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In Madeira Place 1887   By: (1847-1924)

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In Madeira Place 1887 by Heman White Chaplin is a gripping historical fiction novel set in the late 19th century. The story revolves around a small coastal town where secrets, scandal, and mysterious occurrences come to life.

Chaplin's vivid descriptions transport readers back to a time when life was simpler yet filled with hidden complexities. From the very beginning, the author expertly builds an eerie atmosphere that hangs over Madeira Place like a thick fog, giving the narrative an air of suspense and anticipation.

The characters in this novel are multi-dimensional and truly bring the story to life. The protagonist, a young and ambitious journalist named Elizabeth, is determined to uncover the truth behind the strange events happening in Madeira Place. Her determination and resilience make her a compelling character to follow throughout the book. The supporting cast, including the enigmatic Mr. Smithson and the charming but mysterious Jonas, further add depth and intrigue to the tale.

One of the strengths of this book is Chaplin's ability to weave together multiple storylines seamlessly. As Elizabeth delves deeper into her investigation, she uncovers a web of interconnected secrets that shakes the foundations of the town. The plot is rife with thrilling twists and turns, keeping readers on the edge of their seats and eagerly turning the pages.

Furthermore, Chaplin's meticulous attention to historical detail is commendable. The author's thorough research and incorporation of accurate period elements enhance the authenticity of the narrative. The detailed descriptions of the town, its inhabitants, and their lifestyles give readers a vivid insight into life during that time period.

In Madeira Place 1887 is not just a mystery novel but also a commentary on societal norms, gender roles, and the power dynamics of the era. Through Elizabeth's journey, the author portrays the struggles and limitations faced by women in a male-dominated society. This thoughtful exploration adds an extra layer of depth to the story and provokes reflection on the progress we've made since then.

While the overall storytelling is engrossing, some readers might find the pacing to be slow at times. The extensive descriptions and character introspections could potentially stall the narrative flow. However, those who appreciate a more character-driven story will likely find this aspect to be a strength rather than a drawback.

In conclusion, In Madeira Place 1887 by Heman White Chaplin is a captivating historical mystery that transports readers to a bygone era. With its engaging characters, well-crafted plot, and insightful exploration of societal issues, this novel is sure to leave readers yearning for more. Fans of historical fiction and mysteries will find themselves enthralled by Chaplin's skillful storytelling.

First Page:

IN MADEIRA PLACE

1887

By Heman White Chaplin

Turning from the street which follows the line of the wharves, into Madeira Place, you leave at once an open region of docks and spars for comparative retirement. Wagons seldom enter Madeira Place: it is too hard to turn them in it; and then the inhabitants, for the most part, have a convenient way of buying their coal by the basket. How much trouble it would save, if we would all buy our coal by the basket!

A few doors up the place a passageway makes off to the right, through a high wooden gate that is usually open; and at the upper corner of this passage stands a brick house, whose perpetually closed blinds suggest the owner's absence. But the householders of Madeira Place do not absent themselves, even in summer; they could hardly get much nearer to the sea. And if you will take the pains to seat yourself, toward the close of day, upon an opposite doorstep, between two rows of clamorous little girls sliding, with screams of painful joy, down the rough hammered stone, to the improvement of their clothing, you will see that the house is by no means untenanted.

Every evening it is much the same thing. First, following close upon the heels of sunset, comes a grizzly, tall, and slouching man, in the cap and blouse of a Union soldier, bearing down with his left hand upon a cane, and dragging his left foot heavily behind him, while with his right hand he holds by a string a cluster of soaring toy balloons, and also drags, by its long wooden tongue, a rude child's cart, in which is a small hand organ... Continue reading book >>




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