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Life and Habit By: Samuel Butler (1835-1902) |
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PREFACE Since Samuel Butler published "Life and Habit" thirty three {1} years
have elapsed years fruitful in change and discovery, during which
many of the mighty have been put down from their seat and many of the
humble have been exalted. I do not know that Butler can truthfully
be called humble, indeed, I think he had very few misgivings as to
his ultimate triumph, but he has certainly been exalted with a
rapidity that he himself can scarcely have foreseen. During his
lifetime he was a literary pariah, the victim of an organized
conspiracy of silence. He is now, I think it may be said without
exaggeration, universally accepted as one of the most remarkable
English writers of the latter part of the nineteenth century. I will
not weary my readers by quoting the numerous tributes paid by
distinguished contemporary writers to Butler's originality and force
of mind, but I cannot refrain from illustrating the changed attitude
of the scientific world to Butler and his theories by a reference to
"Darwin and Modern Science," the collection of essays published in
1909 by the University of Cambridge, in commemoration of the Darwin
centenary. In that work Professor Bateson, while referring
repeatedly to Butler's biological works, speaks of him as "the most
brilliant and by far the most interesting of Darwin's opponents,
whose works are at length emerging from oblivion." With the growth
of Butler's reputation "Life and Habit" has had much to do. It was
the first and is undoubtedly the most important of his writings on
evolution. From its loins, as it were, sprang his three later books,
"Evolution Old and New," "Unconscious Memory," and "Luck or Cunning",
which carried its arguments further afield. It will perhaps interest
Butler's readers if I here quote a passage from his note books,
lately published in the "New Quarterly Review" (Vol. III. No. 9), in
which he summarizes his work in biology: "To me it seems that my contributions to the theory of evolution have
been mainly these "1. The identification of heredity and memory, and the corollaries
relating to sports, the reversion to remote ancestors, the phenomena
of old age, the causes of the sterility of hybrids, and the
principles underlying longevity all of which follow as a matter of
course. This was 'Life and Habit' [1877]. "2. The re introduction of teleology into organic life, which to me
seems hardly, if at all, less important than the 'Life and Habit'
theory. This was 'Evolution Old and New' [1879]. "3. An attempt to suggest an explanation of the physics of memory.
This was Unconscious Memory' [1880]. I was alarmed by the suggestion
and fathered it upon Professor Hering, who never, that I can see,
meant to say anything of the kind, but I forced my view upon him, as
it were, by taking hold of a sentence or two in his lecture, 'On
Memory as a Universal Function of Organised Matter,' and thus
connected memory with vibrations. "What I want to do now (1885) is to connect vibrations not only with
memory but with the physical constitution of that body in which the
memory resides, thus adopting Newland's law (sometimes called
Mendelejeff's law) that there is only one substance, and that the
characteristics of the vibrations going on within it at any given
time will determine whether it will appear to us as, we will say,
hydrogen, or sodium, or chicken doing this, or chicken doing the
other." [This is touched upon in the concluding chapter of "Luck or
Cunning?" 1887]. The present edition of "Life and Habit" is practically a re issue of
that of 1878. I find that about the year 1890, although the original
edition was far from being exhausted, Butler began to make
corrections of the text of "Life and Habit," presumably with the
intention of publishing a revised edition. The copy of the book so
corrected is now in my possession. In the first five chapters there
are numerous emendations, very few of which, however, affect the
meaning to any appreciable extent, being mainly concerned with the
excision of redundancies and the simplification of style... Continue reading book >>
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