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Daisy Burns (Volume 1)   By: (1824-1877)

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In Julia Kavanagh’s Daisy Burns (Volume 1), readers are transported back to the charming countryside of 19th-century England. With eloquent prose and a richly detailed setting, this novel captivates from the very first page.

The story follows the life of its eponymous protagonist, Daisy Burns, a young and spirited woman who embarks on a journey of self-discovery and resilience in the face of adversity. Kavanagh masterfully weaves together various themes such as love, family, and societal expectations, making the narrative both relatable and deeply thought-provoking.

Daisy’s character is beautifully developed, with her vivaciousness and determination shining through even in the toughest of circumstances. As she confronts the challenges thrown her way, readers are able to empathize with her struggles and celebrate her triumphs.

One of the standout features of this novel is Kavanagh’s superb attention to detail when describing the landscape and time period. From the picturesque village scenes to the intricacy of social norms, every element is vividly depicted, immersing readers into the world of Victorian England. The author’s meticulous research is evident in her accurate portrayals of historical events and background information, adding an extra layer of depth to the storytelling.

The supporting characters are equally well-crafted and contribute significantly to the overall narrative. Daisy’s family and close acquaintances feel authentic, each playing a crucial role in shaping her journey, whether as a source of support or a catalyst for her personal growth. Kavanagh’s ability to create memorable and multi-dimensional characters enhances the emotional engagement and adds complexity to the story.

A remarkable aspect of Daisy Burns (Volume 1) is the exploration of societal norms and gender roles during this era. The novel subtly but powerfully challenges the limitations imposed on women, forcing readers to question the longstanding traditions that often stifle their potential. Daisy’s determination to break free from the predetermined path assigned to her is inspiring and thought-provoking, leaving readers with much to ponder.

While the story is undoubtedly engaging, there are moments when the pacing feels slightly uneven. Some sections may appear slow-moving, while others speed through pivotal events. However, this minor issue does not detract significantly from the overall enjoyment of the book.

In conclusion, Julia Kavanagh’s Daisy Burns (Volume 1) is a beautifully crafted and immersive novel that transports readers to a bygone era. With its well-developed characters, evocative descriptions, and thought-provoking themes, this book is a captivating read for anyone who appreciates historical fiction and strong female protagonists.

First Page:

Julia Kavanagh (1824 1877), Daisy Burns (1853), volume 1, Tauchnitz edition

Produced by Daniel FROMONT

COLLECTION

OF

BRITISH AUTHORS.

VOL. CCLXIII.

DAISY BURNS BY JULIA KAVANAGH.

IN TWO VOLUMES.

VOL. I.

TAUCHNITZ EDITION

By the same Author,

NATHALIE 2 vols.

GRACE LEE 2 vols.

RACHEL GRAY 1 vol.

ADELE 2 vols.

A SUMMER AND WINTER IN THE TWO SICILES 2 vols.

SEVEN YEARS AND OTHER TALES 2 vols.

FRENCH WOMEN OF LETTERS 1 vol.

ENGLISH WOMEN OF LETTERS 1 vol.

QUEEN MAB 2 vols.

BEATRICE 2 vols.

SYBIL'S SECOND LOVE

DORA 2 vols.

SILVIA 2 vols.

BESSIE 2 vols.

JOHN DORRIEN 2 vols.

DAISY BURNS;

A TALE

BY

JULIA KAVANAGH,

AUTHOR OF "NATHALIE."

COPYRIGHT EDITION .

IN TWO VOLUMES.

VOL. I.

LEIPZIG

BERNHARDT TAUCHNITZ

1853.

JULIA KAVANAGH

DAISY BURNS.

CHAPTER I.

As I sat alone this evening beneath the porch, the autumn wind rose and passed amongst the garden trees, then died away in the distance with a low murmuring. A strange thrill ran through me; the present with its aspects vanished; I saw no more the narrow though dearly loved limits which bound my home; the little garden, so calm and grey in the dewy twilight, was a wide and heaving sea; the low rustling of the leaves seemed the sound of the receding tide; the dim horizon became a circular line of light dividing wastes of waters from the solemn depths of vast skies, and I, no longer a woman sitting in my home within reach of a great city, but an idle, dreaming child, lay in the grassy nook at the end of our garden, whence I watched the ships on their distant path, or sent a wandering glance along the winding beach of sand and rock below... Continue reading book >>




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