Frank Lucius Packard (February 2, 1877 – February 17, 1942) was a Canadian novelist born in Montreal, Quebec. He worked as a civil engineer on the Canadian Pacific Railway. He later wrote a series of mystery novels, the most famous of which featured a character called Jimmie Dale. Jimmie Dale is a wealthy playboy by day, with a Harvard education and membership to New York City’s ultra-exclusive private club St. James. But at night he puts on a costume and becomes The Grey Seal, who enters businesses or homes and cracks safes, always leaving a diamond shaped, grey paper “seal” behind to mark his conquest, but never taking anything...

Frank Lucius Packard (February 2, 1877 – February 17, 1942) born in Montreal, Quebec, was a Canadian novelist. Packard is credited with bridging the gap from the “cozy” style mysteries to the more gritty, hard-boiled style of such writers as Dashiell Hammet and Raymond Chandler. Packard also wrote a series of novels, beginning in 1917, featuring Jimmie Dale. A wealthy playboy by day, at night, Jimmie becomes a crimefighter “The Gray Seal” complete with mask and secret hide-out, “The Sanctuary”...

McTeague is a simple dentist who becomes infatuated with Trina, the cousin of his friend Marcus. Trina then buys a winning lottery ticket worth $5,000, and McTeague announces his plans to marry her. But their marriage quickly falls apart as greed consumes them both, and Marcus' jealousy toward McTeague boils over.

Frank Norris based his 1901 novel The Octopus (A Story of California) on the Mussel Slough Tragedy of 1880, a bloody conflict between ranchers and agents of the Southern Pacific Railroad. The central issue was over the ownership of the ranches, which the farmers had leased from the railroad nearly ten years earlier with intentions of eventually purchasing the land. Although originally priced at $2.50 to $5 per acre, the railroad eventually opened the land for sale at prices adjusted for land improvements; the railroad’s attempts to take possession of the land led the ranchers to defend themselves as depicted in the book.

Dyke Darrel investigates an audacious train robbery that included the murder of a friend, and embarks on a man-hunt. High Victorian serial melodrama at its best!

Buccaneers and Pirates of our Coasts is a non-fiction, rolicking story of the origins of piracy and of the famous pirates of the coasts of the United States. The stories don’t cast pirates in the glowing light of modern day renditions – in Stockton’s stories, pirates are bad guys! – but the dramatic style makes them good fun to read, anyway! (Summary by Sibella Denton)

A collection of nine enchanting short stories filled with curious beasts and unexpected endings. Included are The Bee-Man of Orn; The Griffin and the Minor Canon; Old Pipes and the Dryad; The Queen's Museum; Christmas Before Last: Or, The Fruit of the Fragile Palm; Prince Hassak's March; The Battle of the Third Cousins; The Banished King; and The Philopena

ROUND-ABOUT RAMBLES, In Lands of FACT AND FANCYBY FRANK R STOCKTONPREFACECome along, boys and girls! We are off on our rambles. But please do not ask me where we are going. It would delay us very much if I should postpone our start until I had drawn you a map of the route, with all the stopping-places set down. We have far to go, and a great many things to see, and it may be that some of you will be very tired before we get through. If so, I shall be sorry; but it will be a comfort to think that none of us need go any farther than we choose...

This book presents a number of short, comedic sketches of a country life in middle America in the late 1800s. The hilarious twists and turns endear our adorable, naive married couple to the reader; and the orphan servant Pomona – dear, odd, funny Pomona! – is the focus of several of the stories. Imagine a honeymoon in a lunatic asylum, and you’ve got Rudder Grange!

Earth Spirit (1895) (Erdgeist) is a play by the German dramatist Frank Wedekind. It forms the first part of his pairing of 'Lulu' plays (the second is Pandora's Box [1904]), both of which depict a society "riven by the demands of lust and greed". Together with Pandora's Box, Wedekind's play formed the basis for the silent film Pandora's Box (1929) starring Louise Brooks and the opera Lulu by Alban Berg in 1935 (premiered posthumously in 1937). The eponymous "earth spirit" of this play is Lulu, who Wedekind described as a woman "created to stir up great disaster...

Young Code Schofield had lost his schooner May Schofield in an Atlantic gale a few months ago, and now the townspeople on the small island of Grande Mignon off the coast of New Brunswick were beginning to talk suspiciously of the events surrounding that loss. Insurance investigators have been summoned to investigate, friends are alienating themselves from Code, and he finds himsef challenged by even those he's known and trusted his whole life. Does Code Schofield have anything to prove, and if so, to whom, and why?

This story, about a man who wakes up transformed into a bug and the repercussions it has on his life and the people around him, has intrigued me for many years. The translation is by Ian Johnston, not the translator that is in Gutenberg; I like Johnston's more. What does it mean? [Spoiler possibly]In my mind it is not complicated at all and is most probably an autobiography of how Kafka himself had experienced his early life living with his parents. Kafka describes how he had experienced his parents’ financial and emotional exploitation's of him, to the point of detaching from them and thereby ceasing to be their son ...

The Metamorphosis (German: Die Verwandlung, also sometimes translated as The Transformation) is a novella by Franz Kafka, first published in 1915. It has been cited as one of the seminal works of fiction of the 20th century and is studied in colleges and universities across the Western world. The story begins with a traveling salesman, Gregor Samsa, waking to find himself transformed (metamorphosed) into a large, monstrous insect-like creature. The cause of Samsa's transformation is never revealed, and Kafka never did give an explanation...

Frederic Taber Cooper, who was an editor and author, provides a superb insight into the works of some of the most popular authors of the turn of the century decade. Excerpt: The subjects of the essays included in this volume differ widely in aim and in accomplishment; but all of them possess, to a considerable extent, the gift that makes them next of kin to the minstrel and troubadour, to the ancient fabulist, and to the forgotten spinner of the world s first nursery tales, the gift of holding the attention by the spell of the spoken word. - Summary by Celine Major

The novel “Settlers of the Marsh” is a foundational work of realism in Canadian fiction. Its author, Frederick Philip Grove, a German immigrant, settled in Manitoba and wrote vividly about the struggles of settlers in the early multi-ethnic communities of western Canada. The protagonist of “Settlers of the Marsh” is a Swedish immigrant who wrestles in stoic solitude with the hardships of pioneer life, only to discover that he has been catastrophically naïve about relations with women. Some early reviewers objected that the novel’s treatment of sexuality was “indecent,” but the book is today seen as a cornerstone of Canadian literature. - Summary by Bruce Pirie

(Written under the pseudonym, Arnold Fredericks.) Ruth Morton is a world-renowned film actress who seems to have it all: youth, beauty, wealth, and a viable career. But she soon becomes the target of a malicious stalker who begins sending her a series of cryptic threats. Dismissed at first, the stalker soon emerges as a legitimate -- and mysterious -- threat. She soon must call for the services of Richard and Grace Duvall, a husband and wife detective team who soon find themselves ensnared in a mystery where everyone soon becomes a target.

One of the first novel-length pieces of nautical fiction, MR. MIDSHIPMAN EASY (1836) is a funny and easygoing account of the adventures of Jack Easy, a son of privilege who joins the Royal Navy. The work begins as a satire on Jack’s attachment to “the rights of man” that may try the listener’s patience. But despair not, for the story soon settles down as the philosophical midshipman begins his many triumphs over bullies, foul weather, and various damned foreigners of murderous intent.Caveat audiens: This novel employs racial/ethnic epithets and religious stereotypes, as well as taking a rather sunny view of supply-side economics...

Rebelling against the career chosen for him by his wealthy family, Frederic Marryat joined the Royal Navy in 1806 at the age of 14. He first served as a midshipman in the 38-gun frigate "HMS Imperieuse" commanded by Lord Cochran, 10th Earl of Dundonald whose real life exploits were used by Marryat in his fiction and which formed the basis for other famous fictional characters like Horatio Hornblower and Jack Aubrey. Having survived more than 50 sea battles and attained the rank of Post Captain, he resigned from the Navy and devoted the rest of his life to writing, drawing a good deal on his distinguished career in the Navy and is now considered the Father of Modern Nautical Fiction...

This is a quite amusing nautical tale of the British Navy of the around the year 1700. While, as with much early 'humor', it is somewhat heavy-handed, the sympathies of the author are clear and good, and cruelty is often averted by good fortune or background characters. First published under the title 'The Dog Fiend', the primary characters are an evil captain of a cutter and his dog. The dog seems indestructible, as is the poor cabin boy who is the butt of the captain's ill humor, and who often is chewed on by the dog...