The Hymns of Martin Luther Set to their original melodies By: Martin Luther (1483-1546)
In "The Hymns of Martin Luther Set to their original melodies," readers are treated to a beautiful and profound collection that highlights the musical genius of Martin Luther. This book not only preserves Luther's iconic hymns but also provides an invaluable glimpse into the Reformation era and its impact on religious music. One of the most captivating aspects of this book is its preservation of Luther's hymns in their original melodies. By presenting the hymns as they were intended to be sung, the author gives us a unique opportunity to experience the music that accompanied Luther's revolutionary writings. Through this harmonious journey, readers are transported back in time, immersed in the raw emotions and spiritual fervor that Luther sought to convey through his hymns. In addition to the melodies themselves, the book offers insightful commentary on Luther's life, his role in the Reformation, and the historical context in which these hymns were crafted. The author expertly weaves together historical facts and musical analysis, allowing readers to deepen their understanding of Luther's contributions and the significance of his hymns. Furthermore, the book's format and design contribute to an enjoyable reading experience. With clear and legible music notation, readers are encouraged to engage with the hymns on a more active level, perhaps even trying their hand at playing or singing along. This hands-on approach not only enriches readers' appreciation for Luther's musical prowess but also fosters a deeper connection to the religious messages conveyed by the hymns. While some readers may have reservations about the niche topic of this book, it is undeniably a valuable resource for scholars, musicians, and anyone with an interest in religious history. The inclusion of both the original German text and English translations ensures accessibility to a wide range of readers, making it possible for Luther's hymns to resonate with a diverse audience. In conclusion, "The Hymns of Martin Luther Set to their original melodies" is a poignant tribute to one of history's greatest religious figures. Through its preservation of Luther's hymns and insightful commentary, it offers a rich and illuminating exploration of the Reformation era and the musical legacy of Martin Luther. This book is a must-read for those seeking to deepen their understanding of Luther's contributions to both music and religious thought. First Page: Dr. Martin Luther's Deutsche Geistliche Lieder The Hymns of Martin Luther Set To Their Original Melodies With an English Version Edited by Leonard Woolsey Bacon Assisted by Nathan H. Allen CONTENTS Introduction Dr. Martin Luther's Preface to all good Hymn Books, 1543 FROM THE "EIGHT SONGS," Wittenberg, 1524. I. Nun freut euch, lieben Christen g'mein. (1523) "A Song of Thanksgiving for the great Benefits which God in Christ has mainifested to us." DEAR CHRISTIANS, ONE AND ALL REJOICE. TRANSLATION in part from R. Massie. FIRST MELODY, 1524. Harmony by H. Schein, 1627. SECOND MELODY from Klug's Gesangbuch, 1543. Harmony by M. Praetorius, 1610. This choral is commonly known under the title, "Es ist gewisslich an der Zeit," and, in a modified form, in England and America, as "Luther's Judgment Hymn," from its association with a hymn of W. B. Collyer, partly derived from the German, and not written by Luther. II. Ach Gott, vom Himmel sieh' darein. PSALM XII Salvum me fac, Domine. LOOK DOWN, O LORD, FROM HEAVEN BEHOLD. TRANSLATION chiefly from Frances Elizabeth Cox, in "Hymns from the German." FIRST MELODY, 1524, is the tune of the hymn of Paul Speratus, "Es ist das Heil uns kommen her," the singing of which under Luther's window at Wittenberg is related to have made so deep an impression on the Reformer... Continue reading book >>

The Hymns of Martin Luther Set to their original melodies By: Martin Luther (1483-1546)

In "The Hymns of Martin Luther Set to their original melodies," readers are treated to a beautiful and profound collection that highlights the musical genius of Martin Luther. This book not only preserves Luther's iconic hymns but also provides an invaluable glimpse into the Reformation era and its impact on religious music.

One of the most captivating aspects of this book is its preservation of Luther's hymns in their original melodies. By presenting the hymns as they were intended to be sung, the author gives us a unique opportunity to experience the music that accompanied Luther's revolutionary writings. Through this harmonious journey, readers are transported back in time, immersed in the raw emotions and spiritual fervor that Luther sought to convey through his hymns.

In addition to the melodies themselves, the book offers insightful commentary on Luther's life, his role in the Reformation, and the historical context in which these hymns were crafted. The author expertly weaves together historical facts and musical analysis, allowing readers to deepen their understanding of Luther's contributions and the significance of his hymns.

Furthermore, the book's format and design contribute to an enjoyable reading experience. With clear and legible music notation, readers are encouraged to engage with the hymns on a more active level, perhaps even trying their hand at playing or singing along. This hands-on approach not only enriches readers' appreciation for Luther's musical prowess but also fosters a deeper connection to the religious messages conveyed by the hymns.

While some readers may have reservations about the niche topic of this book, it is undeniably a valuable resource for scholars, musicians, and anyone with an interest in religious history. The inclusion of both the original German text and English translations ensures accessibility to a wide range of readers, making it possible for Luther's hymns to resonate with a diverse audience.

In conclusion, "The Hymns of Martin Luther Set to their original melodies" is a poignant tribute to one of history's greatest religious figures. Through its preservation of Luther's hymns and insightful commentary, it offers a rich and illuminating exploration of the Reformation era and the musical legacy of Martin Luther. This book is a must-read for those seeking to deepen their understanding of Luther's contributions to both music and religious thought.

First Page:

Dr. Martin Luther's Deutsche Geistliche Lieder

The Hymns of Martin Luther

Set To Their Original Melodies

With an English Version Edited by Leonard Woolsey Bacon Assisted by Nathan H. Allen

CONTENTS

Introduction

Dr. Martin Luther's Preface to all good Hymn Books, 1543

FROM THE "EIGHT SONGS," Wittenberg, 1524.

I. Nun freut euch, lieben Christen g'mein. (1523)

"A Song of Thanksgiving for the great Benefits which God in Christ has mainifested to us."

DEAR CHRISTIANS, ONE AND ALL REJOICE.

TRANSLATION in part from R. Massie.

FIRST MELODY, 1524. Harmony by H. Schein, 1627.

SECOND MELODY from Klug's Gesangbuch, 1543. Harmony by M. Praetorius, 1610. This choral is commonly known under the title, "Es ist gewisslich an der Zeit," and, in a modified form, in England and America, as "Luther's Judgment Hymn," from its association with a hymn of W. B. Collyer, partly derived from the German, and not written by Luther.

II. Ach Gott, vom Himmel sieh' darein.

PSALM XII Salvum me fac, Domine.

LOOK DOWN, O LORD, FROM HEAVEN BEHOLD.

TRANSLATION chiefly from Frances Elizabeth Cox, in "Hymns from the German." FIRST MELODY, 1524, is the tune of the hymn of Paul Speratus, "Es ist das Heil uns kommen her," the singing of which under Luther's window at Wittenberg is related to have made so deep an impression on the Reformer... Continue reading book >>

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Religion

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