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By: Anne Douglas Sedgwick (1873-1935) | |
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By: Anne Manning (1807-1879) | |
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By: Anne Wales Abbott ed. (1808-1908) | |
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![]() The pieces gathered into this volume were, with two exceptions, written for the entertainment of a private circle, without any view to publication. The editor would express her thanks to the writers, who, at her solicitation, have allowed them to be printed. They are published with the hope of aiding a work of charity,—the establishment of an Agency for the benefit of the poor in Cambridge,—to which the proceeds of the sale will be devoted. | |
By: Annie E. Keeling | |
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By: Annie Eliot Trumbull (1857-1949) | |
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By: Annie F. Johnston (1863-1931) | |
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By: Annie Hamilton Donnell (1862-) | |
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By: Annie S. Swan (1859-1943) | |
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By: Annie T. Colcock | |
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By: Annie Trumbull Slosson (1838-1926) | |
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By: Anonymous | |
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![]() It need hardly be said that the woman by whom these letter were written had no thought that they would be read by anyone but the person to whom they were addressed. But a request, conveyed under circumstances which the writer herself would have regarded as all-commanding, urges that they should now be given to the world; and, so far as is possible with a due regard to the claims of privacy, what is here printed presents the letters as they were first written in their complete form and sequence. From book explaination | |
![]() In this saga, the events that led to Eirik the Red’s banishment to Greenland are chronicled, as well as Leif Eirikson’s discovery of Vinland the Good (a place where wheat and grapes grew naturally), after his longboat was blown off-course. By geographical details, this place is surmised to be present-day Newfoundland, and is likely the first European discovery of the American mainland, some five centuries before Christopher Columbus’s journey. | |
![]() The Song of Roland is an epic poem, originally sung in Old French. It tells the story of the Battle of Roncevaux Pass in 778. This is an English translation. Translated by Charles Kenneth Scott-Moncrieff. | |
![]() Short and sweet stories for children. | |
![]() "...Showing Curious ways in which the English Language may be made to convey Ideas or obscure them." A collection of unintentionally humorous uses of the English language. Sections of the work: How she is wrote by the Inaccurate, By Advertisers and on Sign-boards, For Epitaphs, By Correspondents, By the Effusive, How she can be oddly wrote, and By the Untutored. | |
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![]() Here we were, only a month married, and spending our honeymoon at a most charming summer resort, where there was no excuse for getting out of patience. Everything was beautiful and attractive: Little hotel, strange to say, quite delightful; no fault to find with surroundings and accommodations; my darling Bessie, as sweet as an angel and determined to be happy and to make me happy; everything, in short, calculated to give us a long summer of delight. That is, if Bessie had only been an orphan. But there was her mother, who had joined us on our summer trip, after the first two weeks of unalloyed happiness, and threatened to accompany us through life. (excerpt from chapter 1) | |
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![]() Excerpted anecdotes from the biographies of Swift, Curran, O'Leary and O'Connell, relating humorous snippets of politics in 18th and 19th century Ireland. For some these may be poignant in addition to being humorous and for others they may be humorous in addition to being poignant. ( | |
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![]() 37 short pieces perfect for newer recorders. These one page Stories of (mostly) Wonderful Deeds were written for Little Folk to teach them about famous incidents in their history. Bonnie Prince Charlie, Nelson and Hardy, Bruce and the Spider, David Livingston, Canute, Sir Philip Sydney, and Elizabeth and Raleigh are just some of the well known people and incidents covered in short stories. | |
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![]() JOKES FOR ALL OCCASIONSPREFACEThe ways of telling a story are as many as the tellers themselves. It is impossible to lay down precise rules by which any one may perfect himself in the art, but it is possible to offer suggestions by which to guide practise in narration toward a gratifying success. Broadly distinguished, there are two methods of telling a story. One uses the extreme of brevity, and makes its chief reliance on the point. The other devotes itself in great part to preliminary elaboration in the narrative, making this as amusing as possible, so that the point itself serves to cap a climax... |