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Daphne, an autumn pastoral   By: (1864-1955)

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Daphne, an autumn pastoral by Margaret Pollock Sherwood is a captivating novel that takes readers on a nostalgic journey into the enchanting landscapes of the English countryside. Set in the early 20th century, this book intricately weaves together themes of love, loss, and self-discovery, creating a compelling narrative that will keep readers engaged until the very last page.

The story revolves around the eponymous protagonist, Daphne, a young woman whose sheltered life takes an unexpected turn when she inherits a rural estate from a distant relative. As Daphne settles into her newfound surroundings, she is immediately transported to a world of rich natural beauty, vibrant colors, and tranquil atmosphere. Sherwood's vivid descriptions effortlessly paint a picturesque image of the changing seasons, accentuating the symbolic significance of autumn, which stands as a metaphor for the passage of time and transformation.

One of the novel's strengths lies in the author's immaculate character development. Daphne's journey towards self-discovery is beautifully portrayed, as she learns to navigate the complexities of her new life and confront the ghosts of her past. Sherwood excels at capturing Daphne's inner turmoil, making her a relatable and empathetic protagonist. The supporting characters are equally well-drawn, each one adding depth and nuance to the story. From the eccentric villagers to the enigmatic figures that Daphne encounters, every character feels authentic, leaving a lasting impact on the reader.

The book also delves into the complexities of human relationships, exploring various forms of love and the impact they have on individuals. Sherwood masterfully explores themes of unrequited love, forbidden desires, and the sacrifices one makes in the pursuit of happiness. Through the interactions between characters, the author allows readers to reflect upon the universal experiences of longing, yearning, and the complexities of human emotion.

Furthermore, the prose in Daphne, an autumn pastoral is exquisite and lyrical, creating a melodic rhythm that adds beauty and depth to the narrative. Sherwood's attention to detail and her ability to transport readers to the heart of the English countryside make the setting of the novel truly come alive. Whether it is the sound of rustling leaves, the scent of autumnal spices, or the sensation of crisp air, the author's exquisite descriptive skill ensures that readers can almost taste the elements of nature that permeate the story.

However, despite the book's numerous strengths, there were moments when the pacing felt slightly uneven. Certain sections of the narrative seemed to linger, while others raced ahead, leaving the reader wanting more. Additionally, the resolution of certain storylines felt a bit rushed, leaving a few loose ends that could have been tied up with greater clarity.

Overall, Daphne, an autumn pastoral is a captivating and beautifully written novel that transports readers to a world of natural splendor and human complexities. Sherwood's remarkable storytelling prowess and her ability to evoke emotions through her literary craftsmanship are truly commendable. This book is an eloquent exploration of love, self-discovery, and the ways in which nature shapes our lives.

First Page:

DAPHNE, AN AUTUMN PASTORAL

by

Margaret Sherwood

CHAPTER I

"Her Excellency, will she have the politeness," said Daphne slowly, reading from a tiny Italian English phrase book, "the politeness to" She stopped helpless. Old Giacomo gazed at her with questioning eyes. The girl turned the pages swiftly and chose another phrase.

"I go," she announced, "I go to make a walk."

Light flashed into Giacomo's face.

"Si, si, Signorina; yes, yes," he assented with voice and shoulders and a flourish of the spoon he was polishing. "Capisco; I understand."

Daphne consulted her dictionary.

"Down there," she said gravely, pointing toward the top of the great hill on whose side the villa stood.

"Certainly," answered Giacomo with a bow, too much pleased by understanding when there was no reason for it to be captious in regard to the girl's speech. "The Signorina non ha paura, not 'fraid?"

"I'm not afraid of anything," was the answer in English. The Italian version of it was a shaking of the head. Then both dictionary and phrase book were consulted.

"To return," she stated finally, "to return to eat at six hours." Then she looked expectantly about.

"Assunta?" she said inquiringly, with a slight shrug of her shoulders, for other means of expression had failed.

"Capisco, capisco," shouted Giacomo in his excitement, trailing on the marble floor the chamois skin with which he had been polishing the silver, and speaking in what seemed to his listener one word of a thousand syllables... Continue reading book >>




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