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By: Bertram Mitford (1855-1914) | |
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By: Bertram Stevens (1872-1922) | |
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By: Bertram Waldrom Matz (1865-1925) | |
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By: Bertrand Sinclair (1881-1972) | |
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![]() Hollister, returning home from the war physically scarred but otherwise healthy and intact, finds life difficult among society, and so chooses to roam about a bit seeking a future for himself. He eventually leads himself to a remote area in British Columbia, which begins the tale of the next phase of his life; a life which becomes far richer in totality than he would have imagined in his old unwelcoming haunts. A life among the hidden places. |
By: Bertrand W. Sinclair (1881-1972) | |
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By: Bettina Von Hutten (1874-1957) | |
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By: Beverley Nichols (1899-1983) | |
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By: Bjørnstjerne Bjørnson (1832-1910) | |
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![]() "A Happy Boy" was written in 1859 and 1860. It is, in my estimation, Bjørnson's best story of peasant life. In it the author has succeeded in drawing the characters with remarkable distinctness, while his profound psychological insight, his perfectly artless simplicity of style, and his thorough sympathy with the hero and his surroundings are nowhere more apparent. This view is sustained by the great popularity of "A Happy Boy" throughout Scandinavia. (From the Preface) Bjørnstjerne Bjørnson received the Nobel Prize in Literature in 1903. | |
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By: Bliss Carman | |
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![]() This collection of lyric poems evokes the sea in every line, from birth (A Son of the Sea) to death (Outbound). The smells, sights and sounds of the Canada's East Coast feature prominently. |
By: Bliss Perry (1860-1954) | |
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![]() Fishing with a Worm by Bliss Perry includes the poignant and philisophical observations of a fly fisherman lured by the worm. Bliss Perry was a professor of literature at Princeton and Harvard Universities and spent time in Vermont writing and fly fishing. | |
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By: Blythe Harding | |
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By: Booth Tarkington | |
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![]() A Pulitzer Prize-winning novel, Alice Adams chronicles the attempts of a lower middle class American midwestern family at the turn of the 20th century to climb the social ladder. The eponymous heroine is at the heart of the story, a young woman who wants a better place in society and a better life. As Gerard Previn Meyer has stated, “Apart from being the contribution to social history its author conceived it to be, [Alice Adams] is something more, that something being what has attracted to it so large a public: its portrait of a (despite her faults) ‘lovable girl’.” | |
![]() A Tale of Youth and Summer Time and the Baxter Family Especially William | |
![]() Penrod for girls in the form of Florence, the bratty younger cousin of luminous Julia Atwater, enlivens this romantic comedy set in Tarkington's Indiana of the early 20th Century. | |
![]() Join Penrod Schofield and his wistful dog Duke, in a hilarious romp through turn of the century Indianapolis, chronicling his life, loves, and mostly the trouble he gets into. | |
![]() Follow more of the hilarious life of the boy Penrod Schofield, his friends Sam Williams, Herman, Verman, Georgie, Maurice, and the love of his life, Marjorie Jones. | |
![]() The Turmoil is the first novel in the ‘Growth’ trilogy, which also includes The Magnificent Ambersons (1918) and The Midlander (1923, retitled National Avenue in 1927). In 1942 Orson Welles directed a film version based on volume 2, also titled “The Magnificent Ambersons.” The trilogy traces the growth of the United States through the declining fortunes of three generations of the aristocratic Amberson family in a fictional Mid-Western town, between the end of the Civil War and the early part of the 20th century, a period of rapid industrialization and socio-economic change in America... | |
![]() A madcap Frenchman posing as an ambassador's barber blackmails a dishonest duke to introduce him as a nobleman to a wealthy belle of Bath. Since the duke himself hopes to mend his fortunes by wedding this very woman, he attempts to murder Beaucaire, and failing that to discredit him. To test the lady's mettle, Beaucaire allows his deception to be exposed--up to a point--and there we must draw the curtain to preserve the surprise ending. ( | |
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