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The Doomswoman An Historical Romance of Old California   By: (1857-1948)

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Gertrude Franklin Horn Atherton's The Doomswoman is a captivating historical romance that delves into the rich and vibrant world of Old California. Set against the backdrop of the 19th century, the novel takes readers on a mesmerizing journey filled with intrigue, passion, and complex characters.

The story revolves around Doña Isabel Ruey, a young and resilient woman whose life takes an unexpected turn after tragedy strikes her family. Left alone to navigate the harsh realities of a changing society, Doña Isabel finds herself at the heart of a power struggle between competing factions in the region. As she becomes entangled in a web of politically charged relationships, her strength and cunning shine through, highlighting her transformation from an innocent young girl to a formidable player in California's tumultuous past.

Atherton masterfully intertwines romance and history, creating a vivid tapestry of a bygone era. The author's attention to detail and meticulous research shine throughout the narrative, transportings readers to a time when Spanish landowners, Mexican rancheros, and American settlers all vied for control of the land. Atherton's descriptions of the rugged landscapes, colorful traditions, and volatile socio-political climate of California immerse the reader in a world where danger and desire go hand in hand.

Moreover, the characters in The Doomswoman are flawlessly crafted, each one possessing a depth and complexity that adds depth to the overall narrative. Doña Isabel herself is a wonderfully multi-dimensional protagonist. Her growth from a sheltered young woman to an independent and determined force is a joy to witness. Other characters, such as the enigmatic Miguel, the opportunistic Morris, and the cunning Governor Pico, further enrich the story, making it impossible to predict what twists and turns await.

One of the highlights of this novel is Atherton's exquisite prose. Her writing style is elegant and evocative, allowing the reader to not only envision the scenery but also feel the emotions of the characters. Atherton masterfully captures the nuances of Old California's society, shedding light on its systemic injustices while also revealing the resilience and strength of its inhabitants.

While The Doomswoman shines in many aspects, it could be argued that the pacing occasionally falters. Some chapters delve into intricate historical details, which may not be everyone's cup of tea. However, for those who appreciate the richness and authenticity of historical fiction, these sections enhance the overall experience, deepening the understanding of the era and its significance.

In conclusion, The Doomswoman is a compelling historical romance that transports readers to the captivating world of Old California. Atherton's skillful storytelling, beautifully crafted characters, and meticulous attention to historical accuracy make this novel a must-read for fans of the genre. With its rich tapestry of love, ambition, and adventure, The Doomswoman is an enthralling journey through time that will leave readers yearning for more.

First Page:

[Illustration: Gertrude Atherton PHOTOGRAPHED BY MRS. LOUNSBERY]

THE DOOMSWOMAN

An Historical Romance of Old California

By

Gertrude Atherton

[Illustration]

1900

To

STEPHEN FRANKLIN

THE DOOMSWOMAN.

I.

It was at Governor Alvarado's house in Monterey that Chonita first knew of Diego Estenega. I had told him much of her, but had never cared to mention the name of Estenega in the presence of an Iturbi y Moncada.

Chonita came to Monterey to stand godmother to the child of Alvarado and of her friend Doña Martina, his wife. She arrived the morning before the christening, and no one thought to tell her that Estenega was to be godfather. The house was full of girls, relatives of the young mother, gathered for the ceremony and subsequent week of festivities. Benicia, my little one, was at the rancho with Ysabel Herrera, and I was staying with the Alvarados. So many were the guests that Chonita and I slept together. We had not seen each other for a year, and had so much to say that we did not sleep at all. She was ten years younger than I, but we were as close friends as she with her alternate frankness and reserve would permit. But I had spent several months of each year since childhood at her home in Santa Barbara, and I knew her better than she knew herself; when, later, I read her journal, I found little in it to surprise me, but much to fill and cover with shapely form the skeleton of the story which passed in greater part before my eyes... Continue reading book >>




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