[This is] the sketchiest outline of Robert Schumann’s short life but amazingly rich achievement. Together with Haydn and Schubert he was, perhaps, the most completely lovable of the great masters. It is hard, moreover, to think of a composer more strategically placed in his epoch or more perfectly timed in his coming. Tone poet, fantast, critic, visionary, prophet—he was all of these! And he passed through every phase, it seemed, of romantic experience. The great and even the semi-great of a fabulous period of music were his intimates—personages like Mendelssohn, Chopin, Liszt, Moscheles, Ferdinand David, Hiller, Joachim, Brahms...

The first of three volumes of the first scholarly biography of Ludwig van Beethoven. Covers the years 1770-1802. - Summary by Zain Solinski

"Owing to the appreciation which has been accorded to my three series of "Stories from the Operas," it has been decided to re-issue the collection in one volume, and to include in this additional stories of new and popular operas recently produced in England.The plan of the work, as before, is to present all the incidents of each libretto in the clear, readable form of a short story; and it is hoped that the combined volume will continue to prove of interest, not only to opera-goers but to all lovers of dramatic tales. The three volumes have been entirely reset and re-collated in a manner which it is hoped will make them easier for reference." - Summary by Gladys Davidson

'A guide to the meaning of important symphonies, overtures and tone-poems from Beethoven to the present day'. Gilman became notorious for scathing reviews of compositions later to become classics. Here he analyzes the stories behind some famous and not so famous works. - Summary by Lynne Thompson

Verses, Popular and Humorous was the second collection of poems by Australian poet Henry Lawson. It features some of the poet's earlier major works, including "The Lights of Cobb and Co", "Saint Peter" and "The Grog-An'-Grumble-Steeplechase". Most of the poems in the volume had been written after the publication of In the Days When the World was Wide and Other Verses in 1896. The original collection includes 66 poems by the author that are reprinted from various sources. Later publications split the collection into two separate volumes: Popular Verses and Humorous Verses, though the contents differed from the original list...

Maria Letitia Stockett was a highly respected English teacher in Baltimore, Maryland, but also well-known as an author. In addition to her poetry she wrote Baltimore: A Not Too Serious History in 1928, and America, First, Fast & Furious . This is a collection of her short lyrical poems of nature, sentient and spirit. - Summary by Larry Wilson

John Hall Wheelock is an American poet who during his student years at Harvard University was editor-in-chief of The Harvard Monthly, and began to publish his first poems. He later worked for publisher Charles Sribner and Sons finally becoming senior editor. He received many awards for his poetry including the Golden Rose in 1936 for the most distinguished contribution to American poetry of that year. The poems in The Black Panther reveal a deep spirituality but also a strong humanistic reach, sometimes dark and sometimes celebratory and full of joy...

Katherine Hale is the pen name of Amelia Beers Warnock Garvin, a Canadian poet and literary critic. This volume is one of her collections with the background of World War I as a theme, but full of faith and hope. - Summary by Larry Wilson

Twenty, Stella Benson’s first poetry collection, was first published in 1918. It deals with topics such as personal independence, the First World War and London’s landscape.

This short account of the young Wolfgang Amadeus Mozart is part of the “Life Stories for Young People” series. It is written in an engaging dialogue format beginning with the young Mozart’s first notes on the piano keyboard at age three to his admission to membership in the Accademia Filarmonica at Bologna, Italy, ten years later. This child prodigy astounded the musical world of Europe to become one of the most cherished of all classical composers.

Volume 1 in the "The Art of Music" series, published by the National Society of Music. This first volume covers the "Pre-Classic periods", from early human primitive music, through to the music of the Ancient Greeks and other ancient cultures, plainsong, Middle Ages, Renaissance, and up until the music of J.S. Bach. Included are musical examples, which are performed in the audio as they appear in the text. - Summary by Jake Malizia

“... But, beside those great men, there is a certain number of artists who have a distinct faculty of their own by which they convey to us a peculiar quality of pleasure which we cannot get elsewhere; and these, too, have their place in general culture, and must be interpreted to it by those who have felt their charm strongly, and are often the objects of a special diligence and a consideration wholly affectionate, just because there is not about them the stress of a great name and authority.” - Summary by Walter Pater

Volume 2 in the "The Art of Music" series, published by the National Society of Music. This first volume covers the Classical and Romantic periods, encompassing: Haydn, Mozart, Beethoven, opera in Italy and France, Romanticism, song literature, pianoforte and chamber music, orchestral literature, romantic opera, choral song, Wagner and Wagnerism, Brahms, Franck, Verdi and other contemporaries. - Summary by Jake Malizia

This is a collection of 27 poems, some seasonal to New Years and Christmas, but others on themes of religion, nature and home.

Born in Ontario, Canada, Walter Percy entered the ministry and pastored churches in New England and Pennsylvania, often speaking on behalf of the temperance movement. Many of his poems were written for his children and are here collected under the topics: nature, fireside, sentiment, memories, philosophy, homilies, country, humor. sacred, song poems, and miscellaneous poems. - Summary by Larry Wilson

In these translations from the Danish the author attempted to adhere strictly to the metres of the original, however in some, where this was not possible, she developed her own interpretations.

As Romain Rolland indicates in the preface, this book is a brief sketch of the life and technique of Handel. He provides biographical background and addresses the operas, oratorios, clavier compositions, chamber music, and orchestral compositions. Images of musical examples mentioned by Rolland can be found in the printed text. The text also includes a list of Handel's works organized by category and chronology.