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By: Francis Bacon (1561-1636) | |
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![]() The Novum Organum is a philosophical work by Francis Bacon published in 1620. The title translates as “new instrument”. This is a reference to Aristotle’s work Organon, which was his treatise on logic and syllogism. In Novum Organum, Bacon details a new system of logic he believes to be superior to the old ways of syllogism. For Bacon, finding the essence of a thing was a simple process of reduction, and the use of inductive reasoning . . . This work was critical in the historical development of the scientific method. | |
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By: Francis Ellingwood Abbot (1836-1903) | |
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By: Frank B. Anderson (1863-1935) | |
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By: Frank Crane (1861-1928) | |
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By: Frederic W. Farrar (1831-1903) | |
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By: Frederick James Furnivall (1825-1910) | |
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By: Friedrich Engels (1820-1895) | |
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By: Friedrich Nietzsche (1844-1900) | |
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![]() Of The Twilight of the Idols, Nietzsche says in Ecce Homo: “If anyone should desire to obtain a rapid sketch of how everything before my time was standing on its head, he should begin reading me in this book. That which is called ‘Idols’ on the title-page is simply the old truth that has been believed in hitherto. In plain English, The Twilight of the Idols means that the old truth is on its last legs.” Certain it is that, for a rapid survey of the whole of Nietzsche’s doctrine, no book, save perhaps the section entitled “Of Old and New Tables” in Thus Spake Zarathustra, could be of more real value than The Twilight of the Idols... | |
![]() The Joyful Wisdom (later translated as The Gay Science), written in 1882, just before Zarathustra, is rightly judged to be one of Nietzsche’s best books. Here the essentially grave and masculine face of the poet-philosopher is seen to light up and suddenly break into a delightful smile. The warmth and kindness that beam from his features will astonish those hasty psychologists who have never divined that behind the destroyer is the creator, and behind the blasphemer the lover of life. In the retrospective... | |
![]() The philosopher Friedrich Nietzsche’s autobiography, Ecce Homo, was the last prose work that he wrote before his illness in 1889. Coming at the end of an extraordinarily productive year in which he had produced The Twilight of the Idols and The Antichrist, Nietzsche shuns any pretense at modesty with chapter titles include “Why I am so Wise”, “Why I am so Clever” and “Why I Write Such Excellent Books”. His translator Anthony M. Ludovici states, Ecce Homo “is not only a coping-stone... | |
![]() A collection of three of Nietzsche's writings concerning the music of Wagner. In particular, he relates Wagner's music as degenerate, unrefined and unintelligent and relates it to a gradually degenerating German culture and society. The translator provides a detailed introduction. | |
![]() Volume 3 of the complete works contains several short critical introductory essays, five lectures under the heading "On the Future of our Educational Institutions," and finally an essay by the author entitled "Homer and Classical Philology." As always, Nietzsche believes in the importance of classical thought. | |
![]() The essays contained in this volume treat of various subjects. With the exception of perhaps one we must consider all these papers as fragments. Written during the early Seventies, and intended mostly as prefaces, they are extremely interesting, since traces of Nietzsche's later tenets — like Slave and Master morality, the Superman — can be found everywhere. But they are also very valuable on account of the young philosopher's daring and able handling of difficult and abstruse subjects. "Truth and Falsity," and "The Greek Woman" are probably the two essays which will prove most attractive to the average reader. - from the Preface. | |
![]() In this famous early work of German philosopher Friedrich Nietzsche, he investigates the artistic characteristics of Apollonian and Dionysian characteristics in Greek art, specifically in Greek tragedy as it evolved. Then he applies his conclusions about Greek tragedy to the state of modern art, especially modern German art and specifically to the operas of Richard Wagner. |
By: Friedrich Schiller (1759-1805) | |
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By: Friedrich Wilhelm Nietzsche (1844-1900) | |
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By: Fyodor Dostoyevsky (1821-1881) | |
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![]() Set in 19th century Russia, The Brothers Karamazov (Russian: Братья Карамазовы) is the last novel written by the illustrious author Fyodor Dostoyevsky who died a few months before the book's publication. The deeply philosophical and passionate novel tells the story of Fyodor Karamazov, an immoral debauch whose sole aim in life is the acquisition of wealth. Twice married, he has three sons whose welfare and upbringing, he cares nothing about. At the beginning of the story, Dimitri Karamazov, the eldest son who is now a twenty-eight year old war veteran, returns to his home town to claim the inheritance left to him by his dead mother... |
By: G. K. Chesterton (1874-1936) | |
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![]() Orthodoxy is a book that has become a classic of Christian apologetics. In the book's preface Chesterton states the purpose is to "attempt an explanation, not of whether the Christian faith can be believed, but of how he personally has come to believe it." In it, Chesterton presents an original view of the Christian religion. He sees it as the answer to natural human needs, the "answer to a riddle" in his own words, and not simply as an arbitrary truth received from somewhere outside the boundaries of human experience. | |
![]() In this collection, Bevis Hillier has put together some of Chesterton's essays in "The Defandant", "Varied Types" and "Tremendous Trifles". These 12 pieces were chosen to giving a peek into the margins of Chesterton's work and give a sense of the distinctive flavor of his mind. They were also chosen with an eye to showing what a complex and fascinating character he was. |
By: G. S. (George Sumner) Weaver (1818-1908) | |
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By: Gelett Burgess (1866-1951) | |
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![]() Deep in the heart of every parent is the wish, the desire, to have other adults tell us, in an unsolicited way, just how very polite one’s child is! This perhaps was even more the case in 1903, when Gelett Burgess produced his second book on the Goops. With entertaining cartoons – cariacatures of misbehaving children – he described many different breaches of tact and good manners. Burgess wrote several books of poetry on the Goops, each poem describing some significant way in which an unthoughtful or unkind child could offend polite society and often offering the hope that the listener would never behave that way... |
By: Georg Wilhelm Friedrich Hegel (1770-1831) | |
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![]() The introduction to Hegel’s lectures on the philosophy of world history is often used to introduce students to Hegel’s philosophy, in part because Hegel’s sometimes difficult style is muted in the lectures, and he discourses on accessible themes such as world events in order to explain his philosophy. Much of the work is spent defining and characterizing Geist or spirit. Geist is similar to the culture of people, and is constantly reworking itself to keep up with the changes of society, while at the same time working to produce those changes through what Hegel called the “cunning of reason”... |
By: George Berkeley (1685-1753) | |
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![]() A Treatise Concerning the Principles of Human Knowledge, Part 1 (Commonly called “Treatise” when referring to Berkeley’s works) is a 1710 work by the Irish Empiricist philosopher George Berkeley. It largely seeks to refute the claims made by his contemporary John Locke about the nature of human perception. Both Locke and Berkeley agreed that there was an outside world, and it was this world which caused the ideas one has within one’s mind. Berkeley sought to prove that the outside world was also composed solely of ideas, suggesting that “Ideas can only resemble Ideas”... | |
![]() Berkeley uses Hylas as his primary contemporary philosophical adversary, John Locke. A Hylas is featured in Greek mythology and the name Hylas is derived from an ancient Greek word for “matter” which Hylas argues for in the dialogues. Philonous translates as “lover of mind.” In The First Dialogue, Hylas expresses his disdain for skepticism, adding that he has heard Philonous to have “maintained the most extravagant opinion… namely, that there is no such thing as material substance in the world.” Philonous argues that it is actually Hylas who is the skeptic and that he can prove it. Thus, a philosophical battle of wit begins. | |
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By: George Bernard Shaw (1856-1950) | |
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![]() George Bernard Shaw, a playwright with a few bones to pick of his own, undertakes a surgical analysis of the social philosophies underlying the work of Henrik Ibsen. Focusing his analysis on Ibsen's challenge to the conventional "ideals" which both Ibsen and Shaw consider the greatest evils in human society, Shaw summarizes and exposits sixteen of Ibsen's plays, seizing the opportunity to elucidate some of the principles dearest to himself. Some of the most striking passages reveal Shaw's radical feminist perspectives, some of which resonate as if a half-century ahead of their time... |
By: George Douglas Watson (1845-1924) | |
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![]() A guide for Christians to walk a godly life. Covering various practical and spiritual topics. |
By: George Edward Moore | |
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![]() George Edward Moore, usually known as G. E. Moore, (1873 – 1958) was a distinguished and influential English philosopher. He was, with Bertrand Russell, Ludwig Wittgenstein, and (before them) Gottlob Frege, one of the founders of the analytic tradition in philosophy. Principia Ethica is one of the standard texts of modern ethics. |