Émile François Zola (French pronunciation: [emil zɔˈla]) (2 April 1840 – 29 September 1902) was an influential French writer, the most important exemplar of the literary school of naturalism. More than half of Zola’s novels were part of a set of twenty novels about a family under the Second Empire collectively known as Les Rougon-Macquart. L’Assommoir (1877) is the seventh novel in the series. Usually considered one of Zola’s masterpieces, the novel—a harsh and uncompromising study of alcoholism and poverty in the working-class districts of Paris—was a huge commercial success and established Zola’s fame and reputation throughout France and the world.

An unsatisfied wife kills her weak husband in order to carry on a sordid affair with another man. However, her selfish plans are spoiled when her husband continues to haunt her. This is often said to be Zola's first great novel.

A well-to-do French farm family is destroyed by a flood. The story, thrilling to the very end, is told from the point of view of the family’s 70-year-old patriarch. The story speaks of the helplessness of mankind in the face of the forces of nature.

Excerpt from Introduction: "Nana" stands third in popularity among the Zola novels. It is a study of the prostitute type and it gives a memorable picture of the life of the tinsel underworld of the Paris theaters, night life, and its parasites. Perhaps Zola pursues Nana a bit too relentlessly: certainly his putting a period to her career by showing her as a putrefying corpse is more symbolic than is wholly necessary; but it remains a novel of truth and beauty, even if a beauty of a drab and often terrible sort. Summary by Burton Rascoe / Celine Major

This epic about French coal miners and the burgeoning labor movement is considered one of Zola's finest novels. - Summary by Matt Pierard

Renowned poet Emily Dickinson (1830 – 1886) wrote many many poems. This collection, “Poems: Series One”, presents the first installment of the complete poetic works of Miss Emily Dickinson. It is broken into four parts: Life, Love, Nature, and Time and Eternity. The verses of Emily Dickinson belong emphatically to what Emerson long since called “the Poetry of the Portfolio,”–something produced absolutely without the thought of publication, and solely by way of expression of the writer’s own mind. The poetry found here is then entirely honest, and indicative of the authors true feelings.

"The eagerness with which the first volume of Emily Dickinson's poems has been read shows very clearly that all our alleged modern artificiality does not prevent a prompt appreciation of the qualities of directness and simplicity in approaching the greatest themes,—life and love and death. That "irresistible needle-touch," as one of her best critics has called it, piercing at once the very core of a thought, has found a response as wide and sympathetic as it has been unexpected even to those who knew best her compelling power. This second volume, while open to the same criticism as to form with its predecessor, shows also the same shining beauties."

If you're a Jane Austen fan, you'll enjoy Emily Eden's comic novels of manners, The Semi-Detached House (1859) and The Semi-Attached Couple (1860). At the opening of The Semi-Detached House, the beautiful (but rather petulant) Lady Blanche Chester, newly married and pregnant, is being installed in a suburban house while her husband is away. Her encounters with her neighbors, and the intrigues of the neighborhood, soon come to absorb and annoy her.