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The Lives of the Most Famous English Poets (1687)   By:

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In "The Lives of the Most Famous English Poets" by William Winstanley, readers are provided with a captivating and enlightening journey through the lives and works of some of the most renowned English poets. Published in 1687, this compilation stands as a valuable historical account of the literary figures who have made a significant impact on the world of poetry.

Winstanley's writing style is engaging, as he weaves together a tapestry of anecdotes and biographical details about each poet. By delving into their personal lives, he humanizes these literary giants, enabling readers to perceive the struggles, triumphs, and desires that carved a path to their creative brilliance. The author's meticulous research is evident in the comprehensive and detailed portraits of each poet, providing a well-rounded understanding of their upbringing, education, and artistic development.

One of the book's most impressive aspects is its comprehensiveness. Winstanley covers an extensive range of poets, ensuring that both well-known figures like William Shakespeare, John Milton, and Edmund Spenser, as well as lesser-known poets, receive due recognition. This inclusivity adds depth to the reading experience, as readers are introduced to new and exciting voices in English poetry.

Moreover, Winstanley incorporates excerpts from the poets' works throughout the book, allowing readers to appreciate their literary prowess firsthand. This technique not only acts as a testament to the poets' mastery but also serves as an invitation for readers to explore their works in their entirety. By showcasing a variety of literary forms and themes, Winstanley demonstrates the diversity and evolution of English poetry over time.

While the author's admiration for the poets is evident in his writing, he also acknowledges their flaws and shortcomings. By presenting a balanced perspective, Winstanley offers readers a nuanced understanding of these literary icons, painting a realistic and unromanticized image of their lives. This adds authenticity to the narratives, as readers can relate to the poets' struggles and limitations, ultimately emphasizing the humanity beneath their poetic genius.

However, it is important to note that this book was published in 1687, and therefore, the information and perspectives presented may not align with contemporary scholarship or societal values. Readers should approach this volume with an understanding of its historical context, appreciating it as a product of its time.

In conclusion, "The Lives of the Most Famous English Poets" by William Winstanley is a valuable resource for anyone interested in the lives, works, and historical significance of celebrated English poets. Offering a well-researched and engaging account, Winstanley enhances our appreciation for the artistic contributions of these literary luminaries. Despite its age, this book serves as a timeless tribute to the enduring legacy of English poetry, reminding readers of its power to transcend generations.

First Page:

THE LIVES Of the Most Famous English Poets .

(1687)

BY William Winstanley .

A FACSIMILE REPRODUCTION WITH AN INTRODUCTION BY William Riley Parker

GAINESVILLE, FLORIDA SCHOLARS' FACSIMILES & REPRINTS 1963

SCHOLARS' FACSIMILES & REPRINTS 1605 N.W. 14th AVE. GAINESVILLE, FLORIDA, U.S.A.

HARRY R. WARFEL, GENERAL EDITOR

REPRODUCED FROM A COPY OWNED BY HARRY R. WARFEL

L.C. CATALOG CARD NUMBER: 63 7095

MANUFACTURED IN THE U.S.A.

LETTERPRESS BY J.N. ANZEL, INC. PHOTOLITHOGRAPHY BY EDWARDS BROTHERS BINDING BY UNIVERSAL DIXIE BINDERY

Introduction

This book merits more attention and respect from literary historians than thus far have been accorded it. The case must be stated carefully. The work has obvious faults and limitations, which probably account for its never having been reprinted since its appearance in 1687. Almost forty percent of it is largely or entirely derivative. Its author, William Winstanley (1628? 1698), was undoubtedly a compiler and a hack writer; his attitudes and methods can hardly be termed "scholarly." Nevertheless, this pioneer in biographical and bibliographical research was more nearly a scholar than the man he is usually alleged to have plagiarized; he wanted to see the books that Edward Phillips was often content merely to list by title in his Theatrum Poetarum (1675), and altogether, for his own enjoyment and that of his readers, he quoted from the works of more than sixty poets... Continue reading book >>




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