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Short Stories |
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By: Henry Hasse (1913-1977) | |
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By: Henry James (1843-1916) | |
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![]() The Real Thing is, on one level, a somewhat ironic tale of an artist and two rather particular models. Yet it also raises questions about the relationship between the notion of reality in our humdrum world, and the means that an artist must use in trying to achieve, or reflect, that reality. Though the protagonist is an artist and illustrator of books, not a writer, it's not hard to imagine that James has himself, and other writers, in mind. | |
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By: Henry Josephs | |
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By: Henry Lawson (1867-1922) | |
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By: Henry Rider Haggard (1856-1925) | |
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By: Henry Slesar (1927-2002) | |
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By: Henry van Dyke | |
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![]() A collection of short Christmas works by the author of The Story of the Fourth Wise Man |
By: Henry Van Dyke (1852-1933) | |
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By: Henry van Dyke (1852-1933) | |
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![]() "Sometimes short stories are brought together like parcels in a basket. Sometimes they grow together like blossoms on a bush. Then, of course, they really belong to one another, because they have the same life in them. ...There is such a thought in this book. It is the idea of the search for inward happiness, which all men who are really alive are following, along what various paths, and with what different fortunes! Glimpses of this idea, traces of this search, I thought that I could see in certain tales that were in my mind,—tales of times old and new, of lands near and far away... |
By: Herbert B. Livingston | |
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By: Herbert D. Kastle | |
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By: Herman Melville (1819-1891) | |
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![]() Bartleby, the Scrivener: A Story of Wall Street is a novella by the American novelist Herman Melville (1819–1891). It first appeared anonymously in two parts in the November and December 1853 editions of Putnam's Magazine, and was reprinted with minor textual alterations in his The Piazza Tales in 1856. |
By: Hermann Sudermann (1857-1928) | |
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By: Heywood Broun (1888-1939) | |
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![]() This Book is a collection of humorous short stories which describe the comedy in everyday things and situations. |
By: Hjalmar Hjorth Boyesen (1848-1895) | |
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By: Horace Brown Fyfe (1918-1997) | |
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By: Horace Smith (1836-1922) | |
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By: Irvin S. Cobb (1876-1944) | |
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By: Irving E. Cox | |
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By: Irving W. Lande | |
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By: Ivan S. Turgenev (1818-1883) | |
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By: J. A. Taylor | |
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By: J. Anthony Ferlaine | |
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By: J. B. Woodley | |
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By: J. Francis McComas (1911-1978) | |
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By: Jack Douglas | |
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By: Jack Egan | |
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By: Jack G. Huekels | |
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By: Jack London (1876-1916) | |
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![]() A maritime classic acclaimed for its exciting adventure, The Sea Wolf offers a thrilling tale of life at sea, while exploring the many difficulties that may erupt on board a ship captained by a brutally hedonistic and controlling individual. Additionally, the psychological adventure novel covers several themes including mutiny, existentialism, individualism, brutality, and the intrinsic will to survive. The novel sets into motion when its protagonist, the soft and cultivated scholar Humphrey van Weyden, is witness to a precarious collision between his ferry and another ship... | |
![]() A collection of short stories by author Jack London | |
![]() This book by Jack London was published under the name of "The Jacket" in the UK and "The Star Rover" in the US. A framing story is told in the first person by Darrell Standing, a university professor serving life imprisonment in San Quentin State Prison for murder. Prison officials try to break his spirit by means of a torture device called "the jacket," a canvas jacket which can be tightly laced so as to compress the whole body, inducing angina. Standing discovers how to withstand the torture by entering a kind of trance state, in which he walks among the stars and experiences portions of past lives... | |
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![]() This collection of Jack London's short stories touches on a variety of topics, from his love of boxing, to relationships between criminals, to the trials of life and travel on many frontiers, to an allegory about a king who desired a nose. London is considered a master of the short story, a form much more to his liking and personality than his novels. He was active and quick of mind and the short story suited him well. | |
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![]() Jack London credited his skill of story-telling to the days he spent as a hobo learning to fabricate tales to get meals from sympathetic strangers. In The Road, he relates the tales and memories of his days on the hobo road, including how the hobos would elude train crews and his travels with Kelly’s Army. | |
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