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Caruso and Tetrazzini on the Art of Singing   By: (1873-1921)

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Enrico Caruso is undoubtedly one of the greatest opera singers of all time, and his influence on the world of singing cannot be overstated. In "Caruso and Tetrazzini on the Art of Singing," co-authored with fellow legendary soprano Luisa Tetrazzini, Caruso provides a comprehensive guide to the art of singing that will captivate both aspiring singers and die-hard opera enthusiasts.

This book is a treasure trove of knowledge, offering a rare glimpse into the minds of these two exceptional artists. Caruso's anecdotes and personal experiences add a unique touch, providing valuable insights into the challenges and joys of a singing career. The reader gains a deep understanding of the dedication, discipline, and passion required to master the art of vocal performance.

What sets this book apart is its practicality. Caruso and Tetrazzini lay out a detailed guide to vocal technique, offering exercises and tips for singers at every level. From breath control and resonance to diction and interpretation, the authors leave no stone unturned. The advice is presented in a clear and approachable manner, making it easy even for non-singers to comprehend and appreciate.

Furthermore, the emphasis on self-expression and individuality is truly inspiring. Caruso and Tetrazzini emphasize that technique alone is not enough; true greatness comes from infusing one's unique personality and emotions into every note. They encourage singers to find their own voice, to tell a story, and to connect with audiences on a profound level.

As a lover of opera, reading this book felt like sitting front row at a masterclass. The authors' deep respect and love for the art form shine through each page, making it impossible to not be infected by their enthusiasm. Whether discussing the great masterpieces of the repertoire or diving into the intricacies of vocal ornamentation, Caruso and Tetrazzini's passion is palpable, igniting a renewed excitement for opera in the reader.

One slight drawback of the book is that some sections might be too technical for the casual reader or those unfamiliar with the terminology of vocal pedagogy. However, this can easily be overcome with a quick online search or glossary of terms. Ultimately, the overarching message and timeless wisdom conveyed in this book far outweigh any minor difficulties.

In conclusion, "Caruso and Tetrazzini on the Art of Singing" is a must-read for anyone interested in the world of opera or vocal performance. Enrico Caruso and Luisa Tetrazzini generously share their immense knowledge, experience, and artistry, making this book an invaluable resource. Whether you aspire to be the next opera sensation or simply want to deepen your appreciation for the power of the human voice, this book is a true gem that will leave a lasting impact.

First Page:

CARUSO AND TETRAZZINI ON THE ART OF SINGING

by

ENRICO CARUSO and LUISA TETRAZZINI

Metropolitan Company, Publishers, New York, 1909.

PREFACE

In offering this work to the public the publishers wish to lay before those who sing or who are about to study singing, the simple, fundamental rules of the art based on common sense. The two greatest living exponents of the art of singing Luisa Tetrazzini and Enrico Caruso have been chosen as examples, and their talks on singing have additional weight from the fact that what they have to say has been printed exactly as it was uttered, the truths they expound are driven home forcefully, and what they relate so simply is backed by years of experience and emphasized by the results they have achieved as the two greatest artists in the world.

Much has been said about the Italian Method of Singing. It is a question whether anyone really knows what the phrase means. After all, if there be a right way to sing, then all other ways must be wrong. Books have been written on breathing, tone production and what singers should eat and wear, etc., etc., all tending to make the singer self conscious and to sing with the brain rather than with the heart. To quote Mme. Tetrazzini: "You can train the voice, you can take a raw material and make it a finished production; not so with the heart... Continue reading book >>




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