Buccaneers and Pirates of our Coasts is a non-fiction, rolicking story of the origins of piracy and of the famous pirates of the coasts of the United States. The stories don’t cast pirates in the glowing light of modern day renditions – in Stockton’s stories, pirates are bad guys! – but the dramatic style makes them good fun to read, anyway! (Summary by Sibella Denton)

A collection of nine enchanting short stories filled with curious beasts and unexpected endings. Included are The Bee-Man of Orn; The Griffin and the Minor Canon; Old Pipes and the Dryad; The Queen's Museum; Christmas Before Last: Or, The Fruit of the Fragile Palm; Prince Hassak's March; The Battle of the Third Cousins; The Banished King; and The Philopena

ROUND-ABOUT RAMBLES, In Lands of FACT AND FANCYBY FRANK R STOCKTONPREFACECome along, boys and girls! We are off on our rambles. But please do not ask me where we are going. It would delay us very much if I should postpone our start until I had drawn you a map of the route, with all the stopping-places set down. We have far to go, and a great many things to see, and it may be that some of you will be very tired before we get through. If so, I shall be sorry; but it will be a comfort to think that none of us need go any farther than we choose...

This book presents a number of short, comedic sketches of a country life in middle America in the late 1800s. The hilarious twists and turns endear our adorable, naive married couple to the reader; and the orphan servant Pomona – dear, odd, funny Pomona! – is the focus of several of the stories. Imagine a honeymoon in a lunatic asylum, and you’ve got Rudder Grange!

Earth Spirit (1895) (Erdgeist) is a play by the German dramatist Frank Wedekind. It forms the first part of his pairing of 'Lulu' plays (the second is Pandora's Box [1904]), both of which depict a society "riven by the demands of lust and greed". Together with Pandora's Box, Wedekind's play formed the basis for the silent film Pandora's Box (1929) starring Louise Brooks and the opera Lulu by Alban Berg in 1935 (premiered posthumously in 1937). The eponymous "earth spirit" of this play is Lulu, who Wedekind described as a woman "created to stir up great disaster...

Young Code Schofield had lost his schooner May Schofield in an Atlantic gale a few months ago, and now the townspeople on the small island of Grande Mignon off the coast of New Brunswick were beginning to talk suspiciously of the events surrounding that loss. Insurance investigators have been summoned to investigate, friends are alienating themselves from Code, and he finds himsef challenged by even those he's known and trusted his whole life. Does Code Schofield have anything to prove, and if so, to whom, and why?

This story, about a man who wakes up transformed into a bug and the repercussions it has on his life and the people around him, has intrigued me for many years. The translation is by Ian Johnston, not the translator that is in Gutenberg; I like Johnston's more. What does it mean? [Spoiler possibly]In my mind it is not complicated at all and is most probably an autobiography of how Kafka himself had experienced his early life living with his parents. Kafka describes how he had experienced his parents’ financial and emotional exploitation's of him, to the point of detaching from them and thereby ceasing to be their son ...

The Metamorphosis (German: Die Verwandlung, also sometimes translated as The Transformation) is a novella by Franz Kafka, first published in 1915. It has been cited as one of the seminal works of fiction of the 20th century and is studied in colleges and universities across the Western world. The story begins with a traveling salesman, Gregor Samsa, waking to find himself transformed (metamorphosed) into a large, monstrous insect-like creature. The cause of Samsa's transformation is never revealed, and Kafka never did give an explanation...