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Fra Angelico   By: (1858-1940)

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Fra Angelico by I.B. Supino is an in-depth exploration of the life and work of one of the most renowned painters in Italian art history, Fra Angelico. This comprehensive biography offers readers a remarkable insight into the artist's achievements and the historical context in which he lived.

The author, Supino, takes readers on a captivating journey through the different stages of Fra Angelico's life, shedding light on his early years as a Dominican friar and his devotion to God, which greatly influenced his artistic style. Supino not only manages to provide a detailed account of Angelico's life but also paints a vivid picture of the artistic climate in fifteenth-century Florence, allowing readers to fully appreciate the impact of the artist's work during this period of significant artistic flourishing.

One of the strengths of this book is the extensive collection of illustrations, including magnificent reproductions of Angelico's most famous works. The inclusion of these images allows readers to visually experience the artist's masterpieces, and also aids in understanding the author's analysis and descriptions. Supino's appreciation for Angelico's talent shines through in his commentary on the paintings, as he delves into the techniques and symbolism employed by the artist, adding depth to our understanding of his artistic genius.

Supino's meticulous research is evident in every chapter of the book. He provides ample historical context, offering readers a comprehensive understanding of the socio-political landscape during Angelico's lifetime. This contextualization is crucial in appreciating the artist's role in transforming the religious art of the period. Moreover, the author successfully explores the impact of Angelico's art beyond his contemporaries, highlighting how his work transcended the confines of his era and continues to inspire artists throughout history.

Although the book is undoubtedly scholarly in nature, Supino's writing style remains accessible throughout. He expertly balances extensive research and a wealth of detail with a clear and engaging narrative, making the book enjoyable for art enthusiasts of all levels of expertise. Supino's passion for Fra Angelico and his dedication to presenting a complete and accurate portrayal of the artist shines through on each page, captivating readers and fostering a profound appreciation for Angelico's contributions to the world of art.

In conclusion, Fra Angelico by I.B. Supino is an outstanding biography that illuminates the life and art of one of the greatest painters of the Renaissance. Supino's comprehensive research, enriched with stunning visual representations, provides readers with an immersive experience that brings Fra Angelico's works to life. This book is a must-read for anyone interested in art history, offering a comprehensive understanding of the artistic and historical significance of Fra Angelico's contributions to the art world.

First Page:

FRA ANGELICO

BY

J. B. SUPINO

TRANSLATED

BY

LEADER SCOTT.

FLORENCE

ALINARI BROTHERS, PUBLISHERS.

1902.

ALL RIGHTS RESERVED

Printed by Barbéra Alfani and Venturi, proprietors Florence.

[Illustration: The Annunciation. (Convent of San Marco, Florence)]

INDEX.

Beato Angelico Proem Page 5

I. Fra Angelico at Cortona and Perugia (1409 1418) 29

II. Fra Angelico at Fiesole (1418 1436) 55

III. Fra Angelico at Florence (1436 1445) 93

San Marco 95

In the Gallery of Ancient and Modern Art 131

IV. Fra Angelico at Rome and Orvieto (1445 1455) 155

Index to the Illustrations 179

[Illustration]

[Illustration: Angels of the "Last Judgement."]

Tradition shows us Fra Giovanni Angelico absorbed in his work, and either caressing with his brush one of those graceful angelic figures which have made him immortal, or reverently outlining the sweet image of the Virgin before which he himself would kneel in adoration. Legend pictures him devoutly prostrate in prayer before commencing work, that his soul might be purified, and fitted to understand and render the divine subject; and again in oration after leaving his easel, to thank heaven for having given him power to make his holy visions visible to other eyes... Continue reading book >>




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