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Browning and the Dramatic Monologue   By: (1847-1921)

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Browning and the Dramatic Monologue by S. S. Curry is an insightful and comprehensive exploration of Robert Browning's revolutionary contribution to the literary form known as the dramatic monologue. Samuel Silas Curry takes readers on an enlightening journey through Browning's poetic landscapes and dissects the meticulous craftsmanship behind his renowned works.

The book begins by offering a clear and concise definition of the dramatic monologue, providing readers with a solid foundation to understand the unique characteristics of this poetic form. Curry then delves into Browning's life and influences, shedding light on the experiences that shaped his artistic vision. This contextual background is essential in understanding the depth and complexity of Browning's work as the book progresses.

One of the highlights of Browning and the Dramatic Monologue is Curry's meticulous analysis of Browning's most famous poems. From "My Last Duchess" to "Fra Lippo Lippi," Curry dissects each work with precision, unraveling the layers of meaning behind every line. The author's close attention to detail enables readers to fully appreciate the mastery with which Browning crafted his characters and immersed them in unique narratives.

Moreover, Curry skillfully traces the development of the dramatic monologue as an art form through Browning's body of work. He demonstrates how Browning's poems evolve from explorations of the human psyche to reflections on society and morality. By examining the underlying themes and subjects of Browning's monologues, Curry adeptly highlights the growing complexity and depth of the poet's oeuvre.

In addition to offering a critical analysis of Browning's poetry, Curry also incorporates valuable insights from other prominent writers and scholars. Through these interdisciplinary perspectives, readers gain a broader understanding of the impact and legacy of Browning's work. By situating Browning within the context of his contemporaries, Curry successfully showcases the poet's unique contributions to the literary landscape of his time.

While Browning and the Dramatic Monologue is undoubtedly a scholarly and academic work, Curry's writing style remains accessible and engaging. The author's passion for the subject matter permeates each chapter, making it an enjoyable read for Browning enthusiasts as well as poetry lovers in general. Curry's ability to explain complex ideas in a straightforward manner ensures that readers can easily follow his arguments and appreciate Browning's genius.

Overall, Browning and the Dramatic Monologue is an essential addition to any literature lover's collection. S. S. Curry has produced a comprehensive and insightful analysis that not only celebrates Robert Browning's poetic achievements but also deepens our understanding of the dramatic monologue as an art form. Whether one is a seasoned scholar or a curious reader, this book serves as a valuable resource, shedding light on the power and significance of Browning's enduring works.

First Page:


Of eminent value. DR. LYMAN ABBOTT.

Both method and spirit practically without precedent. J. M. LEVEQUE, Editor Morning World, New Orleans.

PROVINCE OF EXPRESSION. A study of the general problems regarding delivery and the principles underlying its development. $1.50; to teachers, $1.20.

The work of a highly intellectual man who thinks and feels deeply, who is in earnest and whose words are entitled to the most thoughtful consideration. WILLIAM WINTER.

LESSONS IN VOCAL EXPRESSION. Study of the modulations of the voice as caused by action of the mind.

It is the best book on expression I ever read, far ahead of anything published. PROF. GEORGE A. VINTON, Chicago .

IMAGINATION AND DRAMATIC INSTINCT. Creative action of the mind, insight, sympathy, and assimilation in vocal expression.

The best book ever published on elocution. A prominent teacher and public reader.


Deserves the attention of everyone. The Scotsman, Edinboro.

Will serve to abolish "hardshell" reading where "hardshell" preaching is no longer tolerated. DR. LYMAN ABBOTT.

FOUNDATIONS OF EXPRESSION. Principles and fundamental steps in the training of the mind, body, and voice in speaking.

"By its aid I have accomplished double the usual results... Continue reading book >>

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