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Poetry |
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By: Anonymous | |
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By: Unknown | |
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![]() Some day an enterprising editor may find time to glean from the whole field of Canadian literature a representative collection of wit and humour. . . . The present little collection obviously makes no such ambitious claim. It embraces, however, what are believed to be representative examples of the work of some of our better-known writers, many of which will no doubt be quite familiar to Canadian readers, but perhaps none the less welcome on that account. | |
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By: William Shakespeare (1564-1616) | |
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![]() The Rape of Lucrece (1594) is a narrative poem by William Shakespeare about the legendary Lucretia. Lucrece draws on the story described in both Ovid's Fasti and Livy's history of Rome. In 509 BC, Sextus Tarquinius, son of Tarquin, the king of Rome, raped Lucretia (Lucrece), wife of Collatinus, one of the king's aristocratic retainers. As a result, Lucrece committed suicide. Her body was paraded in the Roman Forum by the king's nephew. This incited a full-scale revolt against the Tarquins led by Lucius Junius Brutus, the banishment of the royal family, and the founding of the Roman republic. | |
![]() Venus and Adonis is Shakespeare's narrative poem about the love of the goddess Venus for the mortal youth Adonis, dedicated partly to his patron, the Earl of Southampton (thought by some to be the beautiful youth to which many of the Sonnets are addressed). The poem recounts Venus' attempts to woo Adonis, their passionate coupling, and Adonis' rejection of the goddess, to which she responds with jealousy, with tragic results. This recording features three different readers performing the narration, Venus, and Adonis. |
By: Unknown (384 BC - 322 BC) | |
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By: Various | |
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By: Anonymous | |
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By: Francis William Bourdillon (1844-1912) | |
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![]() Aucassin and Nicolette is a medieval romance written in a combination of prose and verse called a “song-story.” Created probably in the early 13th century by an unknown French author, the work deals with the love between the son of a count and a Saracen slave girl who has been converted to Christianity and adopted by a viscount. Since Aucassin’s father is strongly opposed to their marriage, the two lovers must endure imprisonment, flight, separation in foreign lands, and many other ordeals before their ardent love and fierce determination finally bring them back together... |
By: Unknown (750? BC - 650? BC) | |
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By: George F. Dillon (1836-1893) | |
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By: Unknown (750? BC - 650? BC) | |
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By: Charles Knight (1791-1873) | |
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![]() Lowell Massachusetts was founded in the 1820s as a planned manufacturing center for textiles and is located along the rapids of the Merrimack River, 25 miles northwest of Boston. By the 1850s Lowell had the largest industrial complex in the United States. The textile industry wove cotton produced in the South. In 1860, there were more cotton spindles in Lowell than in all eleven states combined that would form the Confederacy. Mind Amongst the Spindles is a selection of works from the Lowell Offering, a monthly periodical collecting contributed works of poetry and fiction by the female workers of the textile mills... |
By: Unknown (70 BC - 19 BC) | |
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By: Various | |
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By: Unknown | |
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By: Anonymous | |
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By: Unknown (750? BC - 650? BC) | |
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By: Virgil (70 BC - 19 BC) | |
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![]() The Aeneid is the most famous Latin epic poem, written by Virgil in the 1st century BC. The story revolves around the legendary hero Aeneas, a Trojan prince who left behind the ruins of his city and led his fellow citizens to Italy, where he became the ancestor of the Romans. The first six of the poem’s twelve books tell the story of Aeneas’ wanderings from Troy to Italy, while the poem’s second half treats the Trojans’ victorious war upon the Latins. This is the recording of J.W.MacKail's prose translation. |
By: Unknown (1048-1122) | |
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By: Anonymous | |
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By: Unknown (65 BC - 8 BC) | |
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By: Tommaso Campanella (1568-1639) | |
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![]() Michael Angelo and Campanella represent widely sundered, though almost contemporaneous, moments in the evolution of the Italian genius. Michael Angelo was essentially an artist, living in the prime of the Renaissance. Campanella was a philosopher, born when the Counter-Reformation was doing all it could to blight the free thought of the sixteenth century; and when the modern spirit of exact enquiry, in a few philosophical martyrs, was opening a new stage for European science. The one devoted all his mental energies to the realisation of beauty: the other strove to ascertain truth... |
By: Unknown (43 BC - 18?) | |
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By: Various | |
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By: Unknown (348-) | |
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By: Various | |
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By: Unknown (70 BC - 19 BC) | |
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By: Anonymous | |
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By: Unknown (973-1057) | |
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