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Animaduersions uppon the annotacions and corrections of some imperfections of impressiones of Chaucer's workes 1865 edition   By: (1545?-1608)

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Animaduersions uppon the annotacions and corrections of some imperfections of impressiones of Chaucer's workes 1865 edition by Francis Thynne is a meticulous and insightful commentary on the imperfections and errors found in previous editions of Geoffrey Chaucer's works. Francis Thynne, an esteemed scholar and antiquary, embarked upon a noble task of dissecting and rectifying the flaws in Chaucer's printed works, bringing clarity and accuracy to the world of Chaucerian scholarship.

Thynne's animadversions, or criticisms, are presented in a structured manner, providing a well-reasoned and systematic analysis of the annotations and corrections implemented by various editors over the years. The author meticulously examines each correction proposed by his predecessors and offers his own observations, highlighting not only the errors but also the reasons behind them. Thynne's approach allows readers to appreciate the layers of interpretation and potential misconceptions that can arise from misprints, misinterpretations, and editorial decisions.

One of the most remarkable aspects of Animaduersions is Thynne's profound knowledge of Chaucer's language and chronology, which he employs to debunk previous misconceptions and shed light on the poet's true intentions. By referencing archival materials and historical documents, Thynne paints a vivid picture of Chaucer's literary milieu, offering valuable insights into the poet's cultural and social context.

Furthermore, Thynne's commentary exhibits a remarkable command over Chaucer's language, making it accessible to both scholars and dedicated Chaucer enthusiasts. The author takes the time to explain linguistic nuances, providing necessary historical context to enhance the reader's understanding. Thynne's erudition, combined with his clear and concise writing style, ensures that Animaduersions remains a valuable resource for students, researchers, and anyone interested in Chaucer's works.

While the book may appear overwhelming for those unfamiliar with Chaucerian studies, Thynne's systematic approach and comprehensive explanations make it an accessible and engaging read. Moreover, the book's meticulous annotations and copious references enable readers to further delve into specific areas of interest, encouraging independent research and exploration.

Animaduersions uppon the annotacions and corrections of some imperfections of impressiones of Chaucer's workes 1865 edition by Francis Thynne is undoubtedly a significant contribution to Chaucerian scholarship. Thynne's meticulous research, comprehensive analysis, and eloquent prose render this book indispensable for anyone seeking to comprehend and appreciate Chaucer's literary legacy.

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[This text is intended for users whose text readers cannot use the "real" (Unicode/UTF 8) version of the file. Characters that could not be fully displayed have been "unpacked" and shown in brackets:

[ m] [ i] [letter with overline] [oe] [oe ligature]

Curly quotes and apostrophes have been replaced with the simpler "typewriter" form. Words in non Roman scripts have been transliterated and shown between marks.

The text is based on the 1865 EETS edition of Thynne's Animadversions . Two purely typographic features have been adopted from the 1876 Chaucer Society re edition of the same MS. Passages printed in brackets in 1865 have been changed to 1876's parentheses; conversely, letters and whole words supplied by the editor are shown in brackets, reserving italics for expanded abbreviations. A few apparent errors were corrected from the 1876 text. Some other differences between the two editions are noted at the end of the e text.

Italicized letters within a word are shown in {braces}. Other italics are shown conventionally with lines . Superscripts are shown with caretsĀ ^.

The Sidenotes have been duplicated at the beginning of the text to act as a table of contents.]



Chaucer's Workes.

[Sidenotes: The author is vexed that Master Speight did not consult him on his new edition of Chaucer... Continue reading book >>

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