Juan, captured by Turkish pirates and sold into slavery is bought by a beautiful Princess as her toy-boy. Dressed as an odalisque, he is smuggled into the Sultan’s harem for a steamy assignation. Unbelievably, Byron’s publisher almost baulked at this feast of allusive irony, blasphemy (mild), calumny, scorn, lesse-majeste, cross-dressing, bestiality, assassination, circumcision and dwarf-tossing. This was the last Canto published by the stuffy John Murray (who had, however, made a tidy fortune on the earlier parts of the Epic)...

These are the last four Cantos of his mock epic that Byron completed in the year before his death at the age of 36 in Messolonghi, Greece, where he had gone to fight for the nationalists against the Ottoman Empire. Juan, now in England, is invited to spend the autumn with a hunting party at the ancient country seat of Lord Henry and Lady Adeline Amundeville. There, he meets the most intriguing of the Byronic heroines, Aurora Raby, and is visited by a ghost with ample breasts (!). That is the narrative outline but hardly the focus of the last Cantos...

This powerful poem narrates the fateful return of Count Lara to the British Isles after spending years abroad traveling the orient.Returning to his patrimony with a retinue consisting of one foreign-born page, Count Lara resumes the management of his landed estates. Lara's first efforts are crowned with success: only to be undermined by the jealousy and envy of his his peers. After a successful duel to defend his honour, the count becomes inexorably caught up in local blood-feuds; which quickly escalate to open warfare between his own followers and the private armies of his enemies...

Childe Harold's Pilgrimage is a lengthy narrative poem in four parts written by Lord Byron. It was published between 1812 and 1818 and is dedicated to "Ianthe". The poem describes the travels and reflections of a world-weary young man who, disillusioned with a life of pleasure and revelry, looks for distraction in foreign lands. In a wider sense, it is an expression of the melancholy and disillusionment felt by a generation weary of the wars of the post-Revolutionary and Napoleonic eras. The title comes from the term childe, a medieval title for a young man who was a candidate for knighthood. Canto IV describes Harold's travels in Italy.

Manfred is a dramatic poem in three acts by Lord Byron, and possibly a self confessional work. A noble, Manfred, is haunted by the memory of some unspeakable crime. In seeking for forgetfulness and oblivion, he wanders between his castle and the mountains. He has several encounters with the people who try to assist him, as well as spirits that rule nature and human destiny. The poem explores themes of morality, religion, guilt and the human condition.

"The Giaour" is a poem by Lord Byron first published in 1813 and the first in the series of his Oriental romances. "The Giaour" proved to be a great success when published, consolidating Byron's reputation critically and commercially.

Written late in his career, Byron's narrative poem The Island tells the famous story of the mutiny on board the Bounty, and follows the mutineers as they flee to a South Sea island, "their guilt-won Paradise."

In this moving poem, Byron recounts the final, desperate resistance of the Venetians on the day the Ottoman army stormed Acrocorinth: revealing the closing scenes of the conflict through the eyes of Lanciotto - a Venetian renegade fighting for the Ottomans - and Francesca - the beautiful maiden daughter of the governor of the Venetian garrison: Minotti.

Cain: A Mystery is Lord Byron's retelling of the classical Biblical story from the point of view of its antagonist. Undoubtedly influenced by Milton's Paradise Lost, Byron's Cain is defiant and questioning. In trying to come to terms with the mortality humanity has been punished with, he comes face to face with Lucifer, who takes him to the "Abyss of Space," shows him a vision of Earth's violent natural history, and gives him a true understanding of death. Upon his return, a devastated Cain carries out the familiar end of his tragedy...