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Essays on the Stage Preface to the Campaigners (1689) and Preface to the Translation of Bossuet's Maxims and Reflections on Plays (1699)   By: (1653-1723)

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In his collection of essays, Thomas D'Urfey delves into the world of stage performances, providing insightful commentary and thought-provoking analysis. While the book lacks a clear title, its content is far from lacking in substance. With two prefaces, namely "Preface to the Campaigners" (1689) and "Preface to the Translation of Bossuet's Maxims and Reflections on Plays" (1699), D'Urfey showcases his deep understanding of the theatrical medium and asserts his views on its significance.

In the "Preface to the Campaigners," D'Urfey offers a comprehensive overview of the theater's role in society. He eloquently argues that plays serve as a mirror reflecting the human condition, presenting both its virtues and vices. D'Urfey emphasizes the importance of entertainment and merriment, expressing that theater offers an escape from the harsh realities of life. His appreciation for humor and satire shines through, as he believes that through laughter, we can introspect and grow as individuals.

In the "Preface to the Translation of Bossuet's Maxims and Reflections on Plays," D'Urfey expands upon his ideas by drawing upon the work of French bishop Jacques BĂ©nigne Bossuet. With Bossuet's insights in mind, D'Urfey deepens the reader's understanding of the complexities of theater. He posits that while plays can have their moral hazards, they also possess the potential to convey important life lessons. D'Urfey highlights the power of storytelling to engage and educate the audience. He firmly believes that, when used skillfully, the theatrical medium can be a vehicle for moral instruction and societal betterment.

What sets D'Urfey's book apart is his clear passion for the stage and his firm conviction in its worth. He writes with eloquence and fervor, sharing his vast knowledge and understanding of the subject matter. His essays engage the reader in discussions surrounding the purpose of theater, its influence on society, and the moral responsibilities of playwrights and actors alike.

One of the book's strengths is D'Urfey's ability to seamlessly incorporate the views of others, using them to build upon his own arguments. By referencing Bossuet in the later preface, D'Urfey showcases his mastery of the subject and presents a more nuanced perspective. This blend of originality and research enriches the book, making it a commendable read for theater enthusiasts and scholars alike.

It is worth noting that D'Urfey's writing style, while elegant, may feel slightly dense at times. Some readers may find themselves grappling with the complexity of his ideas, requiring a closer reading to fully grasp his insights. However, for those who enjoy delving deep into the intricacies of theater and the philosophical questions it raises, this book offers an intellectually satisfying experience.

Essays on the Stage Preface to the Campaigners (1689) and Preface to the Translation of Bossuet's Maxims and Reflections on Plays (1699) is a thought-provoking collection that sheds light on the cultural and moral dimensions of theater. Thomas D'Urfey's profound understanding and passionate appreciation for the stage make this book an essential addition to the library of any theater lover or academic seeking to explore the historical significance and enduring relevance of the theater.

First Page:

Series Three: Essays on the Stage

No. 4

Thomas D'Urfey, Preface to The Campaigners (1698)

and

Anonymous, Preface to the Translation of Bossuet's Maxims and Reflections upon Plays (1699)

With an Introduction by Joseph Wood Krutch

The Augustan Reprint Society March, 1948 Price: $1.00

GENERAL EDITORS

RICHARD C. BOYS, University of Michigan EDWARD NILES HOOKER, University of California, Los Angeles H.T. SWEDENBERG, JR., University of California, Los Angeles

ASSISTANT EDITOR

W. EARL BRITTON, University of Michigan

ADVISORY EDITORS

EMMETT L. AVERY, State College of Washington BENJAMIN BOYCE, University of Nebraska LOUIS I. BREDVOLD, University of Michigan CLEANTH BROOKS, Yale University JAMES L. CLIFFORD, Columbia University ARTHUR FRIEDMAN, University of Chicago SAMUEL H. MONK, University of Minnesota ERNEST MOSSNER, University of Texas JAMES SUTHERLAND, Queen Mary College, London

Lithoprinted from copy supplied by author by Edwards Brothers, Inc. Ann Arbor, Michigan, U.S.A. 1948

Introduction

The three parts of D'Urfey's "The Comical History of Don Quixote" were performed between 1694 and (probably) the end of 1696... Continue reading book >>




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