The fable is a small narrative, in prose or verse, which has as its main characteristic the aim of conveying a moral lesson (the “moral”), implicitly or, more normally, explicitly expressed. Even though the modern concept of fable is that it should have animals or inanimated objects as characters – an idea supported by the works of famous fabulists such as Aesop and La Fontaine – Phaedrus, the most important Latin fabulist, is innovative in his writing. Although many of his fables do depict animals or objects assuming speech, he also has many short stories about men, writing narratives that seem to the modern eye more like short tales than fables...

Awaiting his trial on charges of impiety and heresy, Socrates encounters Euthyphro, a self-proclaimed authority on matters of piety and the will of the gods. Socrates, desiring instruction in these matters, converses with Euthyphro, but as usual, the man who professes to know nothing fares better than the man who claims to be an expert. One of Plato’s well-known Socratic Dialogues, Euthyphro probes the nature of piety, and notably poses the so-called Euthyphro Dilemma: Do the gods love a thing because it is holy, or is a thing holy because it is loved by the gods?

The Symposium (Ancient Greek: Συμπόσιον) is a philosophical book written by Plato sometime after 385 BCE. On one level the book deals with the genealogy, nature and purpose of love, on another level the book deals with the topic of knowledge, specifically how does one know what one knows. The topic of love is taken up in the form of a group of speeches, given by a group of men at a symposium or a wine drinking party at the house of the tragedian Agathon at Athens. Plato constructed the Symposium as a story within a story within a story...

In Plato’s Ion, Socrates questions Ion on whether he should really claim laud and glory for his ‘rhapsodic’ recitals of Homer’s poetry.

“Our intention is, that Timaeus, who is the most of an astronomer amongst us, and has made the nature of the universe his special study, should speak first, beginning with the generation of the world and going down to the creation of man…” ‘Timaeus’ is usually regarded as one of Plato’s later dialogues, and provides an account of the creation of the universe, with physical, metaphysical and ethical dimensions, which had great influence over philosophers for centuries following. It attributes the order and beauty of the universe to a benevolent demiurge – a ‘craftsman’ or god – fashioning the physical world after the pattern of an ideal, eternal one...

Plato's Phaedo is one of the great dialogues of his middle period, along with the Republic and the Symposium. The Phaedo, which depicts the death of Socrates, is also Plato's seventh and last dialogue to detail the philosopher's final days (the first six being Theaetetus, Euthyphro, Sophist, Statesman, Apology, and Crito).In the dialogue, Socrates discusses the nature of the afterlife on his last day before being executed by drinking hemlock. Socrates has been imprisoned and sentenced to death by an Athenian jury for not believing in the gods of the state and for corrupting the youth of the city...

“For there is no light of justice or temperance, or any of the higher ideas which are precious to souls, in the earthly copies of them: they are seen through a glass, dimly…”Socrates and his earnest friend Phaedrus, enjoying the Athenian equivalent of a lunchtime stroll in the park, exchange views on love and on the power of words, spoken and written.Phaedrus is the most enchanting of Plato’s Erotic dialogues (capitalised in honour of the god). The barefoot philosopher urges an eager young...

The Apology of Socrates is Plato's version of the speech given by Socrates as he unsuccessfully defended himself in 399 BC against the charges of "corrupting the young, and by not believing in the gods in whom the city believes, but in other daimonia that are novel" (24b). "Apology" here has its earlier meaning (now usually expressed by the word "apologia") of speaking in defense of a cause or of one's beliefs or actions (from the Ancient Greek ἀπολογία).

Meno (Ancient Greek: Μένων) is a Socratic dialogue written by Plato. Written in the Socratic dialectic style, it attempts to determine the definition of virtue, or arete, meaning in this case virtue in general, rather than particular virtues, such as justice or temperance. The goal is a common definition that applies equally to all particular virtues. Socrates moves the discussion past the philosophical confusion, or aporia, created by Meno's paradox (aka the learner's paradox) with the introduction of new Platonic ideas: the theory of knowledge as recollection, anamnesis, and in the final lines a movement towards Platonic idealism.. (Introduction by Wikipedia)

Νόμοι (Laws) is Plato's final dialogue written after his attempt to advise the tyrant Dionysius II of Syracuse. The dialogue takes place between: an Athenian Stranger (Socrates? A god in human form?); the quiet Lacedaemonian Megillus; and the Cretan Cleinias. The Stranger asks whether humans live to be more effective at waging war or if there is something more important a legislator should seek to achieve. During their pilgrimage Cleinias discloses his role in the establishment of a new colony...

The Aeneid is a Latin epic written by Virgil in the 1st century BC that tells the legendary story of Aeneas, a Trojan who traveled to Italy, where he became the ancestor of the Romans. The first six of the poem’s twelve books tell the story of Aeneas’ wanderings from Troy to Italy, and the poem’s second half treats the Trojans’ ultimately victorious war upon the Latins, under whose name Aeneas and his Trojan followers are destined to be subsumed. The poem was commissioned from Vergil by the Emperor Augustus to glorify Rome...

This book of poems, written between 42 en 39 BC, was a bestseller in ancient Rome, and still holds a fascination today. Held to be divinely inspired not only by the Romans themselves, but by the Medieval Catholic church, The Eclogues is one of the most beloved collections of Latin short poetry.

Gitanjali is a collection of 103 poems in English, largely translations by the Bengali poet Rabindranath Tagore. This volume became very famous in the West, and was widely translated into other languages. In England a slender volume was published in 1913, with an exhilarating preface by W. B. Yeats. In the same year, Rabindranath became the first non-European to win the Nobel prize.

Rabindranath Tagore (1861–1941), also known by the sobriquet Gurudev, was a Bengali poet, Brahmo religionist, visual artist, playwright, novelist, and composer whose works reshaped Bengali literature and music in the late 19th and early 20th centuries. He became Asia’s first Nobel laureate when he won the 1913 Nobel Prize in Literature. The Home and the World is a 1916 novel, set in the estate of the rich Bengali noble Nikhil. He lives happily with his beautiful wife Bimala until the appearance of his friend and radical revolutionist, Sandip...

This is a collection of short stories written by the Nobel Laureate Rabindranath Tagore. The stories contained in this volume were translated by several hands. The version of The Victory is the author's own work. The seven stories which follow were translated by Mr. C. F. Andrews, with the help of the author's help. Assistance has also been given by the Rev. E. J. Thompson, Panna Lal Basu, Prabhat Kumar Mukerjii, and the Sister Nivedita.

These Reminiscences were written and published by the Author in his fiftieth year, shortly before he started on a trip to Europe and America for his failing health in 1912. It was in the course of this trip that he wrote for the first time in the English language for publication. (from preface)

Rabindranath Tagore, was a Bengali polymath who reshaped Bengali literature and music, as well as Indian art with Contextual Modernism in the late 19th and early 20th centuries. Author of Gitanjali and its "profoundly sensitive, fresh and beautiful verse", he became the first non-European to win the Nobel Prize in Literature in 1913. In translation his poetry was viewed as spiritual and mercurial; however, his "elegant prose and magical poetry" remain largely unknown outside Bengal. Tagore introduced new prose and verse forms and the use of colloquial language into Bengali literature, thereby freeing it from traditional models based on classical Sanskrit...