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The Flute of the Gods   By: (1866-1934)

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Marah Ellis Ryan’s "The Flute of the Gods" is a captivating and thought-provoking novel that takes readers on a fascinating journey through the mesmerizing landscapes of the American Southwest in the late 19th century. This historical romance tells the story of Olivia Leigh, a young artist who embarks on a quest to discover the secret behind a mysterious Native American flute.

From the very first pages, Ryan’s vivid and picturesque descriptions transport the reader to a world filled with desert sands, sprawling mesas, and enchanting pueblo villages. The author’s meticulous attention to detail breathes life into the setting, immersing readers in the rich cultural heritage of the Southwest and the inherent spirituality of its inhabitants.

The protagonist, Olivia, is a complex and relatable character whose unyielding curiosity and adventurous spirit drive the narrative forward. As she delves deeper into the world of Native American traditions and beliefs, Olivia’s own worldview is challenged, and she finds herself questioning the boundaries of art, spirituality, and love. Ryan skillfully weaves together themes of cultural exchange, identity, and the power of art throughout the novel, making it a thought-provoking and introspective read.

Furthermore, the dynamic interplay between the characters adds another layer of depth to the story. A diverse cast of supporting characters, each with their own compelling backstories, accompany Olivia on her journey. From the enigmatic Native American flute-maker to the charming cowboy who captures Olivia’s heart, Ryan’s well-rounded and emotionally resonant characters bring the narrative to life.

In terms of pacing, "The Flute of the Gods" maintains a steady rhythm that keeps the reader engaged throughout. While the novel primarily follows Olivia’s personal growth and discovery, it also skillfully incorporates elements of adventure and mystery, culminating in a satisfying and unexpected climax. Ryan’s ability to balance these different narrative threads is a testament to her storytelling prowess.

On a critical note, there were moments when the prose seemed overly verbose, slowing the narrative's momentum. These instances, however, are few and far between, and do not detract significantly from the overall reading experience.

In conclusion, "The Flute of the Gods" is a captivating novel that beautifully combines history, spirituality, and romance. Marah Ellis Ryan’s richly descriptive prose, well-developed characters, and thought-provoking themes make this a worthy addition to any bookshelf. Whether seeking an immersive historical journey or an introspective exploration of identity, readers will find themselves thoroughly enchanted by Ryan’s compelling storytelling.

First Page:

THE FLUTE OF THE GODS

by

MARAH ELLIS RYAN

Author of "Told in the Hills," "Indian Love Letters," "The Soul of Rafael," etc., etc.

Illustrated by Edward S. Curtis

[Illustration: "BY THE ARROW I HAVE SAID IT!" Page 120 ]

New York Frederick A. Stokes Company Publishers

Copyright, 1909 By Frederick A. Stokes Company All rights reserved September, 1909

THE FLUTE OF THE GODS

PREFACE

In romances of the aborigines of the so called New World there is usually presented savage man or woman modified as may be by the influence of European mythologies in various authorized forms. But, certain people of this New World possessed at least a semi civilization centuries before the coming of white conquerors.

When man ceases to be nomadic, builds houses of stone and mortar, terrace upon terrace, walled and fortressed against the enemy, when he has fields of growing grain, textile fabrics, decorated pottery, a government that is a republic, a priesthood trained in complex ritual, a well stocked pantheon, a certain understanding of astronomy and psychic phenomena, he may withal be called barbarian, even as was Abraham on Moriah barbaric when the altar of his god called for sacrifice of his only son. But a people of such culture could not with truth be called savage... Continue reading book >>




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