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A Handbook to the Works of Browning (6th ed.)   By: (1828-1903)

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In A Handbook to the Works of Browning (6th ed.) by Sutherland Orr, readers are greeted with a comprehensive guide that delves into the world of Robert Browning's literary prowess. This latest edition aims to equip both newcomers and seasoned Browning enthusiasts with a valuable tool that enables a deeper understanding and appreciation of the poet's works.

Orr's expertise in Browning's poetry shines through the pages of this well-organized handbook. The author's commitment to detail and meticulous research is evident, as he explores each of Browning's significant poems, providing insightful commentary and analysis. It is commendable how Orr unravels the intricate layers of meaning within Browning's verses, shedding light on the poet's intentions and artistic techniques.

One of the notable strengths of this handbook lies in its accessibility. Orr has adeptly crafted a resource that caters to a wide audience, from students to scholars, by employing a clear and concise writing style. Even for those less familiar with Browning's poetry, the handbook acts as a guiding light, helping readers navigate through the complexities of themes, imagery, and language, all of which are prominent features of Browning's work.

Furthermore, the organization of the handbook further elevates its usefulness. Divided into sections based on Browning's major poems and collections, the book allows for easy referencing and quick access to specific aspects of each work. Whether one wishes to revisit a favorite poem or explore the nuances of a lesser-known piece, the book enables a smooth and enjoyable reading experience.

Moreover, Orr's inclusion of critical perspectives and historical context enriches the reader's understanding of Browning's works. By incorporating insights from scholars and critics, the handbook encourages an in-depth engagement with the poems, steering readers toward a more comprehensive interpretation. Orr masterfully balances his own analysis with the guidance of other experts, fostering a nuanced appreciation for Browning's poetry.

One potential drawback of this handbook lies in its reliance on previous editions. While this sixth edition builds on the strengths of its predecessors, it might become evident that some content remains unchanged. For readers who possess earlier versions, this may limit the appeal of acquiring the latest edition. However, considering the enduring value of Orr's contributions, this concern is outweighed by the continued relevance and significance of the handbook as a whole.

In conclusion, A Handbook to the Works of Browning (6th ed.) by Sutherland Orr is a valuable resource for any enthusiast of Robert Browning's poetry. Offering profound analysis, accessible writing, and a carefully curated selection of critical perspectives, Orr's handbook provides a compelling roadmap to Browning's works. Whether exploring the poet for the first time or delving deeper into a beloved piece, this handbook is an indispensable companion in unraveling the complexities and beauty of Browning's artistry.

First Page:

A HANDBOOK TO THE WORKS OF ROBERT BROWNING

BY MRS. SUTHERLAND ORR

"No pause i' the leading and the light!" The Ring and the Book , vol. ix. p. 226.

LONDON G. BELL AND SONS, LTD. 1927

First Published May 1885. Second Edition, 1886. Third Edition, 1887. Fourth Edition, 1889. Fifth Edition, 1890. Sixth Edition, 1892. Reprinted 1895, 1899, 1902, 1907, 1910, 1913, 1919, 1923.

PRINTED IN GREAT BRITAIN BY PURNELL AND SONS PAULTON, SOMERSET, ENGLAND

PREFACE TO THE FIRST EDITION.

This book was written at the request of some of the members of the Browning Society, and was originally intended to be a primer. It bears the marks of this intention in its general scheme, and in the almost abrupt brevity which the desired limits of space seemed to impose on its earlier part. But I felt from the first that the spirit of Mr. Browning's work could neither be compressed within the limits, nor adapted to the uses, of a primer, as generally understood; and the book has naturally shaped itself into a kind of descriptive Index, based partly on the historical order and partly or the natural classification of the various poems. No other plan suggested itself, at the time, for bringing the whole series of these poems at once under the reader's eye: since a description which throughout followed the historical order would have involved both lengthiness and repetition; while, as I have tried to show, there exists no scheme of natural classification into which the whole series could have been forced... Continue reading book >>




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