The Death of Saul and other Eisteddfod Prize Poems and Miscellaneous Verses   By: J. C. Manning

The Death of Saul and other Eisteddfod Prize Poems and Miscellaneous Verses is a captivating collection of poetry that transports readers through time and emotions. Written by the talented J.C. Manning, this anthology showcases a wide range of poetic styles and themes that will leave readers immersed in contemplation and awe.

Manning's verses exude a powerful sense of lyrical beauty that resonates throughout the pages. The collection opens with "The Death of Saul," a poignant tale of tragedy and loss. Manning masterfully crafts vivid imagery, enabling readers to visualize the gripping events unfold before their eyes. With each stanza, the emotional turmoil and psychological complexity of the characters are skillfully conveyed, engrossing readers in every line.

The book's title proves deceptive, as it not only contains prize-winning Eisteddfod poems but also a myriad of other verses that offer an eclectic mix of ideas and subjects. From nature's alluring landscapes to the pinnacle of human existence, Manning's verses cover a vast canvas of topics. The poet's ability to seamlessly shift between subjects and styles showcases a versatility that keeps the readers intrigued and engaged.

One standout aspect of Manning's poetry is the way it effortlessly blends both traditional and contemporary forms. The careful attention to rhyme schemes and meter in some pieces evokes a nostalgic feeling reminiscent of the great classical poets. However, the poet isn't afraid to experiment with free verse and modern structures, breathing fresh air into the collection. This fusion of old and new makes for a refreshing read, as each poem unfurls with its own distinct voice, ensuring readers are never bored or complacent.

The introspective nature of the poems invites readers on a profound exploration of the human condition. Manning delves into themes such as love, loss, and the fleeting nature of time. Through his words, he encourages readers to ponder the meaning of life and the choices we make. The poet's ability to tap into universal emotions ensures that readers from all walks of life will find solace and connection within the verses.

It is worth mentioning, however, that a few of the poems lack the same level of depth and emotional resonance found in the stronger pieces. These verses, while still written with elegance and finesse, feel slightly surface-level compared to the more profound and thought-provoking pieces in the collection. Nevertheless, this does not detract significantly from the overall impact of the book and is merely a minor criticism in an otherwise impressive collection.

In conclusion, The Death of Saul and other Eisteddfod Prize Poems and Miscellaneous Verses is a gem that showcases J.C. Manning's talent and skill as a poet. With its diverse range of themes, expressive language, and evocative imagery, this anthology is a treasure trove for poetry enthusiasts. Manning's ability to capture the essence of human emotions and convey complex narratives creates a lasting impression. This collection is a must-read for anyone seeking moving and thought-provoking poetry that stands the test of time.

First Page:

Being restricted by the Wrexham Eisteddfod Committee to 200 lines, I was obliged to lop away from the bulk of the following poem just sufficient for their requirements. I have always declaimed, from a physical point of view, against the pernicious influence of light lacing, and this being so, it was not likely I could go at once and mentally encase my delicate muse, for a permanency, in a straight waistcoat, at the behest of any committee in the world. What would she have thought of me? If, therefore, the committee, or any member of it, should by chance observe that the "Death of Saul," as I now produce it, is of a more comprehensive character than the "Death of Saul" for which they were good enough to award me the first prize, they will see the poem without the temporary stays in which I was necessitated to encase it in order to make it acceptable to them and their restrictive tastes. To squeeze a poem of nearly 400 lines into the dimensions of one of 200, is, in my opinion, an achievement worthy of a prize in itself; and as half of the original had a gold medal awarded to it, the whole of it, I should think, ought to be worth two... Continue reading book >>