Getting Married   By: Bernard Shaw (1856-1950)

In Bernard Shaw's play Getting Married, the renowned playwright delves into the complexities of marriage and challenges the societal norms surrounding this institution. With his characteristic wit and sharpness, Shaw presents a thought-provoking exploration of the far-reaching implications of marriage.

From the very beginning, Shaw establishes his unconventional approach by centering the play around a wedding rather than the typical romantic courtship. The characters, all with their unique perspectives on marriage, engage in passionate debates that shed light on the flaws and limitations of this tradition. Shaw's expert use of dialogue brings these discussions to life, creating a lively and intellectually stimulating read.

One of the most captivating aspects of the play is Shaw's ability to challenge societal expectations. He boldly questions the institution of marriage itself, examining its historical origins and raising skeptical viewpoints. Through lively discussions on topics such as monogamy, divorce, and gender roles, Shaw encourages readers to question their own preconceived notions about marriage and relationships.

While the play may delve into weighty themes, Shaw balances it with his characteristic humor. His clever and witty writing infuses the story with lightness, making it an enjoyable and entertaining read. Shaw's swift and sharp dialogue keeps the pace brisk, ensuring that the reader's attention is captivated throughout the play.

Furthermore, Shaw expertly brings his diverse cast of characters to life, each representing a different viewpoint on marriage. Their interactions and conflicts not only add depth to the narrative but also provide a platform for exploring contrasting perspectives. From the traditionalist to the radical feminist, Shaw allows each character to present their arguments convincingly, forcing readers to consider various viewpoints and question societal norms.

However, one potential drawback of the play is its heavy reliance on dialogue. While Shaw's wit and intellect are undeniable, some readers might desire a more visually immersive experience. Although stage directions and descriptions are present, they are limited in comparison to the extensive conversations that take place. Despite this, Shaw's mastery of language keeps the dialogue engaging and compelling.

In conclusion, Bernard Shaw's Getting Married is a remarkable play that challenges traditional notions of marriage, relationships, and societal expectations. With its witty dialogue, thought-provoking debates, and compelling characters, the play offers a refreshing and insightful examination of this timeless institution. Shaw's writing style shines through, making this a must-read for those seeking intellectual stimulation and a reevaluation of the status quo.

First Page:

There is no subject on which more dangerous nonsense is talked and thought than marriage. If the mischief stopped at talking and thinking it would be bad enough; but it goes further, into disastrous anarchical action. Because our marriage law is inhuman and unreasonable to the point of downright abomination, the bolder and more rebellious spirits form illicit unions, defiantly sending cards round to their friends announcing what they have done. Young women come to me and ask me whether I think they ought to consent to marry the man they have decided to live with; and they are perplexed and astonished when I, who am supposed (heaven knows why!) to have the most advanced views attainable on the subject, urge them on no account to compromize themselves without the security of an authentic wedding ring... Continue reading book >>