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Critical Studies   By: (1839-1908)

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Critical Studies by Unknown is an intriguing compilation of essays that attempts to delve into the intricacies of various literary and artistic works. Though the lack of an identified author may raise initial concerns about the credibility of the content, delving into the book unravels a thought-provoking and intellectually stimulating collection.

One of the strengths of this book is its diversity in subject matter. The essays touch upon a wide range of literary genres, from classic novels to contemporary poetry, providing a comprehensive exploration of different literary eras. Additionally, the inclusion of analysis on visual arts and cinematic masterpieces adds an extra dimension to the work, making it appealing to readers with various interests.

The analyses presented in the book are well-researched and backed by evidence, reflecting a deep understanding of the chosen works. The essays offer insightful interpretations, dissecting themes, motifs, and characters with precision. In many instances, the author manages to shed a fresh light on well-known works, igniting a thought-provoking conversation among readers. This ability to present familiar works in a new and engaging manner is undoubtedly one of the standout features of this collection.

While the lack of an identified author raises some concerns regarding the legitimacy of the content, it also allows readers to approach the essays with an open mind, free from any preconceived notions. However, this openness can backfire as readers may find it challenging to determine the expertise or authority of the author, making it difficult to place complete trust in their interpretations and findings.

Moreover, the absence of a unifying voice throughout the book creates a disjointed reading experience. Each essay reads as an isolated piece, lacking a coherent flow from one chapter to another. This, combined with the lack of context or background information on the author, makes it challenging to fully appreciate the significance and context of the essays.

Despite these shortcomings, Critical Studies is a thought-provoking and insightful collection that invites readers to engage with literature and art on a deeper level. Its in-depth analysis and fresh perspectives make it a valuable resource for individuals who wish to explore various literary and artistic works from a critical lens. However, the absence of an identified author and the lack of cohesion in the essays detract from the overall impact of the book.

First Page:

CRITICAL STUDIES

BY OUIDA

SECOND IMPRESSION

LONDON T. FISHER UNWIN PATERNOSTER SQUARE 1900

[ All Rights reserved ]

PREFATORY NOTE

With exception of one, that on the poems of Mr Blunt, all these essays have previously appeared in The Fortnightly Review , The Nineteenth Century Review , or the Nuova Antologia . The two published in The Nuova Antologia were written by me in Italian. I have now turned them into English myself. The article on D'Annunzio, in the Fortnightly , was the first ever printed in English on a writer who is now well known to all. I do not think that he has, since it was published, created anything equal to the Trionfo . The character of his genius is not adapted to the theatre, to which he now chiefly devotes himself. It will be interesting to see if it can be adapted to political life, which has lately tempted him. Perhaps he may become a new Rienzi. One is greatly needed in Italy.

OUIDA.

CONTENTS

I. GABRIELE D'ANNUNZIO

II. GEORGES DARIEN

III. THE ITALIAN NOVELS OF MARION CRAWFORD

IV. LE SECRET DU PRÉCEPTEUR

V. L'IMPÉRIEUSE BONTÉ

VI. WILFRID SCAWEN BLUNT

VII. JOSEPH CHAMBERLAIN

VIII. UNWRITTEN LITERARY LAWS

IX. AUBERON HERBERT

X... Continue reading book >>




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