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The Heritage of Dedlow Marsh and Other Tales By: Bret Harte (1836-1902) |
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by Bret Harte
CONTENTS. THE HERITAGE OF DEDLOW MARSH
A KNIGHT ERRANT OF THE FOOT HILLS
A SECRET OF TELEGRAPH HILL
CAPTAIN JIM'S FRIEND THE HERITAGE OF DEDLOW MARSH. I. The sun was going down on the Dedlow Marshes. The tide was following
it fast as if to meet the reddening lines of sky and water in the west,
leaving the foreground to grow blacker and blacker every moment, and to
bring out in startling contrast the few half filled and half lit pools
left behind and forgotten. The strong breath of the Pacific fanning
their surfaces at times kindled them into a dull glow like dying
embers. A cloud of sand pipers rose white from one of the nearer
lagoons, swept in a long eddying ring against the sunset, and became a
black and dropping rain to seaward. The long sinuous line of channel,
fading with the light and ebbing with the tide, began to give off here
and there light puffs of gray winged birds like sudden exhalations.
High in the darkening sky the long arrow headed lines of geese and
'brant' pointed towards the upland. As the light grew more uncertain
the air at times was filled with the rush of viewless and melancholy
wings, or became plaintive with far off cries and lamentations. As the
Marshes grew blacker the far scattered tussocks and accretions on its
level surface began to loom in exaggerated outline, and two human
figures, suddenly emerging erect on the bank of the hidden channel,
assumed the proportion of giants. When they had moored their unseen boat, they still appeared for some
moments to be moving vaguely and aimlessly round the spot where they
had disembarked. But as the eye became familiar with the darkness it
was seen that they were really advancing inland, yet with a slowness of
progression and deviousness of course that appeared inexplicable to the
distant spectator. Presently it was evident that this seemingly even,
vast, black expanse was traversed and intersected by inky creeks and
small channels, which made human progression difficult and dangerous.
As they appeared nearer and their figures took more natural
proportions, it could be seen that each carried a gun; that one was a
young girl, although dressed so like her companion in shaggy pea jacket
and sou'wester as to be scarcely distinguished from him above the short
skirt that came halfway down her high india rubber fishing boots. By
the time they had reached firmer ground, and turned to look back at the
sunset, it could be also seen that the likeness between their faces was
remarkable. Both, had crisp, black, tightly curling hair; both had
dark eyes and heavy eyebrows; both had quick vivid complexions,
slightly heightened by the sea and wind. But more striking than their
similarity of coloring was the likeness of expression and bearing.
Both wore the same air of picturesque energy; both bore themselves with
a like graceful effrontery and self possession. The young man continued his way. The young girl lingered for a moment
looking seaward, with her small brown hand lifted to shade her eyes, a
precaution which her heavy eyebrows and long lashes seemed to render
utterly gratuitous. "Come along, Mag. What are ye waitin' for?" said the young man
impatiently. "Nothin'. Lookin' at that boat from the Fort." Her clear eyes were
watching a small skiff, invisible to less keen sighted observers,
aground upon a flat near the mouth of the channel. "Them chaps will
have a high ole time gunnin' thar, stuck in the mud, and the tide goin'
out like sixty!" "Never you mind the sodgers," returned her companion, aggressively,
"they kin take care o' their own precious skins, or Uncle Sam will do
it for 'em, I reckon. Anyhow the people that's you and me, Mag is
expected to pay for their foolishness. That's what they're sent yer
for. Ye oughter to be satisfied with that," he added with deep sarcasm. "I reckon they ain't expected to do much off o' dry land, and they
can't help bein' queer on the water," returned the young girl with a
reflecting sense of justice... Continue reading book >>
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Fiction |
Literature |
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