Beyond Good and Evil, by Friedrich Nietzsche A searing indictment of concepts like “truth” and “language” Beyond Good and Evil, by Friedrich Nietzsche is a deeply thought provoking book that forms one of the keystones of modern thought and politics. In this book, Nietzsche takes the position that our subservience to fixed perspectives that are forced on us by our language and our ideals make us incapable of perceiving reality. He propounds the theory that ideals are not fixed but change over time, often dramatically, and end up becoming the exact opposite of what they originally were...

Save for his raucous, rhapsodical autobiography, Ecce Homo, The Antichrist is the last thing that Nietzsche ever wrote, and so it may be accepted as a statement of some of his most salient ideas in their final form. Of all Nietzsche’s books, The Antichrist comes nearest to conventionality in form. It presents a connected argument with very few interludes, and has a beginning, a middle and an end.

Of The Twilight of the Idols, Nietzsche says in Ecce Homo: “If anyone should desire to obtain a rapid sketch of how everything before my time was standing on its head, he should begin reading me in this book. That which is called ‘Idols’ on the title-page is simply the old truth that has been believed in hitherto. In plain English, The Twilight of the Idols means that the old truth is on its last legs.” Certain it is that, for a rapid survey of the whole of Nietzsche’s doctrine, no book, save perhaps the section entitled “Of Old and New Tables” in Thus Spake Zarathustra, could be of more real value than The Twilight of the Idols...

Friedrich Wilhelm Nietzsche (1844–1900) was a nineteenth-century German philosopher. He wrote critical texts on religion, morality, contemporary culture, philosophy and science, using a distinctive German language style and displaying a fondness for aphorism. Nietzsche’s influence remains substantial within and beyond philosophy, notably in existentialism and postmodernism. Thus Spake Zarathustra is a work composed in four parts between 1883 and 1885. Much of the work deals with ideas such as the “eternal recurrence of the same”, the parable on the “death of God”, and the “prophecy” of the Overman, which were first introduced in The Gay Science...

Diese kleine Schrift ist eine grosse Kriegserklärung; und was das Aushorchen von Götzen anbetrifft, so sind es dies Mal keine Zeitgötzen, sondern ewige Götzen, an die hier mit dem Hammer wie mit einer Stimmgabel gerührt wird, – es giebt überhaupt keine älteren, keine überzeugteren, keine aufgeblaseneren Götzen… Auch keine hohleren… Das hindert nicht, dass sie die geglaubtesten sind; auch sagt man, zumal im vornehmsten Falle, durchaus nicht Götze…(aus Friedrich Nietzsches Vorwort zur Götzendämmerung)

The Joyful Wisdom (later translated as The Gay Science), written in 1882, just before Zarathustra, is rightly judged to be one of Nietzsche’s best books. Here the essentially grave and masculine face of the poet-philosopher is seen to light up and suddenly break into a delightful smile. The warmth and kindness that beam from his features will astonish those hasty psychologists who have never divined that behind the destroyer is the creator, and behind the blasphemer the lover of life. In the retrospective...

“Der tolle Mensch” ist der Aphorismus 125 aus dem dritten Buch der “Fröhlichen Wissenschaft” und befaßt sich mit dem Thema “Gott ist tot”. Der stilistisch dichte Aphorismus enthält Anspielungen an klassische Werke der Philosophie und Tragödie. Dieser Text lässt den Tod Gottes als bedrohliches Ereignis erscheinen. Dem Sprecher in diesem Text graut vor der Aussicht, dass die zivilisierte Welt ihr bisheriges geistiges Fundament weitgehend zerstört hat. Der unfassbare Vorgang des Todes Gottes würde gerade wegen der großen Dimension lange brauchen, um in seiner Tragweite erkannt zu werden. (Zusammenfassung von Wikipedia.de und Rainer)

The philosopher Friedrich Nietzsche’s autobiography, Ecce Homo, was the last prose work that he wrote before his illness in 1889. Coming at the end of an extraordinarily productive year in which he had produced The Twilight of the Idols and The Antichrist, Nietzsche shuns any pretense at modesty with chapter titles include “Why I am so Wise”, “Why I am so Clever” and “Why I Write Such Excellent Books”. His translator Anthony M. Ludovici states, Ecce Homo “is not only a coping-stone...

A collection of three of Nietzsche's writings concerning the music of Wagner. In particular, he relates Wagner's music as degenerate, unrefined and unintelligent and relates it to a gradually degenerating German culture and society. The translator provides a detailed introduction.

Primer volumen de recopilación de 408 opiniones y sentencias del célebre filósofo alemán en el que expone las principales caraterísticas de su pensamiento sobre las artes, la filosofía, la historia, la ciencia, la religión, la sociedad... Este texto incluye un prefacio en el que el autor explicita sus presupuestos e intenciones al realizar filosofía de esa manera, "a martillazos", con ese estilo tan rompedor y atractivo que le define y ha hecho tan conocido entre el gran público. El contenido de esta obra fue incluído en ediciones posteriores como un segundo volumen de "Humano, demasiado humano" - Summary by Epachuko

These are lectures on the education system of Nietzsche's day. He states that "This book is intended for calm readers, for those who have not yet been drawn into the mad headlong rush of our hurry-scurrying age, and who do not experience any idolatrous delight in throwing themselves beneath its chariot-wheels. It is for those, therefore, who ... 'still have time.' Without any qualms of conscience they may improve the most fruitful and vigorous hours of their day in meditating on the future of our education...

“The essays contained in this volume treat of various subjects. With the exception of perhaps one we must consider all these papers as fragments. Written during the early Seventies, and intended mostly as prefaces, they are extremely interesting, since traces of Nietzsche's later tenets—like Slave and Master morality, the Superman—can be found everywhere. But they are also very valuable on account of the young philosopher's daring and able handling of difficult and abstruse subjects. "Truth and Falsity," and "The Greek Woman" are probably the two essays which will prove most attractive to the average reader.” - Summary by Maximilian Mügge, Translator

This is one of Nietzsche's early academic writings - a scholarly theory about Ancient Greek theatre, specifically tragedies. In a nutshell, this work theorizes about why spectators enjoy watching actors in a long series of scenes that depict human suffering . It is a curious question, especially at the time since scholars generally thought of the Greeks as "A race of men, well-fashioned, beautiful, envied, life-inspiring, like no other race hitherto" . What did they need tragedy for? The question itself, and the path Nietzsche takes to answer this question, outraged the academic world...

Volume 3 of the complete works contains several short critical introductory essays, five lectures under the heading "On the Future of our Educational Institutions," and finally an essay by the author entitled "Homer and Classical Philology." As always, Nietzsche believes in the importance of classical thought.

The modern British philosopher, Anthony M. Ludovici, said that this text “is unquestionably Nietzsche’s opus magnum.” However, he warns the reader that since “the book with the most mysterious, startling, or suggestive title, will always stand the best chance of being purchased by those who have no other criteria to guide them in their choice than the aspect of a title-page … ‘Thus Spake Zarathustra’ is almost always the first and often the only one of Nietzsche’s books that falls into the hands of the uninitiated...

In this famous early work of German philosopher Friedrich Nietzsche, he investigates the artistic characteristics of Apollonian and Dionysian characteristics in Greek art, specifically in Greek tragedy as it evolved. Then he applies his conclusions about Greek tragedy to the state of modern art, especially modern German art and specifically to the operas of Richard Wagner.

The essays contained in this volume treat of various subjects. With the exception of perhaps one we must consider all these papers as fragments. Written during the early Seventies, and intended mostly as prefaces, they are extremely interesting, since traces of Nietzsche's later tenets — like Slave and Master morality, the Superman — can be found everywhere. But they are also very valuable on account of the young philosopher's daring and able handling of difficult and abstruse subjects. "Truth and Falsity," and "The Greek Woman" are probably the two essays which will prove most attractive to the average reader. - from the Preface.

By turns illuminating, infuriating, bewildering, and amusing, Nietzsche's masterwork covers a lot of ground. He rejects most strands of Western thought, especially on the subject of morality, and develops his own theme demanding that individuals embrace their own 'will to power' to give life intention and direction. First published in German in 1887, this translation was produced in 1907 by Helen Zimmern, a long-standing acquaintance of Nietzsche.There is an accessible text at http://www.gutenberg.org/ebooks/4363 but it leaves out all words in Greek, and is not in alignment with any printed edition; hence using the archive.org version. - Summary by Cori Samuel

"Human, all-too-Human, is the monument of a crisis. It is entitled: 'A book for free spirits,' and almost every line in it represents a victory—in its pages I freed myself from everything foreign to my real nature. Idealism is foreign to me: the title says, 'Where you see ideal things, I see things which are only—human alas! all-too-human!' I know man better—the term 'free spirit' must here be understood in no other sense than this: a freed man, who has once more taken possession of himself."

Der Philosoph Friedrich Nietzsche ist nicht unumstritten, wurde von den Nazis mißverstanden und für ihre Ideologie mißbraucht. Das Werk entstand 12 Jahre vor seinem Tod, und nur wenige Jahre vor seinem geistigen Zusammenbruch. Darin rechnet er mit der christlichen Kirche im Speziellen, aber mit religiösen Regelwerken und Fanatismus auch im Besonderen ab. Er vertritt u.a. die These, dass die Bibelreligionen besonders unfrei im Geiste machen, Versklaven, ja, geradezu bewusst Elend und Krieg hervorrufen, um ihre Macht zu stärken. Dies macht das Werk heute aktueller denn je. (Zusammenfassung von crowwings)

In 1887, with the view of amplifying and completing certain new doctrines which he had merely sketched in Beyond Good and Evil (see especially Aphorism 260), Nietzsche published The Genealogy of Morals. This work is perhaps the least aphoristic, in form, of all Nietzsche's productions. For analytical power, more especially in those parts where Nietzsche examines the ascetic ideal, The Genealogy of Morals is unequalled by any other of his works; and, in the light which it throws upon the attitude of the ecclesiast to the man of resentment and misfortune, it is one of the most valuable contributions to sacerdotal psychology.