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Fifth Avenue   By: (1873-1946)

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Fifth Avenue by Arthur Bartlett Maurice is a riveting read that takes readers on an immersive journey through the glamorous and cutthroat world of high society in New York City. Set in the early 1900s, this novel presents an intricate tapestry of love, ambition, and betrayal against the backdrop of the iconic Fifth Avenue.

The story follows a diverse cast of characters, each with their own distinct motivations and hidden secrets. From the wealthy socialites who reside in opulent brownstones to the struggling artists trying to make a name for themselves, Maurice skillfully weaves together their lives, revealing the stark contrast between appearances and reality. Through vivid descriptions and well-crafted dialogue, the author brings the era to life, vividly portraying the luxurious settings, the extravagant parties, and the rigid societal norms of the time.

One of the novel's greatest strengths lies in its multifaceted characters. Maurice delves deep into their psyches, exploring their desires, fears, and vulnerabilities. The protagonist, an ambitious young woman named Mary, defies societal expectations and seeks to break free from her predetermined fate. Her journey is both compelling and relatable, as readers witness her transformation from a naive and sheltered girl to a strong-willed woman who fights for her own happiness.

The author's exploration of themes like class divide, gender roles, and the pursuit of dreams adds depth to the narrative. Fifth Avenue serves as a stark reminder of the limitations placed upon individuals based on their socioeconomic status or gender, providing a thought-provoking commentary on the societal constraints of the time.

Maurice's writing style is eloquent and evocative, capturing the essence of the era with its sophisticated prose. The pace of the story is well-balanced, moving swiftly from one intrigue to the next, keeping readers engrossed and eager to discover what happens next. The author masterfully builds tension and suspense, leading to several unexpected twists and turns that will keep readers guessing until the final pages.

However, one minor flaw can be found in the occasional moments of excessive exposition, where the author's desire for historical accuracy momentarily interrupts the flow of the story. While these moments may provide valuable context, they can sometimes detract from the overall reading experience.

In conclusion, Fifth Avenue is a captivating novel that takes readers back in time to the lavish and turbulent world of New York City's elite. Arthur Bartlett Maurice's impeccable storytelling, engaging characters, and richly detailed settings make this book a must-read for fans of historical fiction. It is an enthralling journey full of romance, intrigue, and societal commentary, leaving readers satisfied and yearning for more.

First Page:

FIFTH AVENUE

by

ARTHUR BARTLETT MAURICE

Author of "New York in Fiction," "The New York of the Novelists," "Bottled up in Belgium," etc.

Drawings by Allan G. Cram

New York Dodd, Mead and Company

1918

[Illustration: "MASSIVE AND SPLENDIDLY GOTHIC IS ST. THOMAS'S. THE CHURCH DATES FROM 1825. IN 1867 THE PRESENT SITE WAS SECURED, AND THE BROWN STONE EDIFICE OF THE EARLY SEVENTIES WAS FOR NEARLY TWO GENERATIONS THE ULTRA FASHIONABLE EPISCOPAL CHURCH OF THE CITY"]

FOREWORD

In the making of this book the author has drawn from many sources. First, for many suggestions, he is indebted to Mr. Guy Nichols, the librarian of the Players Club, whose knowledge of the city is so profound that his friends occasionally refer to him as "the man who invented New York." The author is indebted to the Fifth Avenue Association and to the invariable courtesy of those persons in the New York Public Library with whom he has come in contact.

Among the books that have been consulted are, first of all, the admirable monographs, "Fifth Avenue," and "Fifth Avenue Events," issued by the Fifth Avenue Bank. From these he has drawn freely. Among other volumes are "The Diary of Philip Hone," Ward McAllister's "Society as I Have Found It," George Cary Eggleston's "Recollections of a Varied Life," Matthew Hale Smith's "Sunshine and Shadow in New York" (1869), Seymour Dunbar's "A History of Travel in America," Miss Henderson's "A Loiterer in New York," William Allen Butler's "A Retrospect of Forty Years," Fremont Rider's "New York City," Francis Gerry Fairfield's "The Clubs of New York," Anna Alice Chapin's "Greenwich Village," Theodore Wolff's "Literary Haunts and Homes," Rupert Hughes's "The Real New York," James Grant Wilson's "Thackeray in the United States," Mrs... Continue reading book >>




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