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George Borrow Times Literary Supplement, 10th July 1903   By: (1866-1923)

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In the book review by Thomas Seccombe in the Times Literary Supplement on July 10th, 1903, the author delves into the work of George Borrow. The review commences by praising Borrow's "unique position" in the literary world, emphasizing his ability to seamlessly blend fictional and autobiographical elements into his narratives.

Seccombe illustrates Borrow's talent for vividly describing the lives and circumstances of diverse characters. He highlights Borrow's remarkable talent for language, incorporating various dialects and indigenous languages to enhance the authenticity of his characters and settings. Borrow's skillful portrayal of different cultures and his meticulous attention to detail make for a truly immersive reading experience.

Furthermore, Seccombe commends Borrow's ability to captivate readers by presenting unconventional perspectives on social and cultural themes. He acknowledges the author's ability to challenge societal norms and traditions through his unconventional characters and their experiences. Borrow's thoughtful exploration of themes such as religion, ethnicity, and class in his writings adds depth and complexity to his narratives.

Seccombe also reflects on the book's historical significance, appreciating Borrow's meticulous research and ability to bring the past to life. The reviewer remarks on the author's impressive knowledge of European history, which further enhances the depth and authenticity of his storytelling.

However, Seccombe notes that the book does have its flaws. He suggests that at times the plot appears to meander, lacking a clear direction. Additionally, some critics may find Borrow's writing too verbose or his characters overly eccentric. Nevertheless, the reviewer contends that these minor detractions do not overshadow the overall brilliance of Borrow's work.

In conclusion, Thomas Seccombe's book review in the Times Literary Supplement on July 10th, 1903, offers high praise for the literary achievements of George Borrow. Borrow's unique ability to blur the lines between fact and fiction, his adept use of language and cultural exploration, as well as his historical precision, contribute to the enduring value of his writings. Despite minor criticisms, Borrow's work seemingly continues to captivate readers by delivering thought-provoking narratives with unparalleled depth.

First Page:

GEORGE BORROW. {213a}

It is a singular coincidence, perhaps, that during one and the same summer we should be celebrating centenaries of Samuel Pepys and George Borrow. Pepys died in the early summer of 1703; Borrow was born in July, 1803. Unlike each other in almost every respect, they are dui palor , {213b} as Borrow would say, in one very material point. The reputation of each of them has risen to such a point that, except for injudicious and exaggerated praise, it can have little to fear in the future; and in each case this reputation is based primarily upon autobiography. Among the world’s autobiographers the author of “Lavengro” is entitled, we feel sure, to rank with St. Augustine, Cellini, Pepys, Rousseau, Franklin; and, for truthfulness, it is very probable, if we could only estimate it properly, that he would have to be put at the top of the class. His nearest competitor in this respect would undoubtedly be Pepys, and the veracity in both cases not the result of a double share of innate truthfulness, but very largely an accident, due to lack of invention and an absence of that powerful literary style which in the case of a Leigh Hunt or a Stevenson distorts everything that passes through it. In Pepys the malignity of the literary fairy is more than compensated by the worthy secretary’s insatiable appetite for life; in Borrow by the wanderlust or extraordinary passion and faculty for adventure, which makes his best books such an ambrosial hash of sorcery, Jews, Gentiles, gipsies, prisons, half in halves, cosas de España —what you will... Continue reading book >>




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