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Canterbury Pieces   By: (1835-1902)

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In his novel Canterbury Pieces, Samuel Butler takes readers on a captivating journey through the quintessential British countryside. Set against the backdrop of the idyllic Canterbury, Butler masterfully weaves together a collection of short stories that paint a vivid picture of life in rural England.

The book opens with an enchanting description of the Canterbury Cathedral, serving as a metaphorical gateway to the diverse tales that lie within. Butler's lyrical prose captures the essence of this historic landmark, infusing it with a sense of reverence and awe. This opening sets the tone for the rest of the book, drawing readers into a world where tradition, spirituality, and humanity intersect.

Each story within Canterbury Pieces offers a unique glimpse into the lives of those who call this picturesque landscape home. Butler's characters are vividly portrayed, each with their own distinct personality and voice. Whether it be the eccentric clergyman with an insatiable curiosity or the lovelorn farmer desperately seeking connection, each character feels real and relatable. This skillful characterization creates an emotional connection between readers and the inhabitants of Canterbury, immersing us in their everyday joys and struggles.

One of the book's greatest strengths lies in Butler's ability to seamlessly blend genres. Within the pages of Canterbury Pieces, readers will find elements of comedy, drama, and even supernatural tales. This stylistic versatility adds depth to the book, ensuring that there is something for every reader's preference. Furthermore, the integration of folklore and local myths adds a touch of enchantment, enhancing the overall reading experience.

In addition to its entertaining storytelling, Canterbury Pieces also provides insightful commentary on various aspects of society. Butler tackles themes such as faith, morality, and the dynamics of small-town life with depth and nuance. Through nuanced characterization and thought-provoking narratives, he encourages readers to reflect on their own beliefs and prejudices.

While Canterbury Pieces may not appeal to those seeking fast-paced action or intricate plot twists, it will undoubtedly captivate those who appreciate well-crafted writing and richly developed characters. Butler's love and knowledge of the English countryside shine through in every page, immersing readers in a world that feels both nostalgic and timeless.

Overall, Canterbury Pieces is a delightful collection of stories that will transport readers to the charming realm of the English countryside. Samuel Butler's exquisite prose and insightful storytelling create a reading experience that lingers long after the final page is turned. Whether you're a fan of classic literature, folklore, or simply seeking a book that celebrates the beauty of nature and the complexities of human nature, Canterbury Pieces is a literary gem not to be missed.

First Page:

This etext was produced from the 1914 A. C. Fifield edition by David Price, email ccx074@coventry.ac.uk

SAMUEL BUTLER'S CANTERBURY PIECES

by Samuel Butler

Contents:

Darwin on the Origin of Species A Dialogue Barrel Organs Letter: 21 Feb 1863 Letter: 14 Mar 1863 Letter: 18 Mar 1863 Letter: 11 Apr 1863 Letter: 22 June 1863 Darwin Among the Machines Lucubratio Ebria A note on "The Tempest" The English Cricketers

DARWIN ON THE ORIGIN OF SPECIES

Prefatory Note

As the following dialogue embodies the earliest fruits of Butler's study of the works of Charles Darwin, with whose name his own was destined in later years to be so closely connected, and thus possesses an interest apart from its intrinsic merit, a few words as to the circumstances in which it was published will not be out of place.

Butler arrived in New Zealand in October, 1859, and about the same time Charles Darwin's ORIGIN OF SPECIES was published. Shortly afterwards the book came into Butler's hands. He seems to have read it carefully, and meditated upon it. The result of his meditations took the shape of the following dialogue, which was published on 20 December, 1862, in the PRESS which had been started in the town of Christ Church in May, 1861. The dialogue did not by any means pass unnoticed... Continue reading book >>




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