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Satires

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By: Richard Steele (1672-1729)

Book cover Funeral: or Grief A-La-Mode

The Funeral: or, Grief à-la-Mode, a Comedy, was written in the summer of 1701, and given to Christopher Rich, of the Theatre Royal, Drury Lane, in October. Soon afterwards it was acted, and it was published by Jacob Tonson between December 18 and 20, with the date 1702 on the title-page. The music to the songs, by William Croft, appeared between December 16 and 18. [] The play was revived occasionally in most of the years between 1703 and 1734, and from time to time during the following half-century, the last date, apparently, being April 17, 1799...

By: Elizabeth Griffith (1727-1793)

Book cover History Of Lady Barton

This is the story of the three Cleveland siblings: Fanny, the innocent yet very sympathetic sister; Louisa, the strong willed sister whose miserable marriage to Sir William is the center of the novel; and Sir George who tries to get over the loss of his lover by touring the world. Louisa is not an amoral woman, she is beautiful and very lively, values which 18th century society promotes, yet she suffers only affliction from her "respectable" college educated husband. In the main plot, and all the sub plots , the book tests many prominent values of the time and brings to light their negative implications...

By: William Hurrell Mallock (1849-1923)

Book cover New Republic; or Culture, Faith and Philosophy in an English Country House

A group of upper class men and women gather together in an English country house to discuss their ideas for a utopia . The novel is a satire mocking most of the important figures at Oxford University at the time of publication, with regards to aestheticism and Hellenism. Some of the famous characters that are depicted are Violet Fane/Lady Mary Montgomery Currie , Thomas Huxley , William Money Hardinge , Thomas Carlyle , and Walter Pater . The latter is of particular interest, as his characterisation in this novel helped ruin his reputation as well as his career at Oxford University...

By: William Wycherley (1641-1716)

Book cover Country Wife

One of the most notorious Restoration comedies in existence, William Wycherley’s The Country Wife is a lively and riotous exploration of courtly and city life in the seventeenth century, which was rife with unremitting sexual intrigue and conquest. For the basis of his plot, Wycherley here borrows heavily from the work of Molière, but abandons the French master’s unity and economy by introducing several interlocking storylines and characters, all of them clamoring for attention amidst Wycherley’s hard-hitting colloquial dialogue and double entendres...

By: Godfrey Sweven (1845-1935)

Book cover Riallaro: The Archipelago of Exiles

John Macmillan Brown was born in New Zealand and a University professor, wrote under the pseudonym Godfrey Sweven. An excerpt from the Introduction: "Absorbed in contemplation of its sublimity, I sat for a moment on a rock that rose out of the bush. I almost leapt from it, startled; a voice, unheralded, fell like a falling star through the soundless air. I had heard no footstep, no snap of trodden twig or rustle Of reluctant branch. My senses were so thrilled with the sound that its purport shot past them. There at the base of the rock stood the strangest figure that ever met my eyes." - Summary by Kirk202

By: Gail Hamilton (1833-1896)

Book cover Battle of the Books

"When, in the course of human events, it becomes necessary for an author to dissolve the bands which have connected him with his publishers, a decent respect for the opinions of mankind requires that he should declare the causes which impel him to the separation." So begins the alleged author's introduction to this work, which chronicles the conflict between a female author and her publisher. This conflict really did happen, although the details in this book are fictitious. For more information about the actual situation, see the author's Wikipedia article.

By: Molière (1622-1673)

Book cover George Dandin: or The Abashed Husband

"The treaty of Aix-la-Chapelle having been ratified ... and peace being assured ... Louis XIV resolved to give a festival in his favorite gardens of Versailles. Moliere's comedy, George Dandin, formed the chief entertainment." The plot: A wife comes home rather late, finds the door shut, and threatens to kill herself if her husband does not let her in. She pretends to do so; the good man rushes out quite terrified; the wife, meanwhile, sneaks in, and he is in his turn locked out. Add in her idiot parents and this should be the usual madcap fun...

By: Arthur Adams (1872-1936)

Book cover Mrs. Pretty and The Premier

The Premier has decided that being married would be good for his image. He asks his stenographer for advice: Good. Just jot me down a precis of the points made by your fifteen admirers when proposing - the points that specially appealed to you. I'm afraid, sir, that what most appealed to me could not be expressed in words. In fact, it wasn't words. But no, sir. The subject is too sacred.... ...But you could tell me how they began. The opening address, eh? How did they lead up? Most of 'em just kissed me, sir...

By: Eden Phillpotts (1862-1960)

Book cover Deal With The Devil

A Deal with the Devil is a classic tale with a humorous twist. We find that on the night preceeding his 100th birthday Grandpapa, a cantankerous yet loveable sort, has made a deal with the devil, which his granddaughter, in part, will pay. - Summary by Angelique G. Campbell

By: F. Scott Fitzgerald (1896-1940)

Book cover Vegetable; or, From President to Postman

"Any man who doesn’t want to get on in the world, to make a million dollars, and maybe even park his toothbrush in the White House, hasn’t got as much to him as a good dog has—he’s nothing more or less than a vegetable."Such is the preface of F. Scott Fitzgerald’s only outing as a playwright. The action begins when 35-year-old railway clerk Jerry Frost gets drunk off a bootlegger’s potent hooch on the eve of Warren G. Harding’s presidential nomination. As a result, the second act takes place entirely within Jerry’s intoxicated fantasies, where he has become the new U...

By: Mary Elizabeth Braddon (1835-1915)

Book cover Sons of Fire

"He was a stranger in Matcham, a 'foreigner' as the villagers called such alien visitors. He had never been in the village before, knew nothing of its inhabitants or its surroundings, its customs, ways, local prejudices, produce, trade, scandals, hates, loves, subserviencies, gods, or devils , and yet henceforward he was to be closely allied with Matcham, for a certain bachelor uncle had lately died and left him a small estate within a mile of the village."

By: Lucian of Samosata

Book cover Lucian's Dialogues Volume 1: The Dialogues of the Gods

The Dialogues of the Gods are 26 miniature dialogues mocking the Homeric conception of the Greek gods written in Attic Greek by Syrian author Lucian of Samosata. Almost 1900 years old, these dialogues still retain a lot of their original humor and wit. The cast list for dialogues with 3 or more readers is given below: Dialogue 8: Zeus: Owen CookHephæstus: KevinSStage directions: Foon Dialogue 9: Poseidon: ToddHWHermes: Owen CookStage directions: Foon Dialogue 13: Zeus: ToddHWAsklepius: FoonHerakles: KevinS Dialogue 20: Zeus: alanmapstoneHermes: Owen CookHera: FoonAthena: SoniaAphrodite: Sandra SchmitParis: Aaron WhiteStage directions: ToddHW Editor: Campbell Schelp

By: Annie Denton Cridge (1825-1875)

Book cover Man's Rights; or, How Would You Like It?: Comprising Dreams

"Man's Rights; or, How Would You Like It?: Comprising Dreams" is the first known feminist utopian novel written by a woman. The text features nine dreams experienced by a first-person female narrator. In the first seven dreams, she visits the planet Mars, finding a society where traditional sex roles and stereotypes are reversed. The narrator witnesses the oppression of the men on Mars and their struggle for equality. In the last two dreams, the narrator visits a future United States ruled by a woman president.

By: John Donne (1572-1631)

Book cover John Donne's Satires

Donne’s Style In John Donne’s day, a satire was such a poem as a satyr might compose. Satyrs were rough, savage creatures in Greek mythology, human to the waist but goat from there down. That is the reason that Donne’s style in these poems exceeds his normal difficulty in syntax, vocabulary, thought, and meter. His age enjoyed untangling such puzzles, and some poets cultivated obscurity as an art, called asprezza. Wordplay like “while bellows pant below” , where the same syllables, stressed differently, produce two different words almost side by side, entertained them...

By: Molière (1622-1673)

Book cover Don Juan, or The Feast with the Statue

Don Juan "contains, perhaps, more severe attacks upon hypocrisy than does even Tartuffe. It depicts the hero as a man who, rich, noble, powerful, and bold, respects neither heaven nor earth, and knows no bounds to the gratification of his desires or his passions. He has excellent manners, but abominable principles; he is a whited sepulcher, and abuses the privileges of nobility without acknowledging its obligations or its duties. Moliere sketches no longer the nobleman as ridiculous, but makes him terrible...

By: Henry Fielding (1707-1754)

Book cover Life and Death of Tom Thumb the Great

Tom Thumb, small of stature, great of heart. This play was written as a parody of the tragic heroic biography of a great man, filled with biting satire as to people and events of the time. Note as warned by the title that this is not a happy-ending fairy tale. Supposedly Jane Austen put on a family performance of this play. - Summary by ToddHW Cast list: King Arthur, a passionate sort of king, husband to queen Dollallolla, of whom he stands a little in fear; father to Huncamunca, whom he is...

By: John Hartley Manners (1870-1928)

Book cover Peg O' My Heart

The Chichester family have just gone bankrupt due to bank failure. Their situation looks gloomy until Mrs. Chichester learns of the death of her brother Nathaniel. While Nathaniel hasn't left them any money, he put a clause into his will stating that, if the daughter of his other sister can receive a proper education and become a lady, the family who raised her will receive a considerable sum of money every year. This daughter is named Peg. - Summary by ambsweet13 The Characters in the Comedy: Mrs...

By: Arthur Wing Pinero (1855-1934)

Book cover Weaker Sex

Mrs. Boyle-Chewton and her cause - the Advancement of Women from the Rear to the Van. Lady Vivash, new recruit to the cause. Their daughters Sylvia and Rhoda. Mr. Bargus, Member of Parliament for the Skipping-Molton Division of Cuddleford, who is about to declare his adherence to the cause. Ira Lee, The Poet of The Prairies from West of the Colorado Mountains. New loves. Lost loves. Lords, Ladies, Honorables. Extravagant hopeless passions... - Summary by ToddHW Cast list: Ira Lee: Tomas Peter Lady Vivash: Sonia Sylvia : Jenn Broda Dudley Silchester: Adrian Stephens Mrs...

By: Jean Racine (1639-1699)

Book cover Litigants

This play, which is neither a comedy or a farce but has elements in common with each, was first performed in 1668 at Paris, and afterwards at Versailles. It is a French adaptation of "The Wasps" of Aristophanes. Racine's own experience of law and lawyers was derived from the suit in which he had been involved about the Priory of Epernay, during the course of which he picked up a number of barbarous terms "which," to quote his own words, "neither my judges nor I ever properly understood" - Summary...

By: Henry Fielding (1707-1754)

Book cover Author's Farce

Henry Fielding could not write plays that he could get published. So he decided to write a play - a farce - about that, and success was his at last. The third act of the play is the play that the Author in the play supposedly writes - a Puppet Show called The Pleasures of the Town. - Summary by ToddHW Cast list: Luckless, the Author and Master of the Show: Adrian Stephens Witmore, his friend: Greg Giordano Marplay Senior, Comedian: Alan Mapstone Marplay Junior, Comedian: Availle Bookweight,...

By: Lucian of Samosata

Book cover Lucian's Dialogues Volume 3: The Dialogues of the Dead

Dialogues of the Dead are 30 miniature dialogues mocking the Homeric conception of the Greek gods, originally written in Attic Greek by Syrian author Lucian of Samosata. Almost 1900 years old, these dialogues still retain a lot of their original humor and wit. - Summary by Foon The cast list for dialogues with 3 or more readers is given below: Dialogue 2: Kroesus: Lynette Caulkins Pluto: Alan Mapstone Midas: David Purdy Sardanapalus: TriciaG Menippus: Adrian Stephens Dialogue 3: Menippus:...

By: François Rabelais (1494-1553)

Book cover Gargantua and Pantagruel, Book III

The five-volume work chronicling the adventures of father Gargantua and son Pantagruel is a vehicle for Rabelais' satire of sixteenth-century European society. It is lively, outrageous, and, at times, bawdy. This the third of the five volumes--all are translated by Thomas Urquhart and Peter Motteux

By: Aldous Huxley (1894-1963)

Book cover Antic Hay

The epigram to this work from Christoher Marlowe applies to the plot of this story: "My men like satyrs grazing on the lawns / Shall with their goat-feet dance the antic hay." The plot follows Huxley and his cohorts in a search for meaning and hope and love in post WWI London.

By: Voltaire (1694-1778)

Book cover Zadig or The Book of Fate (Version 2)

"there is no Evil under the Sun, but some Good proceeds from it:" -- this quote from this novel sums it up. One of Voltaire's most celebrated works, Zagig follows the plight of a young man, Zadig, as he embarks on matrimony. This tale is somewhat philosophical, suggesting that no matter how we act, we are confronted by bigotry, injustice and betrayal. Although set in Babylon, there is no attempt at historical accuracy.

By: Jane Collier (1714-1755)

Book cover Essay on the Art of Ingeniously Tormenting

An Essay on the Art of Ingeniously Tormenting was a conduct book written by Jane Collier and published in 1753. The Essay was Collier's first work, and operates as a satirical advice book on how to nag. It was modelled after Jonathan Swift's satirical essays, and is intended to "teach" a reader the various methods for "teasing and mortifying" one's acquaintances. It is divided into two sections that are organised for "advice" to specific groups, and it is followed by "General Rules" for all people to follow.

By: H. G. Wells (1866-1946)

Book cover Joan and Peter

This is satirical look at the English educational system and society in the early twentieth century and the effect of World War I on them by following the lives of Peter Stublands and the orphaned Joan. It is a sad indictment, and Wells includes "An Apology of a Schoolmaster" to explain the constraints of the system.

By: W. S. Gilbert (1836-1911)

Book cover Pinafore Picture Book: The Story Of H.M.S. Pinafore (Version 2)

Pinafore’s sublimely silly story is made even sillier by this 1908 story version of the 1878 Gilbert and Sullivan operetta. Gilbert, the author of the operetta’s lyrics, writes this version of the story with his tongue planted firmly in his cheek. Most adults and children will find this version vastly amusing. - Summary by David Wales

By: Pierre Beaumarchais (1732-1799)

Book cover Follies of a Day; OR, The Marriage of Figaro (English)

This is Thomas Holcroft's English translation, obtained by attending Pierre Beaumarchais' French play nine times in Paris during its original official staging in 1784. Beaumarchais' play was the basis for Mozart's 1796 opera, and is a satire about lovers' misdoings and French society. Because of its rebellious themes, presented during the troubling times leading up to the French Revolution, Beaumarchais had a very difficult time getting his play past the censors. Once staged, the play was enormously popular with audiences, including the aristocracy despite their understanding of the underlying themes...

By: Edward Stirling (1809-1894)

Book cover Nicholas Nickleby: A Farce in 2 Acts

This stage adaptation of Dickens’ novel debuted in November of 1838 at the Adelphi Theater in London. Only eight installments of the story had been published at that time, therefore several characters such as the theatrical Crummles family who play an important part in the latter half of the text do not appear in this work. The ending of this adaptation is also wholly a creation of playwright Edward Stirling, not novelist Dickens. Charles Dickens attended a performance of the play which starred comedienne Mary Keeley in the role of Smike...

By: Henry Fielding (1707-1754)

Book cover Don Quixote in England

"The Audience, I believe, are all acquainted with the Character of Don Quixote and Sancho. I have brought them over into England, and introduced them at an Inn in the Country, where, I believe, no one will be surpris'd that the Knight finds several People as mad as himself." - Summary by Author Cast list: Don Quixote: ToddHW Sancho: Alan Mapstone Sir Thomas Loveland: Ron Altman Squire Badger: Adrian Stephens Scut, his Huntsman: Joanna Michal Hoyt Fairlove: Larry Wilson Mayor: Greg Giordano Retail: Sandra Schmit Guzzle: Mike Manolakes John: Jaime Kurzweg Brief, a Lawyer: panelbeaterva Dr...

By: Edmond About (1828-1885)

Book cover Notary's Nose

Ironic and Satirical: A successful Parisian notary, Alfred L’Ambert, is smitten with a fourteen-year-old ballet dancer. After a quarrel, his Turkish rival challenges him to a duel during which the notary gets his nose cut off. Thereupon, a surgeon is called for a grafting. The donor is a simple man from the Auvergne with whom the notary is forced to spend thirty days, his nose being literally glued to the arm of the man. But even after this term, his bad fortune doesn’t come to an end... - Summary by Didier Le Nez d’un notaire - The Notary's Nose in French La Nariz de un notario - The Notary's Nose in Spanish

By: Lucian of Samosata

Book cover Lucian's True History

One of the earliest works of science-fiction . It has space travel , lunar civilization, and aliens, along with more fantasy elements, such as the afterlife and Greek gods. A satire on contemporary tall tales. - Summary by Terry Kroenung


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