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A History of the French Novel, Vol. 2 To the Close of the 19th Century By: George Saintsbury (1845-1933) |
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MACMILLAN AND CO., LIMITED LONDON · BOMBAY · CALCUTTA · MADRAS MELBOURNE
THE MACMILLAN COMPANY NEW YORK · BOSTON · CHICAGO DALLAS · SAN FRANCISCO
THE MACMILLAN CO. OF CANADA, LTD. TORONTO
A HISTORY OF THE FRENCH NOVEL (TO THE CLOSE OF THE 19TH CENTURY) BY GEORGE SAINTSBURY M.A. AND HON. D.LITT. OXON.; HON. L.L.D. ABERD.; HON. D.LITT. DURH.;
FELLOW OF THE BRITISH ACADEMY; HON. FELLOW OF MERTON COLLEGE, OXFORD;
LATE PROFESSOR OF RHETORIC AND ENGLISH LITERATURE IN THE UNIVERSITY OF
EDINBURGH VOL. II FROM 1800 TO 1900 MACMILLAN AND CO., LIMITED ST. MARTIN'S STREET, LONDON 1919 Sólo á veces, con un dejo
de zozobra y de ansiedad,
timido tiembla en sus labios
un viejo y triste cantar,
copla que vibre en el aire
como un toque funeral:
La Noche Buena se viene,
la Noche Buena se va!
Y nosotros nos iremos
y no volveremos más. CARLOS FERNANDEZ SHAW,
La Balada de los Viejos.
COPYRIGHT
PREFACE
"The second chantry" (for it would be absurd to keep "temple") of this
work "is not like the first"; in one respect especially, which seems to
deserve notice in its Preface or porch if a chantry may be permitted a
porch. In Volume I. though many of its subjects (not quite all) had
been handled by me before in more or less summary fashion, or in reviews
of individual books, or in other connections than that of the
novel only Hamilton, Lesage, Marivaux, and the minor "Sensibility" men
and women had formed the subjects of separate and somewhat detailed
studies, wholly or mainly as novelists. The case is altered in respect
of the present volume. The Essays on French Novelists , to which I
there referred, contain a larger number of such studies appertaining to
the present division studies busied with Charles de Bernard, Gautier,
Murger, Flaubert, Dumas, Sandeau, Cherbuliez, Feuillet. On Balzac I have
previously written two papers of some length, one as an Introduction to
Messrs. Dent's almost complete translation of the Comédie , with
shorter sequels for each book, the other an article in the Quarterly
Review for 1907. Some dozen or more years ago I contributed to an
American edition[1] of translations of Mérimée by various hands, a long
"Introduction" to that most remarkable writer, and I had, somewhat
earlier, written on Maupassant for the Fortnightly Review . One or two
additional dealings of some substance with the subject might be
mentioned, such as another Introduction to Corinne , but not to
Delphine . These, however, and passages in more general Histories ,
hardly need specification. On the other hand, I have never dealt, substantively and in detail, with
Chateaubriand, Paul de Kock, Victor Hugo, Beyle, George Sand, or Zola[2]
as novelists, nor with any of the very large number of minors not
already mentioned, including some, such as Nodier and Gérard de Nerval,
whom, for one thing or another, I should myself very decidedly put above
minority. And, further, my former dealings with the authors in the first
list given above having been undertaken without any view to a general
history of the French novel, it became not merely proper but easy for me
to "triangulate" them anew. So that though there may be more previous
work of mine in print on the subjects of the present volume than on
those of the last, there will, I hope, be found here actually less, and
very considerably less, réchauffé hardly any, in fact (save a few
translations[3] and some passages on Gautier and Maupassant) of the
amount and character which seemed excusable, and more than excusable, in
the case of the "Sensibility" chapter there. The book, if not actually a
"Pisgah sight reversed," taken from Lebanon instead of Pisgah after
more than forty years' journey, not in the wilderness, but in the
Promised Land itself, attempts to be so; and uses no more than fairly
"reminiscential" (as Sir Thomas Browne would say) notes, taken on that
journey itself... Continue reading book >>
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