A History of Art in Chaldæa & Assyria, v. 1 By: Georges Perrot (1832-1914)
Georges Perrot's A History of Art in Chaldæa & Assyria, v. 1 offers a comprehensive and insightful exploration of the ancient art forms that flourished in these ancient Mesopotamian civilizations. Without a doubt, Perrot's expertise and meticulous research shine through the pages, enlightening readers about the rich artistic traditions of Chaldæa and Assyria. The book begins by laying a solid foundation, providing readers with a historical backdrop that contextualizes the art forms discussed throughout the chapters. Perrot's attention to minute details and ability to extract meaning from archaeological evidence allows readers to grasp the cultural, religious, and social significance embodied in these ancient artworks. Through Perrot's masterful prose, the historical narrative comes to life, transporting readers back in time to Chaldæa and Assyria. By presenting a chronological account of the art produced during different periods, the author allows readers to witness the growth, transformation, and interplay of artistic techniques and motifs across time. One of the book's most remarkable aspects is Perrot's ability to seamlessly integrate the visual and written sources he references. By providing detailed descriptions, accompanied by illustrations, the author ensures a comprehensive understanding of the art under discussion. Moreover, the inclusion of insightful analysis enables readers to look beyond the surface and grasp the underlying meanings and cultural contexts driving these artistic creations. Perrot's A History of Art in Chaldæa & Assyria, v. 1 stands out for its coverage of various artistic mediums, ranging from architecture and sculpture to ceramics and textiles. By exploring the intricacies of each medium, the author highlights the remarkable technical proficiency achieved by artists of these civilizations. The book also delves into the influences and exchanges between neighboring cultures, revealing the interconnectedness of artistic traditions in the region. While the book is undoubtedly thorough and informative, readers may find the sheer volume of information overwhelming at times. Certain sections may require multiple readings to fully absorb the details provided. Additionally, some readers may yearn for more analysis and interpretation, particularly when it comes to the symbolic and cultural significance of certain art forms. Despite these minor concerns, Perrot's A History of Art in Chaldæa & Assyria, v. 1 is an indispensable resource for anyone interested in ancient Mesopotamian art and culture. Perrot's exhaustive research, combined with his accessible writing style, ensures that both scholars and enthusiasts will find value in this work. The book serves as a commendable starting point for further exploration and appreciation of the vibrant artistic heritage of Chaldæa and Assyria. First Page: A HISTORY OF ART IN CHALDÆA & ASSYRIA FROM THE FRENCH OF GEORGES PERROT, PROFESSOR IN THE FACULTY OF LETTERS, PARIS; MEMBER OF THE INSTITUTE, AND CHARLES CHIPIEZ. ILLUSTRATED WITH FOUR HUNDRED AND FIFTY TWO ENGRAVINGS IN THE TEXT AND FIFTEEN STEEL AND COLOURED PLATES. IN TWO VOLUMES. VOL. I. TRANSLATED AND EDITED BY WALTER ARMSTRONG, B.A., Oxon., AUTHOR OF "ALFRED STEVENS," ETC. [Illustration] London: CHAPMAN AND HALL, Limited. New York: A. C. ARMSTRONG AND SON. 1884. London: R. CLAY, SONS, AND TAYLOR, BREAD STREET HILL. PREFACE. In face of the cordial reception given to the first two volumes of MM. Perrot and Chipiez's History of Ancient Art, any words of introduction from me to this second instalment would be presumptuous. On my own part, however, I may be allowed to express my gratitude for the approval vouchsafed to my humble share in the introduction of the History of Art in Ancient Egypt to a new public, and to hope that nothing may be found in the following pages to change that approval into blame. W. A. October 10, 1883. CONTENTS. CHAPTER I. THE GENERAL CHARACTERISTICS OF CHALDÆO ASSYRIAN CIVILIZATION. PAGE § 1... Continue reading book >>

A History of Art in Chaldæa & Assyria, v. 1 By: Georges Perrot (1832-1914)

Georges Perrot's A History of Art in Chaldæa & Assyria, v. 1 offers a comprehensive and insightful exploration of the ancient art forms that flourished in these ancient Mesopotamian civilizations. Without a doubt, Perrot's expertise and meticulous research shine through the pages, enlightening readers about the rich artistic traditions of Chaldæa and Assyria.

The book begins by laying a solid foundation, providing readers with a historical backdrop that contextualizes the art forms discussed throughout the chapters. Perrot's attention to minute details and ability to extract meaning from archaeological evidence allows readers to grasp the cultural, religious, and social significance embodied in these ancient artworks.

Through Perrot's masterful prose, the historical narrative comes to life, transporting readers back in time to Chaldæa and Assyria. By presenting a chronological account of the art produced during different periods, the author allows readers to witness the growth, transformation, and interplay of artistic techniques and motifs across time.

One of the book's most remarkable aspects is Perrot's ability to seamlessly integrate the visual and written sources he references. By providing detailed descriptions, accompanied by illustrations, the author ensures a comprehensive understanding of the art under discussion. Moreover, the inclusion of insightful analysis enables readers to look beyond the surface and grasp the underlying meanings and cultural contexts driving these artistic creations.

Perrot's A History of Art in Chaldæa & Assyria, v. 1 stands out for its coverage of various artistic mediums, ranging from architecture and sculpture to ceramics and textiles. By exploring the intricacies of each medium, the author highlights the remarkable technical proficiency achieved by artists of these civilizations. The book also delves into the influences and exchanges between neighboring cultures, revealing the interconnectedness of artistic traditions in the region.

While the book is undoubtedly thorough and informative, readers may find the sheer volume of information overwhelming at times. Certain sections may require multiple readings to fully absorb the details provided. Additionally, some readers may yearn for more analysis and interpretation, particularly when it comes to the symbolic and cultural significance of certain art forms.

Despite these minor concerns, Perrot's A History of Art in Chaldæa & Assyria, v. 1 is an indispensable resource for anyone interested in ancient Mesopotamian art and culture. Perrot's exhaustive research, combined with his accessible writing style, ensures that both scholars and enthusiasts will find value in this work. The book serves as a commendable starting point for further exploration and appreciation of the vibrant artistic heritage of Chaldæa and Assyria.

First Page:

A HISTORY

ART IN CHALDÆA & ASSYRIA

FROM THE FRENCH OF GEORGES PERROT,

PROFESSOR IN THE FACULTY OF LETTERS, PARIS; MEMBER OF THE INSTITUTE, AND CHARLES CHIPIEZ.

ILLUSTRATED WITH FOUR HUNDRED AND FIFTY TWO ENGRAVINGS IN THE TEXT AND FIFTEEN STEEL AND COLOURED PLATES.

IN TWO VOLUMES. VOL. I.

TRANSLATED AND EDITED BY WALTER ARMSTRONG, B.A., Oxon.,

AUTHOR OF "ALFRED STEVENS," ETC.

[Illustration]

London: CHAPMAN AND HALL, Limited. New York: A. C. ARMSTRONG AND SON. 1884.

London: R. CLAY, SONS, AND TAYLOR, BREAD STREET HILL.

PREFACE.

In face of the cordial reception given to the first two volumes of MM. Perrot and Chipiez's History of Ancient Art, any words of introduction from me to this second instalment would be presumptuous. On my own part, however, I may be allowed to express my gratitude for the approval vouchsafed to my humble share in the introduction of the History of Art in Ancient Egypt to a new public, and to hope that nothing may be found in the following pages to change that approval into blame.

W. A.

October 10, 1883.

CONTENTS.

CHAPTER I.

THE GENERAL CHARACTERISTICS OF CHALDÆO ASSYRIAN CIVILIZATION.

PAGE

§ 1... Continue reading book >>

Genres for this book
History
Art

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