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By: Anton Chekhov (1860-1904) | |
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![]() The plot centres around Laevsky, who is living in a small seaside town in the Caucasus after running away with another man's wife, Nadyezhda Fyodorovna, amid dreams of starting a new life.The dreams have come to nothing as Laevsky idles away his life drinking and playing cards, and Nadyezhda begins to have other affairs.Laevsky's scheme to run away again, this time without his mistress, brings him into conflict with the rationalist Von Koren, who believes in Darwinian principles of natural selection and extinction of the weak and useless.Matters come to a head when an outburst from Laevsky leads to a duel. Von Koren is determined to teach Laevksy a lesson.(Introduction by Phil) | |
![]() The line between sanity and insanity is blurred in this classic novella by Anton Chekhov. The disillusioned idealist Dr. Rabin is in charge of a provincial lunatic asylum, overseeing with weary, dubious policies a motley group of patients, a group that mirrors in microcosm all of human and especially Russian society. Seeking answers to profound questions, Dr. Rabin enters into dialogues with both staff members and patients, trying to make sense out of what has become of his life, until it becomes less and less clear who is the doctor and who is the patient... |
By: Antonio Fogazzaro (1842-1911) | |
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By: Aphra Behn (1640-1689) | |
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By: Archibald Williams | |
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By: Aristotle (384-322 BC) | |
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![]() Aristotle’s Poetics from the 4th century B.C. aims to give a short study of storytelling. It discusses things like unity of plot, reversal of situation, and character in the context of Greek tragedy, comedy and epic poetry. But it still applies today. It is especially popular with screenwriters as seen in many script gurus’ how-to books. |
By: Armstrong Livingston (1885-) | |
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By: Arnold Bennett (1867-1931) | |
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![]() The ‘Card’ in question is Edward Henry Machin – his mother called him ‘Denry.’This light-hearted story is of his rise from humble beginnings as the son of a washerwoman and sempstress in the last quarter of the nineteenth century, in the pottery towns (which Arnold Bennett christened ‘The Five Towns’) of the English Midlands; how, by his own wits, enterprise and ‘nerve’ he rose to wealth, married bliss and public recognition as the youngest-ever mayor of his home town. “’And yet,’ demanded Councillor Barlow, ‘what’s he done? What great cause is he identified with?’‘He’s identified,’ said the speaker, ‘with the great cause of cheering us all up’.” | |
![]() Rachel Louise Fleckring works for the elderly Mrs Maldon, and although with the woman for only a short time, she is taken into the heart of the family. She falls in love with one of Mrs Maldon’s descendents, but along the way, she has to come to terms with the fact that he isn’t, perhaps, the perfectly honest man she thought he was. | |
![]() Theodore Racksole, a rich American multi-millionaire, buys the Grand Babylon Hotel, a luxurious hotel in London, as a whim – and then finds out there are strange things going on – a German prince is supposed to arrive but never turns up, someone is found murdered in the hotel, but then the body disappears. With the help of his independent daughter Nella and another German prince, Racksole sets out to solve the mystery.Bennett wrote this as a 15-part serial, for a lark, in 15 days, and sold it for 100 pounds. It first appeared in The Golden Penny in 1902, which described it as “the most original, amusing, and thrilling serial written in a decade”. | |
![]() The Old Wives’ Tale is a novel by Arnold Bennett, first published in 1908. It deals with the lives of two very different sisters, Constance and Sophia Baines, following their stories from their youth, working in their mother’s draper’s shop, into old age. It is generally regarded as one of Bennett’s finest works. It covers a period of about 70 years from roughly 1840 to 1905, and is set in Burslem and Paris. | |
![]() Arnold Bennett describes a method for enjoying literature, and suggests the contents of a comprehensive library. Chapters 1-10 and 14 describe his method for learning to enjoy literature. Chapters 11, 12, and 13 contain detailed lists of the 337 volumes required to complete a comprehensive library of English works. This reading is from the 1913 version at Project Gutenberg, and so does not contain the revisions made by Swinnerton for the 1939 edition, which included authors of the early Twentieth Century. Swinnerton’s revisions are available from Wikipedia. | |
![]() The plot centers on Anna Tellwright, daughter of a wealthy but miserly and dictatorial father, living in the Potteries area of Staffordshire, England. Her activities are strictly controlled by the Methodist church. Having escaped her father by marrying the respectable and attractive Henry, she attempts in vain to help Willy, son of a drunken and bankrupt business associate of her father's. | |
![]() 'The Regent' is, if not a sequel to 'The Card', then a 'Further Adventures of' the eponymous hero of that novel.Denry Machin is now forty-three and begins to feel that he is getting old, that making money and a happy home life are not enough and that he has lost his touch as the entrepreneur and entertainer of the 'Five Towns'.In fact, as he says to himself 'What I want is change - and a lot of it too!'. A chance meeting at the local theatre leads to his going to London and then... | |
![]() This first of a trilogy of novels is a coming-of-age story set in the Midlands of Victorian England, following Edwin Clayhanger as he leaves school, takes over the family business, and falls in love.The books are set in Bennett's usual setting of "the 5 Towns", a thinly-disguised version of the six towns of "the Potteries" which amalgamated (at the time of which Bennett was writing) into the borough (and later city) of Stoke-on-Trent.In one of the earlier chapters in the book, Bennett writes that... | |
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![]() The novel opens with Carl Foster, a recently qualified doctor, coming to London to try and make his fortune. He meets a famous tenor, Signor Alresca, who suffers a dreadful injury backstage and Foster tends to him. He thus meets the lead soprano, Rosetta Rosa, and falls hopelessly in love with her.Alresca takes Foster under his wing and they travel to Alresca's home in Bruges. It is clear to Foster that Alresca has some strange obsession. Foster also notices a stranger who seems to be dogging his footsteps.Things take an even more sinister turn when Alresca inexplicably dies. . . |
By: Arnold Castle | |
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By: Arnold Wynne (1880-) | |
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By: Artemus Ward (1834-1867) | |
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By: Arthur Acheson (1864-1930) | |
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