ROUND-ABOUT RAMBLES, In Lands of FACT AND FANCYBY FRANK R STOCKTONPREFACECome along, boys and girls! We are off on our rambles. But please do not ask me where we are going. It would delay us very much if I should postpone our start until I had drawn you a map of the route, with all the stopping-places set down. We have far to go, and a great many things to see, and it may be that some of you will be very tired before we get through. If so, I shall be sorry; but it will be a comfort to think that none of us need go any farther than we choose...

This book presents a number of short, comedic sketches of a country life in middle America in the late 1800s. The hilarious twists and turns endear our adorable, naive married couple to the reader; and the orphan servant Pomona – dear, odd, funny Pomona! – is the focus of several of the stories. Imagine a honeymoon in a lunatic asylum, and you’ve got Rudder Grange!

Earth Spirit (1895) (Erdgeist) is a play by the German dramatist Frank Wedekind. It forms the first part of his pairing of 'Lulu' plays (the second is Pandora's Box [1904]), both of which depict a society "riven by the demands of lust and greed". Together with Pandora's Box, Wedekind's play formed the basis for the silent film Pandora's Box (1929) starring Louise Brooks and the opera Lulu by Alban Berg in 1935 (premiered posthumously in 1937). The eponymous "earth spirit" of this play is Lulu, who Wedekind described as a woman "created to stir up great disaster...

Young Code Schofield had lost his schooner May Schofield in an Atlantic gale a few months ago, and now the townspeople on the small island of Grande Mignon off the coast of New Brunswick were beginning to talk suspiciously of the events surrounding that loss. Insurance investigators have been summoned to investigate, friends are alienating themselves from Code, and he finds himsef challenged by even those he's known and trusted his whole life. Does Code Schofield have anything to prove, and if so, to whom, and why?

The Metamorphosis (German: Die Verwandlung, also sometimes translated as The Transformation) is a novella by Franz Kafka, first published in 1915. It has been cited as one of the seminal works of fiction of the 20th century and is studied in colleges and universities across the Western world. The story begins with a traveling salesman, Gregor Samsa, waking to find himself transformed (metamorphosed) into a large, monstrous insect-like creature. The cause of Samsa's transformation is never revealed, and Kafka never did give an explanation...

This story, about a man who wakes up transformed into a bug and the repercussions it has on his life and the people around him, has intrigued me for many years. The translation is by Ian Johnston, not the translator that is in Gutenberg; I like Johnston's more. What does it mean? [Spoiler possibly]In my mind it is not complicated at all and is most probably an autobiography of how Kafka himself had experienced his early life living with his parents. Kafka describes how he had experienced his parents’ financial and emotional exploitation's of him, to the point of detaching from them and thereby ceasing to be their son ...

Frederic Taber Cooper, who was an editor and author, provides a superb insight into the works of some of the most popular authors of the turn of the century decade. Excerpt: The subjects of the essays included in this volume differ widely in aim and in accomplishment; but all of them possess, to a considerable extent, the gift that makes them next of kin to the minstrel and troubadour, to the ancient fabulist, and to the forgotten spinner of the world s first nursery tales, the gift of holding the attention by the spell of the spoken word. - Summary by Celine Major

The novel “Settlers of the Marsh” is a foundational work of realism in Canadian fiction. Its author, Frederick Philip Grove, a German immigrant, settled in Manitoba and wrote vividly about the struggles of settlers in the early multi-ethnic communities of western Canada. The protagonist of “Settlers of the Marsh” is a Swedish immigrant who wrestles in stoic solitude with the hardships of pioneer life, only to discover that he has been catastrophically naïve about relations with women. Some early reviewers objected that the novel’s treatment of sexuality was “indecent,” but the book is today seen as a cornerstone of Canadian literature. - Summary by Bruce Pirie

(Written under the pseudonym, Arnold Fredericks.) Ruth Morton is a world-renowned film actress who seems to have it all: youth, beauty, wealth, and a viable career. But she soon becomes the target of a malicious stalker who begins sending her a series of cryptic threats. Dismissed at first, the stalker soon emerges as a legitimate -- and mysterious -- threat. She soon must call for the services of Richard and Grace Duvall, a husband and wife detective team who soon find themselves ensnared in a mystery where everyone soon becomes a target.

One of the first novel-length pieces of nautical fiction, MR. MIDSHIPMAN EASY (1836) is a funny and easygoing account of the adventures of Jack Easy, a son of privilege who joins the Royal Navy. The work begins as a satire on Jack’s attachment to “the rights of man” that may try the listener’s patience. But despair not, for the story soon settles down as the philosophical midshipman begins his many triumphs over bullies, foul weather, and various damned foreigners of murderous intent.Caveat audiens: This novel employs racial/ethnic epithets and religious stereotypes, as well as taking a rather sunny view of supply-side economics...