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Book of illustrations : ancient tragedy   By: (495? BC - 406 BC)

Book cover

In "Book of Illustrations: Ancient Tragedy" by Unknown, readers are transported back in time to explore the captivating world of ancient Greek tragedies. This fascinating collection of illustrations offers a visual feast that perfectly complements the intriguing stories of heroes and heroines, gods and goddesses, and the timeless themes of fate, destiny, and human frailty.

One of the most arresting aspects of this book is its meticulous attention to detail. The illustrations are exquisitely crafted, each brushstroke infused with emotion to bring the characters and scenes to life. From tragic heroes like Oedipus and Medea to iconic Greek deities such as Zeus and Athena, the illustrations expertly capture the essence of these mythological figures. The use of color is particularly striking, with shades of deep blues and rich reds evoking a sense of drama and intensity.

As readers delve into the pages, they will find themselves enraptured by the tragic tales presented. The book seamlessly weaves together the most famous Greek tragedies, including "Antigone," "Oedipus Rex," and "The Trojan Women," among others. While the narrative itself is absent in this collection, the illustrations powerfully convey the raw emotions and pivotal moments that define these timeless stories. Whether it be the anguish of Medea, the stoicism of Antigone, or the despair of Cassandra, each illustration encapsulates the central themes of these tragedies.

Furthermore, "Book of Illustrations: Ancient Tragedy" offers a valuable educational resource. Accompanying each illustration is a brief description, providing context and insight into the significance of each depicted scene. This allows readers, whether they are familiar with Greek mythology or novices in the subject, to fully appreciate the artistic representation and understand the cultural importance of these tragic tales.

However, one minor drawback of this book is the lack of information regarding the illustrator. While the anonymity of the artist adds an air of mystery, it would have been beneficial to know more about their background and artistic inspirations. Additionally, the absence of a written narrative may be disappointing to those who prefer a more traditional storytelling approach.

In conclusion, "Book of Illustrations: Ancient Tragedy" by Unknown is a visually stunning exploration of Greek mythology's most memorable tragic tales. The illustrations, with their remarkable attention to detail, beautifully embody the essence of these stories, captivating readers with their emotional depth. With its educational value and cultural significance, this book is a worthy addition to any lover of Greek mythology's collection.

First Page:

BOOK OF

ILLUSTRATIONS

ANCIENT TRAGEDY

RICHARD G. MOULTON

CHICAGO

The University of Chicago Press

1904

ILLUSTRATIONS

THE ANCIENT DRAMA

(TRAGEDY)

CONTENTS

STORY OF ORESTES [ Oresteia ], A TRILOGY BY Aeschylus AGAMEMNON THE SEPULCHRAL RITES [ Choephori ] THE GENTLE GODDESSES [ Eumenides ]

ELECTRA, by Sophocles

ELECTRA, by Euripides

ALCESTIS, by Euripides

THE CYCLOPS, by Euripides

THE BACCHANALS, by Euripides

MISCELLANEOUS PASSAGES

REFERENCES

In the case of Aeschylus and Sophocles the numbering of lines agrees with that in the translations of Plumptre and in the original. In the plays from Euripides the numbering is that of the lines in the cheap translation (Routledge's Universal Library).

[Transcriber's note: In the original book, the line numbers mentioned above were right justified. In this e book, they are enclosed in curly braces, and placed immediately after their associated line of text, e.g. ". . . a line of text {123}".]

A CONDENSATION OF THE TRILOGY

STORY OF ORESTES

[ ORESTEIA ]

BEING THE ONLY GREEK TRILOGY, OR THREE PLAY DRAMA, WHICH HAS COME DOWN TO US COMPLETE

CONSISTING OF

MORNING PLAY:

AGAMEMNON

MIDDAY PLAY:

THE SEPULCHRAL RITES

[ CHOEPHORI ]

AFTERNOON PLAY:

THE GENTLE GODDESSES

[ EUMENIDES ]

COMPOSED BY AESCHYLUS, AND BROUGHT ON THE STAGE AT ATHENS AT THE FESTIVAL OF THE 'GREATER DIONYSIA,' IN MARCH OF 458 B... Continue reading book >>




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