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By: Amy Lowell (1874-1925)

Book cover Dome of Many-Coloured Glass

This is a collection of lyrical poems, sonnets and verses for children by Amy Lowell."For quaint pictorial exactitude and bizarrerie of color these poems remind one of Flemish masters and Dutch tulip gardens; again, they are fine and fantastic, like Venetian glass; and they are all curiously flooded with the moonlight of dreams. . . . Miss Lowell has a remarkable gift of what one might call the dramatic-decorative. Her decorative imagery is intensely dramatic, and her dramatic pictures are in themselves vivid and fantastic decorations." (Richard Le Gallienne, 'New York Times Book Review', 1916)

Book cover Men, Women and Ghosts

This is a collection of long poems and short stories by Amy Lowell.

Book cover Taxi

LibriVox volunteers bring you 17 recordings of The Taxi by Amy Lowell. This was the Weekly Poetry project for October 13, 2013.

Book cover Sword Blades and Poppy Seed

This is a volume of poems by Amy Lowell, published in 1914. "Against the multitudinous array of daily verse our times produce this volume utters itself with a range and brilliancy wholly remarkable. I cannot see that Miss Lowell's use of unrhymed 'vers libre' has been surpassed in English. Read 'The Captured Goddess', 'Music', and 'The Precinct. Rochester', a piece of mastercraft in this kind. A wealth of subtleties and sympathies, gorgeously wrought, full of macabre effects (as many of the poems are) and brilliantly worked out. The things of splendor she has made she will hardly outdo in their kind." (Josephine Preston Peabody, 'The Boston Herald', 1916)

Book cover Gift

Amy Lawrence Lowell was an American poet of the imagist school from Brookline, Massachusetts, who posthumously won the Pulitzer Prize for Poetry in 1926. Though she sometimes wrote sonnets, Lowell was an early adherent to the "free verse" method of poetry and one of the major champions of this method. She defined it in her preface to "Sword Blades and Poppy Seed"; in the North American Review for January, 1917; in the closing chapter of "Tendencies in Modern American Poetry"; and also in the Dial (January 17, 1918), as: "The definition of Vers libre is: a verse-formal based upon cadence...


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