Something along the lines of Dorian Gray as part of the Comedies Humane Philosophique, this is Balzac's first successful novel. He even wrote "criticisms" of the writing himself in promotion of the book, in addition to hyping the work before it even came out. It is a criticism of materialism and French bourgeoisie as so many of his compiled works seek to be. Some same characters reappear.

Cousin Betty (La Cousine Bette), published in serial format in 1846, was one of the last and greatest of Balzac's works. It was part of his long novel collection titled La Comédie Humaine. Set in mid-19th-century France, it tells the story of a woman who resents her position as a "poor relation." As we follow her schemes to bring ruin upon the more privileged members of her family, we see a society in transition. The stability and idealism of the old order give way to a new bourgeois world in which virtue is strangled in the struggle for power and money...

Cousin Pons is one of the final works in Balzac's long novel series titled The Human Comedy. It was published in 1847, along with Cousin Betty, as one of a complementary pair of novels, collectively titled Poor Relations. While Cousin Betty tells the story of a bitter woman who seeks revenge on her wealthier relations, in Cousin Pons, Balzac turns to the story of an timid, innocent man who is exploited and victimized by the wealthier members of his extended family.Balzac offers probing character portraits and an indictment of greed and materialism in this detailed portrait of mid-19th-century French life...

Part of the La Comedie Humane and something of a sequence to Balzac's Father Goriot, the short book's title is the name of the pawn broker/money lender the father Goriot utilized to maintain his spoiled daughters in the luxury he had accustomed them to. This is a continuation of the tale of one of those daughters, Mme Restaud.