A novel that disturbs you 160 years after it first appeared in print, The Picture of Dorian Gray by Oscar Wilde, has so much relevance and resonance even today. Dorian Gray is a strikingly handsome young man whose beauty attracts a debauched aristocrat Sir Henry Wotton. Dorian's picture has been painted by a talented artist Basil Hallward and Sir Henry becomes desperate to meet Dorian, though Basil himself is against it. Sir Henry persuades Dorian to pose for a picture painted by Basil and during the painting sessions, Henry “educates” the young and impressionable Dorian about life...

Wilde’s literary reputation has survived so much that I think it proof against any exhumation of articles which he or his admirers would have preferred to forget. As a matter of fact, I believe this volume will prove of unusual interest; some of the reviews are curiously prophetic; some are, of course, biassed by prejudice hostile or friendly; others are conceived in the author’s wittiest and happiest vein; only a few are colourless. And if, according to Lord Beaconsfield, the verdict of a continental nation may be regarded as that of posterity, Wilde is a much greater force in our literature than even friendly contemporaries ever supposed he would become...

An American diplomat's family moves into an ancient stately mansion. They're warned by the owner that it is haunted by a most horrifying and gruesome spirit who had once cruelly murdered his own wife. The story progresses with creaking floor boards, mysterious passages, dark attics, clanking chains, and weird howling. Yet, the reader is totally unprepared for Oscar Wilde's brand of tongue in cheek humor as he takes all the ingredients of a traditional ghost story and turns it on its head, and creates a hilarious parody instead of a morbid saga! The Canterville Ghost was the first of Oscar Wilde's short stories to be published...

A wealthy philanthropist adopts an abandoned baby he finds in a railway station waiting room. The child grows into a fine, upstanding young man. When his benefactor dies, he is made the guardian of the old man's lovely young daughter. But unknown to everyone, he leads a double life that even his best friend knows nothing about... If you thought that this has all the makings of a most sinister and diabolical plot, you couldn't be more mistaken. The Importance of Being Earnest by Oscar Wilde is a light as a feather confection, full of mischief, fun and laughter! Written in 1894, this was Wilde's last play...

This story opens at a fashionable dinner party in Sir Robert Chiltern's home in the heart of London's stylish Grosvenor Square. One of Lady Chiltern's old school-friends, Mrs. Cheveley, a woman with a dubious past, accosts Sir Robert and threatens to expose a financial crime that he had once participated in, unless he agrees to finance a fraudulent construction project that she's promoting. Lady Chiltern is astounded when her husband who had been the severest critic of this project suddenly begins to speak in its favor...

The Happy Prince and Other Tales (also sometimes called The Happy Prince and Other Stories) is an 1888 collection of stories for children by Oscar Wilde. It is most famous for The Happy Prince, the short tale of a metal statue who befriends a migratory bird. Together, they bring happiness to others, in life as well as in death. The stories included in this collection are:The Happy PrinceThe Nightingale and the RoseThe Selfish GiantThe Devoted FriendThe Remarkable RocketThe stories convey an appreciation for the exotic, the sensual and for masculine beauty.

Als der berückend gutaussehende Jüngling Dorian Gray sein Porträt betrachtet, kommt ihm der Gedanke, wie herrlich es sein müsste, wenn das Bild an seiner Stelle altern könnte, während er selbst für immer jung und schön bliebe. Als sich dieser fantastische Wunsch zu erfüllen beginnt, genießt Dorian seine ewige Jugend in vollen Zügen – während in seiner Seele ein grauenvolles Werk der Zerstörung seinen Lauf nimmt.(Zusammenfassung von Al-Kadi)

In 1894, Oscar Wilde (1854-1900) published two short collections of aphorisms: “A Few Maxims For The Instruction Of The Over-Educated”, in the Saturday Review newspaper, and “Phrases and Philosophies for the Use of the Young”, in the Oxford student magazine The Chameleon. By turns witty, intellectual, counter-intuitive and obtuse, the collections came to be seen by many as emblematic of Wilde’s style, and countless collections of Wildean aphorisms have since been published.