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Handbook of the Minneapolis Institute of Arts   By:

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The Handbook of the Minneapolis Institute of Arts by Henry Wehle is an extraordinary resource for anyone interested in exploring the vast and diverse collections housed within this renowned institution. Covering a multitude of artistic periods and styles, this comprehensive guide provides a detailed and insightful overview of the museum's vast collection.

The book begins with an introduction that sets the stage for the rich cultural and historical context of the Minneapolis Institute of Arts. Wehle delves into the museum's foundation, its mission, and the significance of its diverse collections, which span from ancient civilizations to contemporary art.

The Handbook is structured in a user-friendly manner, allowing readers to easily navigate through the different wings and galleries. The author includes detailed maps and floor plans, enabling visitors to plan their visit efficiently and maximize their enjoyment of the museum's treasures.

One of the book's notable strengths is the way it balances its accessibility to casual visitors with its in-depth analysis for more seasoned art enthusiasts. Wehle's writing style combines approachability and academic rigor, enhancing the book's appeal across a broad spectrum of readers. Whether you're a novice art lover or a seasoned connoisseur, this book has something to offer.

The book truly shines in its exploration of individual artworks. Wehle's descriptions are vivid and evocative, capturing the essence and significance of each piece. He seamlessly weaves historical context, artistic techniques, and the artist's intentions into his narratives, providing readers with a deeper understanding of the artworks' cultural and artistic significance.

Another commendable aspect of the Handbook is its inclusion of rich visual content. The book features high-quality images of numerous artworks, allowing readers to appreciate their intricacies and details from the comfort of their own homes. The inclusion of such visuals greatly enhances the reading experience, acting as a virtual gallery that brings the collection to life.

Despite its comprehensive nature, the Handbook does have a few minor limitations. Some readers might find the depth of information overwhelming, particularly those seeking a more casual overview of the museum's collection. Additionally, the absence of a glossary or index may hinder readers' ability to quickly locate specific information.

Overall, the Handbook of the Minneapolis Institute of Arts by Henry Wehle is an indispensable companion for any visitor to the museum, as well as an engaging read for art enthusiasts and scholars alike. Its informative and captivating content, supplemented by stunning visual material, make it a valuable addition to any art lover's library. This book sets a high standard for museum handbooks, successfully conveying the depth and breadth of the Minneapolis Institute of Arts' exceptional collection.

First Page:

Handbook of the Minneapolis Institute of Arts

With 143 Illustrations

Joseph Breck and Henry Wehle

Published by the Minneapolis Society of Fine Arts 1917

CONTENTS

THE MINNEAPOLIS SOCIETY OF FINE ARTS PREFACE THE MINNEAPOLIS INSTITUTE OF ARTS GENERAL INFORMATION PLAN OF THE FIRST FLOOR PLAN OF THE SECOND FLOOR THE FIRST FLOOR THE CAST COLLECTION THE PRINT DEPARTMENT NEAR EASTERN ART JAPANESE ART CHINESE ART EGYPTIAN ART ANCIENT ART GOTHIC ART RENAISSANCE ART SEVENTEENTH CENTURY ART EIGHTEENTH CENTURY ART THE SECOND FLOOR MODERN AMERICAN PAINTINGS MODERN EUROPEAN PAINTINGS MODERN DRAWINGS MODERN SCULPTURE THE BRADSTREET ROOM

ILLUSTRATIONS

FIRST FLOOR PLAN. SECOND FLOOR PLAN. View of the South Hall. Renaissance Casts. The East Corridor: Greek and Roman Casts Gallery B 10: Gothic Casts The Print Study Room Christ Healing the Sick, Etching, Rembrandt, 1607 1669 Portrait of Sir Joshua Reynolds by Himself Mezzotint by Valentine Green, 1739 1813 The Breaking up of the Agamemnon. Sir Francis Seymour Haden, 1818 1910 Weary, Dry point, by James McNeil Whistler, 1834 1903 La Gallerie Notre Dame, Etching by Meryon, 1821 1868 The Diggers, Etching (Third State), by F. Millet, 1814 1875 Plate, with Floral Design Asia Minor, XVI Century Two Fragments of Bowls, Persian, Rhages, XIII Century... Continue reading book >>




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