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The Going of the White Swan   By: (1862-1932)

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Gilbert Parker's "The Going of the White Swan" immerses readers in a captivating world of love, loyalty, and sacrifice. Set in the late 19th century, the novel navigates through the intricacies of life in a small Canadian village, where personal relationships are entangled with political and historical events.

From the very beginning, Parker's descriptive language paints a vivid picture of the rugged Canadian wilderness, providing a scenic backdrop for the unfolding drama. The protagonist, Tharon Thornton, is a dynamic character whose journey takes readers through a wide range of emotions. His desire for justice and his pursuit of a better life for his people form the core of the story, pushing the narrative forward.

One of the most commendable aspects of this book is Parker's ability to seamlessly weave together historical events and personal stories. The political tensions between the French-Canadian and English communities act as a catalyst, highlighting the struggles faced by individuals and communities caught in the crossfire. This backdrop adds depth to the characters, enabling readers to develop a deeper understanding and connection to their experiences.

Furthermore, the complex relationships and love interests that develop throughout the story are delicately handled. Parker captures the nuances of the human heart, exploring themes of forbidden love, societal expectations, and personal sacrifice. The emotions portrayed in these relationships are raw and authentic, drawing readers in and tugging at their heartstrings.

The pacing of the novel is well-balanced, allowing readers to delve into the character's lives while still maintaining an engaging plot. At times, the narrative feels slow, allowing for introspection and reflection, but this only serves to enhance the overall reading experience. Readers will find themselves engrossed in the lives of the characters, eagerly awaiting the next twist or revelation.

Although "The Going of the White Swan" is a work of fiction, Parker's meticulous attention to historical accuracy adds depth and credibility to the story. The blend of fact and fiction creates a rich tapestry that educates and entertains simultaneously. Parker masterfully captures the essence of the late 19th century, providing readers with an authentic glimpse into the challenges and triumphs of that time.

Overall, "The Going of the White Swan" is a beautifully written novel that combines exquisite prose with a captivating story. It is a testament to Parker's skill as a writer and storyteller. With its unforgettable characters and rich historical context, this book is sure to leave a lasting impression. Whether one is a fan of historical fiction or simply appreciates a well-crafted tale, "The Going of the White Swan" is a must-read.

First Page:

THE GOING OF THE WHITE SWAN

[Illustration]

[Illustration]

[Illustration: "'No, no this!' the priest said." (p 56)]

THE GOING OF THE WHITE SWAN

BY

GILBERT PARKER

[Illustration]

NEW YORK D. APPLETON AND COMPANY MCMXII

[Illustration]

Copyright, 1912, by

GILBERT PARKER

Copyright, 1895, by Charles Scribner's Sons Copyright, 1895, by Stone and Kimball Copyright, 1898, by The Macmillan Company

[Illustration]

THE GOING OF THE WHITE SWAN

[Illustration]

I

"Why don't she come back, father?"

The man shook his head, his hand fumbled with the wolfskin robe covering the child, and he made no reply.

"She'd come if she knew I was hurted, wouldn't she?"

The father nodded, and then turned restlessly toward the door, as though expecting some one. The look was troubled, and the pipe he held was not alight, though he made a pretense of smoking.

"Suppose the wildcat had got me, she'd be sorry when she comes, wouldn't she?"

There was no reply yet, save by gesture, the language of primitive man; but the big body shivered a little, and the uncouth hand felt for a place in the bed where the lad's knee made a lump under the robe. He felt the little heap tenderly, but the child winced.

"S sh, but that hurts! This wolfskin's most too much on me, isn't it, father?"

The man softly, yet awkwardly, lifted the robe, folded it back, and slowly uncovered the knee... Continue reading book >>




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