables do depict animals or objects assuming speech, he also has many short stories about men, writing narratives that seem to the modern eye more like short tales than fables...

Plato's Republic is a Socratic dialogue which deals mainly with the definition of justice, the characteristics of a just city state and the just man. Although it was written more than two thousand years ago, many of the ideas and thoughts expounded here are still very much relevant to modern society. This is Plato's best known work and is also considered his most influential especially when it comes to the fields of philosophy and political theory. The Republic is divided into ten books and in each book Socrates discusses different topics from the immortality of the soul to the meaning of justice with his disciples like Glaucon, Thrasymachus, Adeimantus and others...

Awaiting his trial on charges of impiety and heresy, Socrates encounters Euthyphro, a self-proclaimed authority on matters of piety and the will of the gods. Socrates, desiring instruction in these matters, converses with Euthyphro, but as usual, the man who professes to know nothing fares better than the man who claims to be an expert. One of Plato’s well-known Socratic Dialogues, Euthyphro probes the nature of piety, and notably poses the so-called Euthyphro Dilemma: Do the gods love a thing because it is holy, or is a thing holy because it is loved by the gods?

The Symposium (Ancient Greek: Συμπόσιον) is a philosophical book written by Plato sometime after 385 BCE. On one level the book deals with the genealogy, nature and purpose of love, on another level the book deals with the topic of knowledge, specifically how does one know what one knows. The topic of love is taken up in the form of a group of speeches, given by a group of men at a symposium or a wine drinking party at the house of the tragedian Agathon at Athens. Plato constructed the Symposium as a story within a story within a story...

In Plato’s Ion, Socrates questions Ion on whether he should really claim laud and glory for his ‘rhapsodic’ recitals of Homer’s poetry.

“Our intention is, that Timaeus, who is the most of an astronomer amongst us, and has made the nature of the universe his special study, should speak first, beginning with the generation of the world and going down to the creation of man…” ‘Timaeus’ is usually regarded as one of Plato’s later dialogues, and provides an account of the creation of the universe, with physical, metaphysical and ethical dimensions, which had great influence over philosophers for centuries following. It attributes the order and beauty of the universe to a benevolent demiurge – a ‘craftsman’ or god – fashioning the physical world after the pattern of an ideal, eternal one...

Plato's Phaedo is one of the great dialogues of his middle period, along with the Republic and the Symposium. The Phaedo, which depicts the death of Socrates, is also Plato's seventh and last dialogue to detail the philosopher's final days (the first six being Theaetetus, Euthyphro, Sophist, Statesman, Apology, and Crito).In the dialogue, Socrates discusses the nature of the afterlife on his last day before being executed by drinking hemlock. Socrates has been imprisoned and sentenced to death by an Athenian jury for not believing in the gods of the state and for corrupting the youth of the city...

“For there is no light of justice or temperance, or any of the higher ideas which are precious to souls, in the earthly copies of them: they are seen through a glass, dimly…”Socrates and his earnest friend Phaedrus, enjoying the Athenian equivalent of a lunchtime stroll in the park, exchange views on love and on the power of words, spoken and written.Phaedrus is the most enchanting of Plato’s Erotic dialogues (capitalised in honour of the god). The barefoot philosopher urges an eager young...

The Apology of Socrates is Plato's version of the speech given by Socrates as he unsuccessfully defended himself in 399 BC against the charges of "corrupting the young, and by not believing in the gods in whom the city believes, but in other daimonia that are novel" (24b). "Apology" here has its earlier meaning (now usually expressed by the word "apologia") of speaking in defense of a cause or of one's beliefs or actions (from the Ancient Greek ἀπολογία).

Meno (Ancient Greek: Μένων) is a Socratic dialogue written by Plato. Written in the Socratic dialectic style, it attempts to determine the definition of virtue, or arete, meaning in this case virtue in general, rather than particular virtues, such as justice or temperance. The goal is a common definition that applies equally to all particular virtues. Socrates moves the discussion past the philosophical confusion, or aporia, created by Meno's paradox (aka the learner's paradox) with the introduction of new Platonic ideas: the theory of knowledge as recollection, anamnesis, and in the final lines a movement towards Platonic idealism.. (Introduction by Wikipedia)

Νόμοι (Laws) is Plato's final dialogue written after his attempt to advise the tyrant Dionysius II of Syracuse. The dialogue takes place between: an Athenian Stranger (Socrates? A god in human form?); the quiet Lacedaemonian Megillus; and the Cretan Cleinias. The Stranger asks whether humans live to be more effective at waging war or if there is something more important a legislator should seek to achieve. During their pilgrimage Cleinias discloses his role in the establishment of a new colony...

The Aeneid is a Latin epic written by Virgil in the 1st century BC that tells the legendary story of Aeneas, a Trojan who traveled to Italy, where he became the ancestor of the Romans. The first six of the poem’s twelve books tell the story of Aeneas’ wanderings from Troy to Italy, and the poem’s second half treats the Trojans’ ultimately victorious war upon the Latins, under whose name Aeneas and his Trojan followers are destined to be subsumed. The poem was commissioned from Vergil by the Emperor Augustus to glorify Rome...